| Red Rock Rag Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS7 Composed by Doris Gazda...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS7
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major. When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stars Carl Fischer
Choral SSAA choir SKU: CF.CM9722 Composed by Kyle Pederson. Jbc. 8 pages....(+)
Choral SSAA choir SKU:
CF.CM9722 Composed by
Kyle Pederson. Jbc. 8
pages. Duration 3
minutes, 41 seconds. Carl
Fischer Music #CM9722.
Published by Carl Fischer
Music (CF.CM9722).
ISBN 9781491161012.
UPC: 680160919611. Key: C
major. English. Kyle
Pederson.
Original. Stars was
born out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light from
distant stars takes eons
to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact? Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection. Stars
Legacies of light Ages
ago, you spun light into
the bleak Ancient light
falls on my eye And I? A
star sacred stellar dust
casting light out through
time In whose sky will my
light fall?
 . Stars was born
out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light
from distant stars takes
eons to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact?Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection.StarsLegacies
of lightAges ago, you
spun light into the
bleakAncient light falls
on my eyeAnd I?A
starsacred stellar
dustcasting light out
through timeIn whose sky
will my light fall? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Golden Peak Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1196201-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1196201-010.
Published by De Haske
Publications
(BT.DHP-1196201-010).
English-German-French-
Dutch. Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Golden
Peak est une
Å“uvre de concert qui
nous plonge dans
l’univers des
volcans
d’Auvergne, au
centre de la France. Ce
sont des volcans endormis
dont l’ ge
s’étend de 65
millions
d’années
jusqu’ seulement
7000 ans. Parmi les plus
célèbres, la
Chaîne des Puys compte
80 volcans et forme un
environnement naturel qui
se place parmi les plus
fascinants au monde. Le
titre de cette pièce
dynamique et rythmique,
qui fait appel tous les
pupitres de
l’orchestre, se
rapporte la ville
thermale de Mont-Dore.
Très serein, le
thème central est
fascinant, tandis que la
musique dépeint la
fois le dynamisme et la
quiétude de la
région. $184.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Golden Peak Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1196201-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 31
pages. De Haske
Publications #DHP
1196201-140. Published by
De Haske Publications
(BT.DHP-1196201-140).
English-German-French-
Dutch. Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Golden
Peak est une
Å“uvre de concert qui
nous plonge dans
l’univers des
volcans
d’Auvergne, au
centre de la France. Ce
sont des volcans endormis
dont l’ ge
s’étend de 65
millions
d’années
jusqu’ seulement
7000 ans. Parmi les plus
célèbres, la
Chaîne des Puys compte
80 volcans et forme un
environnement naturel qui
se place parmi les plus
fascinants au monde. Le
titre de cette pièce
dynamique et rythmique,
qui fait appel tous les
pupitres de
l’orchestre, se
rapporte la ville
thermale de Mont-Dore.
Très serein, le
thème central est
fascinant, tandis que la
musique dépeint la
fois le dynamisme et la
quiétude de la
région. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Best of Pop and Rock for Acoustic Guitar light 2 Guitare [Partition] Edition Dux Verlag
Guitar SKU: M7.DUX-825 Solo Arrangements Noten TAB Leadsheet. ...(+)
Guitar SKU:
M7.DUX-825 Solo
Arrangements Noten TAB
Leadsheet. Edited by
Beat Scherler. Sheet
music. Performance book.
68 pages. Edition Dux
Verlag #DUX 825.
Published by Edition Dux
Verlag (M7.DUX-825).
ISBN
9783868493184. Die
neue Serie ist die
leichte Vorstufe zur
Erfolgsreihe ûBest
of Pop and Rock for
Classical Guitarë.
Alle acht Songs sind
für Gitarre solo
in Notenschrift und
Tabulatur arrangiert.
Zusätzlich gibt es
zu jedem Stück ein
Leadsheet mit Strumming-
und
Picking-Vorschläge
n. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Socotra [Conducteur et Parties séparées] - Intermédiaire Forton Music
Fl. Fl. Afl. Bfl. - Intermediate SKU: FT.FM472 Composed by Russell Hepple...(+)
Fl. Fl. Afl. Bfl. -
Intermediate SKU:
FT.FM472 Composed by
Russell Hepplewhite.
Flute Quartet. Score and
parts. Forton Music
#FM472. Published by
Forton Music (FT.FM472).
ISBN
9790570483716. The
first movement Chocolate
Hills explores an
unearthly but colourful
image of enormous hills
turned brown from the dry
season and located in the
Phillipines. The
second movement Socotra
focuses on an area of
Yemen so remote and with
a climate so unforgiving
it is amazing any species
can survive there at all,
and yet the image I based
my music upon is bursting
with life including
dragon's blood trees,
Socotra sunbirds and
legless lizards. The
third movement Moeraki
Boulders takes us to a
beach in New Zealand to
ponder the ghostly
appearance of clusters of
spherical rocks formed
several million years
ago; while the final
movement Stone Forest
ends our musical journey
imagining an area in
China in which vast
stalagmite-like
formations rise from the
ground and create the
appearance of petrified
trees.  . $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Socotra [Conducteur et Parties séparées] Forton Music
Saxophone quartet - Advanced SKU: FT.FM473 Composed by Russell Hepplewhit...(+)
Saxophone quartet -
Advanced SKU:
FT.FM473 Composed by
Russell Hepplewhite.
Saxophone Quartet SATB.
Score and parts. Forton
Music #FM473. Published
by Forton Music
(FT.FM473). ISBN
9790570483723. The
first movement Chocolate
Hills explores an
unearthly but colourful
image of enormous hills
turned brown from the dry
season and located in the
Phillipines. The
second movement Socotra
focuses on an area of
Yemen so remote and with
a climate so unforgiving
it is amazing any species
can survive there at all,
and yet the image I based
my music upon is bursting
with life including
dragon's blood trees,
Socotra sunbirds and
legless lizards. The
third movement Moeraki
Boulders takes us to a
beach in New Zealand to
ponder the ghostly
appearance of clusters of
spherical rocks formed
several million years
ago; while the final
movement Stone Forest
ends our musical journey
imagining an area in
China in which vast
stalagmite-like
formations rise from the
ground and create the
appearance of petrified
trees.  . $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Socotra [Conducteur et Parties séparées] - Intermédiaire Forton Music
Fl/cl. Fl/ob/cl. Cl/Hn/ca. Bcl/Bsn - Intermediate SKU: FT.FM475 Composed ...(+)
Fl/cl. Fl/ob/cl.
Cl/Hn/ca. Bcl/Bsn -
Intermediate SKU:
FT.FM475 Composed by
Russell Hepplewhite.
Flexible Wind Quartet.
Score and parts. Forton
Music #FM475. Published
by Forton Music
(FT.FM475). ISBN
9790570483747. The
first movement Chocolate
Hills explores an
unearthly but colourful
image of enormous hills
turned brown from the dry
season and located in the
Phillipines. The
second movement Socotra
focuses on an area of
Yemen so remote and with
a climate so unforgiving
it is amazing any species
can survive there at all,
and yet the image I based
my music upon is bursting
with life including
dragon's blood trees,
Socotra sunbirds and
legless lizards. The
third movement Moeraki
Boulders takes us to a
beach in New Zealand to
ponder the ghostly
appearance of clusters of
spherical rocks formed
several million years
ago; while the final
movement Stone Forest
ends our musical journey
imagining an area in
China in which vast
stalagmite-like
formations rise from the
ground and create the
appearance of petrified
trees.  . $32.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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