| Starter Solos Violon et Piano [Partition + CD] - Facile
Violin and Piano - easy SKU: BT.AMP-345-400 20 Progressive Pieces with...(+)
Violin and Piano - easy
SKU:
BT.AMP-345-400 20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
345-400. Published by
Anglo Music Press
(BT.AMP-345-400). ISBN
9789043138635. 9x12
inches.
English-German-French-Dut
ch. Philip
Sparke’s Starter
Solos is the first
volume of a progressive
series of books that
takes the young wind
player from beginner to
accomplished musician.
Specifically tailored for
each instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden in
drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die Fähigkeit
entwickeln, zu hören
während sie spielen und
das Tempo zu
halten. Inhalt: Follow
me •Best Foot Forward
•Folk Song •My
Homeland •Missing You
•Russian Winter •On a
Carousel •Rush Hou •A
Dynamic Start •Short
but Sweet •Ballad
•London Bridge
•Summer Breezes
•Modal Melody •Toon
Tune •In a Balloon
•Yankee Doodle
•SadSong •Count Me In
•Ragtime
March Start
er Solos est un
recueil motivant offrant
une présentation
structurée des
techniques de jeu et
d’apprentissage. Les
solos composés par
Philip Sparke constituent
les premiers pas
plaisants de votre
entrée dans le
formidable monde de la
musique ! Sur le compact
disc inclus, vous
trouverez une version
intégrale de chaque
pièce ainsi qu’une
version où ne subsiste
que l’accompagnement ;
la version papier des
accompagnements de piano
est jointe au
recueil. Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio la
cosa più importante al
fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo materiale
motivante. Nello scrivere
questi soli, PhilipSparke
si è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai più
inesperti di suonare in
modo soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Indian Concertino Violon [Partition + CD] - Facile De Haske Publications
Composed by George Perlman. De Haske Study and Play. Book with CD. Composed 20...(+)
Composed by George
Perlman.
De Haske Study and Play.
Book
with CD. Composed 2005.
24
pages. De Haske
Publications
#DHP 1053792-400.
Published
by De Haske Publications
$25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Skilful Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - intermediate SKU: BT.AMP-348-400 20 Progressive Pie...(+)
Violin and Piano -
intermediate SKU:
BT.AMP-348-400 20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 348-400.
Published by Anglo Music
Press (BT.AMP-348-400).
ISBN 9789043138666.
9x12 inches.
English-German-French-Dut
ch. Philip
Sparke’s Skilful
Solos is the second
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first book in the series
Starter Solos this
collection generally
contains longer pieces
suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden in
drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im Buch
und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die Fähigkeit
entwickeln, zu hören
während sie spielen und
das Tempo zu halten.
Inhalt: Nice to See
You Again •Pony and
Trap •Summer Siesta
•Spring (Vivaldi) •A
Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves •Could
You Repeat That?
•Alladale Aria
•Scales of Justice
•Largo from Winter
(Vivaldi) •Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag Suivant
Starter Solos,
Skilful Solos est
le nouveau recueil
motivant offrant une
présentation structurée
des techniques de jeu et
d’apprentissage. Les
solos composés par
Philip Sparke constituent
les premiers pas
plaisants de votre
entrée dans le
formidable monde de la
musique ! Sur le compact
disc inclus, vous
trouverez une version
intégrale de chaque
pièce ainsi qu’une
version où ne subsiste
que l’accompagnement ;
la version papier des
accompagnements de piano
est jointe au
recueil. Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento è un
lavoro di squadra che
sviluppa la capacit di
ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Weihnachten Im Barockstil Violin/piano Bkcd (easy) Violon et Piano [Partition + CD] - Facile Dowani
Composed by Various. Dowani Book/CD. Play Along. Book with CD. Composed 2006. 20...(+)
Composed by Various.
Dowani Book/CD. Play
Along. Book with CD.
Composed 2006. 20 pages.
Dowani International
#DOW4516. Published by
Dowani International
(1)$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Divertimento II, 2 Violines 2 Violons (duo) Editorial de Musica Boileau
By Jordi Cervello. For 2 violins. Bowed Instruments. Duration 10:00. Published b...(+)
By Jordi Cervello. For 2
violins. Bowed
Instruments. Duration
10:00. Published by
Editorial de Musica
Boileau
$22.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Live at the Opera - Violin Violon [Partition + CD] - Intermédiaire De Haske Publications
Violin - intermediate SKU: BT.DHP-1185780-400 The World's Most Beautif...(+)
Violin - intermediate
SKU:
BT.DHP-1185780-400
The World's Most
Beautiful Arias with Full
Orchestra Play Along.
Opera or Operetta. Book
with CD. Composed 2018.
36 pages. De Haske
Publications #DHP
1185780-400. Published by
De Haske Publications
(BT.DHP-1185780-400).
ISBN 9789043153836.
English-German-French-Dut
ch. For over three
hundred years, great
opera singers have held
entire audiences under
their spell. In so doing,
they can call on an
etensive repertoire of
arias by many important
composers. Live at the
Opera now makes this
precious treasure trove
available to
instrumentalists, too.
Twelve of the most
beautiful operatic
melodies of all time have
been specially arranged
for violin and are
performed by the renowned
violinist Maximilian
Lohse. The accompanying
audio is performed by an
authentic opera
orchestra, which also
includes a play-along
version without soloist.
Additionally, this unique
collection also includes
background info and tips
on performance for
theindividual arias.
Al meer dan
driehonderd jaar weten
grote operazangers en
-zangeressen hun publiek
te betoveren. Wanneer ze
voor ons op het podium
staan, vertolken ze
melodieën die behoren
tot de allermooiste van
de klassieke muziek.
Live at the opera
maakt deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: twaalf
Italiaanse opera-aria??s
zijn speciaal
gearrangeerd voor viool
en opgenomen door de
gerenommeerd violist
Maximilian Lohse. Een
echt operaorkest neemt de
begeleiding voor zijn
rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voorde
uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen gro?e
Opernsängerinnen ein
ganzes Opernpublikum in
seinen Bann. Dabei
können sie sich aus
einem umfangreichen
Arienrepertoire aus der
Feder zahlreicher
bedeutender Komponisten
bedienen. Live at the
Opera macht diesen
kostbaren Melodienschatz
nun auch
Instrumentalisten
zugänglich: 12 der
schönsten Opernmelodien
aller Zeiten wurden hier
eigens für Violine
eingerichtet und werden
von dem renommierten
Geiger Maximilian Lohse
vorgespielt. Ein echtes
Opernorchester übernimmt
dabei die Begleitung,
welche zusätzlich auch
in einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Hintergrundwissen
undAusführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.
Les grandes
chanteuses lyriques nous
captivent depuis plus de
trois siècles. Lorsque
nous les voyons sur
scène, nos oreilles se
délectent de mélodies
qui comptent parmi les
plus belles de tous les
temps. Live at the
Opera permet aux
instrumentistes
d??accéder également
ces trésors : 12 arias
d??opéras ont été
individuellement
arrangées pour le violon
et enregistrées par le
violoniste de renommée
internationale Maximilian
Lohse. Interprété par
un authentique orchestre
d??opéra,
l??accompagnement est
également fourni sous
forme de playback, sans
le soliste. Cette
collection unique
s??accompagne
d??informations sur
l??histoire des opéras
sélectionnés, ainsi que
deconseilsd??interpréta
tion. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Violinist’s Daily Warm-Ups and Scale System Carl Fischer
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131). ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches. Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The Violinist’s
Daily Sixteen is a
collection of daily
exercises compiled by
Roland Vamos. Intended
for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr. Vamos’
unique methodology is to
begin with major scales
and arpeggios, followed
by minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace notes
with notes of specific
value and have slowed
down the exercises so
that the first joint (the
joint nearest the string)
of each finger can move
with flexibility and
strength. At no time
should the first joint
buckle.In Mr. White’s
version, the last
exercise gave the first
finger some very valuable
backward extensions. In
this exercise (number 14
in this book), I caution
the student not to move
the hand along with the
first finger. The hand
should remain in position
while the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s Dozen
(thirteen).Several years
later, I felt that the
second and third fingers
should also have an
exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos Dozen.”Because
the first finger did not
have sufficient practice
in the development of the
first joint in the
original version, I have
added two exercises to
precede White’s fifth
exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each day.—Roland
VamosEvanston, Illinois
2017 PrefaceScales are a
means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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