PARTITIONS GRATUITES : 3 HAUTBOIS (TRIO)
- Anthony J

By Anthony J. Cirone. For Percussion Ensemble. Percussion - Ensemble. Alfred's Percussion Ensemble Series. Level: Intermediate. Score and Parts. 176 pages. Published by Alfred Publishing.

Recently Discovered Solos from the Archives of Saul Goodman. Composed by Saul Goodman. Edited by musical interpretations and editing by Anthony J. Cirone. Percussion - Snare Drum Collection. Book. 32 pages. Alfred Music #00-0586B. Published by Alfred Music

Composed by Anthony J. Showalter. Arranged by Carl Strommen. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 4 minutes, 12 seconds. Published by Carl Fischer

A Detailed Analysis of the Major Orchestral Cymbal Repertoire. Composed by Anthony J. Cirone. Music Education. 56 pages. GIA Publications #317166. Published by GIA Publications

Composed by Michael J. Anthony. Saddle-stitched, Style, Technique, Theory, Reference and Rhythm, Bluegrass, Contemporary, Rock. Jazz. Book. 68 pages. Mel Bay Publications, Inc #30510. Published by Mel Bay Publications, Inc (MB.30510).

SKU: GI.G-317204

Composed by Anthony J Cirone, Charles Dowd, and Morris Arnie Lang. Music Education. 64 pages. GIA Publications #317204. Published by GIA Publications (GI.G-317204).

ISBN 9781574631111. UPC: 884088515560.

This latest work in the Meredith Music master class series presents a comprehensive, interpretive analysis and performance guide of three legendary compositions for timpani and percussion. Together, Morris Lang, Charles Dowd, and Anthony J. Cirone have put a lifetime of performance and study experience into an extensive volume featuring Eight Pieces for Four Timpani by Elliott Carter, Concertino for Percussion and Small Orchestra by Darius Milhaud and l'Histoire du Soldat by Igor Stravinsky. This in-depth, one-of-a-kind publication includes: corrections of wrong notes, rhythms, phrasings, and dynamics, far-reaching suggestions on interpretation, revised notation when original music was difficult to read, suggested muffling to enhance interpretation, additional articulations when appropriate, suggested sticking to increase musical phrasing, historical references.