PARTITIONS GRATUITES : FLûTE à BEC ALTO ET GUITARE
- Sonata V

Piano - intermediate

SKU: HL.49004891

Ten classical sonatas. Edited by Alfred Hoehn, Franzpeter Goebels, Kurt Herrmann, and Walter Georgii. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 125 pages. Schott Music #ED 4450. Published by Schott Music (HL.49004891).

ISBN 9790001052085.

By Robert Valentine (1680-1735). Edited by Gerhard Braun. Arranged by Siegfried Petrenz. This edition: paperbound. Score with 2 parts. 36 pages. Published by Carus Verlag

Violin; Harpsichord

SKU: UT.HS-281

Composed by Michel Corrette. Edited by Eloise Ameruoso. Saddle stitching. Classical. Score and Parts. Ut Orpheus #HS 281. Published by Ut Orpheus (UT.HS-281).

ISBN 9790215326385. 9 x 12 inches.

Sonata I (Les Fêtes de Flore); Sonata II (Les Champs Elisées); Sonata III (Le Jardin des Hesperides); Sonata IV (Les Amusemens d’Apollon chez Le Roi Admète); Sonata V (Les Jeux Olympiques); Sonata VI (Les Voyages d’Ulysse)
< br>Published in 1742 by the author with Boivin, Le Clerc and de Bretonne, Corrette’s Op. 25 was committed to the Knight of Orleans. It contains six sonatas with violin accompaniment. Nevertheless, on the frontispiece, Corrette reminds the possibility to perform these sonatas also for solo harpsichord; violin accompaniment is therefore considered as collateral and not crucial even though two instruments complete each other and continuously dialogue in a charming way. The composer declares the effect he requires to obtain at the beginning of sonata punctuating that the violin must play mezzo piano way and giving, once again, a great relevance to the keyboard. Despite the notices, imitations and plots between the instruments are so pleasant and constant that it is very improbable to imagine that violin role has considered as unsubstantial.
In the fourth sonata, the only one written in minor tonality, Corrette supposes flute accompaniment as alternative to the violin. In this case, Italian style is evident, for example, in the third movement where the composer imitates Vivaldi with frequent unison passages.
On technical plan, the harpsichordist is occupied in recurring hands crossing, playing suddenly overall keyboard.

Continuo; Oboe (Score and Solo Part)

SKU: HL.50601136

Edited by Cesare Fertonani. Woodwind Solo. Classical. Softcover. 150 pages. Ricordi #NR141712. Published by Ricordi (HL.50601136).

UPC: 888680783327. 9.0x12.0x0.428 inches.

This series of eighteenth century Italian music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by six of the most important eighteenth-century Italian composers of oboe music. Intermediate Level. Contents: Alessandro Besozzi, Sonata V Giovanni Battista Ferrandini, Sonata op. II no. 2 Giovanni Bendetto Platti, Sonata a oboe solo Giovanni Bendetto Platti, Sonata a oboe solo Filippo Prover, Sonata op. I, no. 4 Filippo Prover, Sonata op. I, no. 6 Giuseppe Sammartini, Sonata a oboe solo Giuseppe Sammartini, Sonata a oboe solo Antonio Vivaldi, Sonata per oboe solo RV 53 Antonio Vivaldi, Sonata a solo RV 28.

Composed by Domenico Scarlatti (1685-1757), edited by John Kirkpatrick. For piano. Format: piano solo book. With introductory text and instructional text. Baroque. 132 pages. 9x12 inches. Published by Schirmer.

Piano Solo. By Carl Philip Emmanuel Bach. Arranged by Eiji Hashimoto. Piano Collection. Size 9x12 inches. Published by G. Schirmer, Inc.

Arranged by Deborah Greenblatt. Mandolin Duet. For mandolin 1, mandolin 2. This edition: spiral-bound. Tunes for Two. Tunebook. 52 pages. Published by Greenblatt and Seay