| Melissa Manchester: Don't Cry Out Loud Piano, Voix et Guitare [Feuillet] Hal Leonard
Performed by Melissa Manchester, composed by Carole Bayer Sager, Peter Allen. Si...(+)
Performed by Melissa
Manchester, composed by
Carole Bayer Sager, Peter
Allen. Single for voice,
piano and guitar chords.
Bb Major. 5 pages.
Published by Hal Leonard.
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mirabile Dictu Chorale SATB SATB, Piano [Octavo] Faber Music Limited
(From Manchester Carols). By Carol Ann Duffy and Sasha Johnson Manning. Choir Sa...(+)
(From Manchester Carols).
By Carol Ann Duffy and
Sasha Johnson Manning.
Choir Sacred. For with
Piano (SATB choir).
Choral (Sacred); Choral
Octavo; Worship
Resources. Faber Edition:
Choral Signature Series.
Sacred. Published by
Faber Music
$3.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Melissa Manchester: Theme From "Ice Castles" - Easy Piano (Through the Eyes of Love)
Chant, Piano facile [Feuillet] - Facile Alfred Publishing
Performed by Melissa Manchester, lyrics by Carol Bayer Sager, music by Marvin Ha...(+)
Performed by Melissa
Manchester, lyrics by
Carol Bayer Sager, music
by Marvin Hamlisch,
arranged by Robert
Schultz. Single for voice
and easy piano. From the
motion picture "Ice
Castles". C Major. 3
pages. Published by
Alfred Publishing.
(3)$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Divertimento Flûte à Bec, Piano - Intermédiaire Forsyth Publications
Recorder and Piano - Intermediate SKU: FP.FBM04 Composed by Martin Bussey...(+)
Recorder and Piano -
Intermediate SKU:
FP.FBM04 Composed by
Martin Bussey. Sheet
Music and Books. This
fresh and appealing work
lives up to its name.
Particularly diverting is
the finale, a hornpipe
subtitled The Knotted
Sailor, in which the
nifty performers have to
negotiate frequent and
teasing changes of rhythm
at speed. Classical.
Collection. Forsyths
Publications #FBM04.
Published by Forsyths
Publications (FP.FBM04).
ISBN
9790570504077. The
opening movement is a
free fantasia,
contrasting with the
middle movement, a
scherzetto, in homage to,
and based on the letters
of the name of, the
composer Douglas Steele,
an assistant to Sir
Thomas Beecham and a
founding father of
Chethams School, and
which quotes from
Steele’s beautiful
carol The Snow
Falls. Divertimento
was first performed by
John Turner and Janet
Simpson at a concert in
aid of the Peter
Cunningham Memorial Fund
at Mellor Church on 17th
January 2005. It uses
both treble and descant
instruments. The second
movement was originally
composed for a concert in
Manchester Cathedral in
memory of Douglas Steele,
one of the founding
fathers of Chetham's
School, and quotes (by
kind permission of
Forsyth Brothers Ltd.),
from his well-known carol
The Snow Falls. It has
been separately recorded
by John Turner and
Stephen Hough on Autumn
Sequence – the
music of Douglas Steele
and his Circle (Campion
Cameo 2040/41). Martin
Bussey was born in London
in 1958. He was a Choral
Scholar at King’s
College, Cambridge,
during which time he
studied composition with
Robin Holloway. Following
postgraduate singing
study at the RNCM he
settled in Manchester and
held a number of posts,
including Head of
Academic Music and
Director of Choirs at
Chetham’s School
of Music until 2013. He
continues as Musical
Director of the Chester
Bach Singers, a Vocal
Tutor at Manchester
University, Chairman of
the Finzi Friends and a
Director of the Ludlow
Song Weekend.
Compositions include the
highly successful
monodrama about Mary I,
Mary’s Hand,
premiered in 2018; a
significant collection of
solo songs which includes
settings of Housman,
Hardy, and Walt Whitman,
many recorded on the disc
Through a glass; and much
choral music, recorded by
Sonoro under Neil Ferris
in 2019. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Composing for the Solo Recorder Forsyth Publications
Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books....(+)
Composition SKU:
FP.FTJ06 Composed by
John Turner. Sheet Music
and Books. Recorder
virtuosi and composer
John Turner's
indispensible new guide
for composers writing for
the solo recorder. This
hugely useful book
features chapters on the
history of recorder
composition, as well as
the instrument's range,
player technique, dynami.
Classical, Instructional.
Reference Book. Forsyths
Publications #FTJ06.
Published by Forsyths
Publications (FP.FTJ06).
ISBN
9780951479537. Comp
osing for the recorder
can be intimidating for
those with limited or no
experience playing the
instrument. John Turner's
new book is the ideal
primer, taking the would
be recorder composer on a
journey through the
history of recorder
composition, and onwards
to explore player
techniques and the
musicality offered by
this versatile
instrument. Each section
is extensively referenced
to exisiting
compositions, providing a
fantastic platform for
further research by the
reader.
About the
Author:
JOHN
TURNER is one of the
leading recorder players
of today. Born in
Stockport, he was Senior
Scholar in Law at
Fitzwilliam College
Cambridge before pursuing
a legal career, acting
for many distinguished
musicians and musical
organisations alongside
his many musical
activities. These
included numerous
appearances and
recordings with David
Munrow's Early Music
Consort of London, the
Academy of Ancient Music,
the English Chamber
Orchestra, the Academy of
St. Martin-in-the-Fields
and the English Baroque
Soloists. He now devotes
his time to playing,
writing, reviewing,
publishing, composing and
generally
energising.
He has
played as recorder
soloist with the Halle
Orchestra, the Royal
Liverpool Philharmonic
Orchestra, the Manchester
Camerata, the English
Baroque Soloists, the
English Chamber
Orchestra, and many other
leading orchestras and
ensembles. Concertos and
works with orchestra have
been written for him by
Gordon Crosse, Anthony
Gilbert, Peter Hope,
Kenneth Leighton, Elis
Pehkonen, Alan Bullard,
John Casken, and many
other distinguished
composers. His recordings
include no less than five
sets of the Brandenburg
Concertos, as well as the
F Major version of
Brandenburg Concerto No.
4 with Menuhin and George
Malcolm, but lately he
has madenumerous
acclaimed recordings of
the recorder’s
contemporary concerto and
chamber music repertoire,
including several
concerto discs, all of
which have received
critical acclaim. In all,
he has given the first
performances of over 600
works for the recorder,
with works by many
non-British composers,
including Leonard
Bernstein, Ned Rorem,
Peter Sculthorpe, Douglas
Lilburn and Petr
Eben.
Many of the
works he has premiered
have now entered the
instrument’s
standard repertoire, and
these and his own
recorder compositions are
regularly set for
festivals and
examinations. He edits
series of recorder
publications for both
Forsyths and Peacock
Press, and founded the
periodical Manchester
Sounds, in response to
the perceived threat to
music libraries in Great
Britain. In addition he
was responsible for the
rediscovery of several
works for his instrument,
including the Rawsthorne
Recorder Suite, Antony
Hopkins' Pastiche Suite,
Herbert Murrill’s
Sarabande, the Handel F
Major Trio Sonata and
John Parry's Nightingale
Rondo (the only
substantial known British
nineteenth century work
for a fipple flute). He
was awarded an Honorary
Fellowship by the Royal
Northern College of Music
in 2002 for his services
to British music, and is
a Visiting Distinguished
Scholar of Manchester
University. $20.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bang 2 Orchestre d'harmonie [Conducteur] G and M Brand Music Publishers
Concert band (Piccolo, Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb ...(+)
Concert band (Piccolo,
Flute 1, Flute 2, Oboe,
Bb Clarinet 1, Bb
Clarinet 2, Bb Clarinet
3, Bb Bass Clarinet,
Bassoon, Contrabassoon,
Alto Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, Horn in F 1/2, Horn in
F 3/4, Trombo) - grade 5
SKU: CN.S11275
Composed by Peter
Meechan. Band Music.
Score only. Duration
4:30. Published by G & M
Brand Music Publishers
(CN.S11275). On
your mark...get
set...GO!!! British
sprinter Linford Christie
used to say that he
started his races not
merely at the 'band' of
the starting pistol, but
at the B of the Band.
Capture the spirit of a
fast-paced road race in
this challenging work by
Peter
Meechan.
Bang 2
has two closely related
reference points for its
title. A quotation from
the legendary British
Sprinter, Linford
Christie, was the initial
starting point for the
piece. Christie used to
say that he started his
races not merely at the
'bang' of the starting
pistol, but at the B of
the Bang. 'B of the Bang'
is also the name of a
prominent sculpture
(again named after the
Christie quote) in the
composer's home city,
Manchester, England.
Designed by Thomas
Heatherwick, it is the
tallest self-supporting
sculpture in the United
Kingdom and was
constructed close to the
City of Manchester
Stadium in order to
commemorate the success
of the 2002 Commonwealth
Games. $25.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Planets Clifton Edition
Flute, Cello & Piano SKU: ST.C320 Composed by Mark Tanner. Chamber music....(+)
Flute, Cello & Piano
SKU: ST.C320
Composed by Mark Tanner.
Chamber music. Clifton
Edition #C320. Published
by Clifton Edition
(ST.C320). ISBN
9790570813209.
Composer’s
Note:
I composed
The Planets to
be performed during my
tenure as Composer in
Residence at Chetham’s
International Piano
Summer School,
Manchester, in August
2018. Drawing inspiration
from Holst’s Suite of
the same name – a work
of unstoppable importance
– my composition
nevertheless contrasts
conspicuously, both in
its overall scheme (nine
movements instead of
seven) and orientation
(my work takes the Sun as
its point of orientation,
whereas Holst places the
Earth at the centre point
and hence leaves it out
of the musical scheme).
There is, as a
consequence, a sense of
increasing serenity to my
music following the
effervescence of Jupiter,
though there are
reverberations of earlier
themes and moods in the
concluding movement,
Pluto, which nevertheless
ends enigmatically as
befits its distant,
‘cold’ designation.
Pluto was left out of
Holst’s work for good
reason – it had yet to
be discovered – though
Colin Matthews redressed
the situation admirably
in 2000. Whether one
chooses to go along with
Pluto’s unresolved
status, or indeed to
promote it to the
position of ‘full’
planet (amusingly, Pluto
became demoted to dwarf-
planet in 1992) is
perhaps less important
than its potential to
evince a musical spirit
entirely to
itself.
Performanc
e Note:
Movements
may be performed
separately as desired,
though the connections
between musical
characters will of course
be lost in doing so. In
Neptune and Pluto (which
are best performed
attacca) I include
infrequent use of a bell,
pitched at B4. This
denotes the intangibility
of time; it adds a
welcome new colour, as
well as an additional
element for the audience
to ponder on. A standard
hotel receptionist’s
bell was used in the
inaugural performance –
surprisingly resonant,
even in a sizeable
auditorium – though if
this is unavailable the
cellist can play the same
note (or harmonic, if
preferred).
World
Premiere given at Stoller
Hall, Chetham’s School
of Music, Manchester,
August 2018: Gillian
Poznansky (flute),
Sebastian Poznansky
(cello) and Mark Tanner
(piano).
Duration:
30 minutes Grade
8(+) Former Spartan
Press Cat. No.:
SP1419.
$49.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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