PARTITIONS GRATUITES : 4 TROMPETTES
- Two Quiet Moments

Two string orchestras

SKU: HH.HH039-FSC

Composed by Tim Coker. Two String Orchestras. Full score. Duration 10 minutes. Edition HH Music Publishers #HH039-FSC. Published by Edition HH Music Publishers (HH.HH039-FSC).

ISBN 9790708041061.

Base d on a couple of folk tunes which appear in their proper form once each, ... rest a moment here is freely written with good 'scrubbing' strings contrasted with beautiful quiet moments.

Two-Part chorus - intermediate

SKU: XC.2205014

Composed by Pinkzebra. Arranged by Pinkzebra. Choral, School. Sheet music. Octavo. Pinkzebra #2205014. Published by Pinkzebra (XC.2205014).

9 x 12 inches.

“Here I am! is the empowering call at the climax of this thoughtful and inspiring song about the peaceful moments when you begin to wake up and gather your thoughts in the quiet light of your bedroom before rising to meet the day. Perfect for general concerts and graduation ceremonies. Available in multiple versions including a cappella, with piano accompaniment, and with additional string quartet parts. Perform with the accompaniment MP3 or add a string quartet to go with the piano accompaniment. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

Trumpet and piano - Intermediate

SKU: FT.FM418

Composed by Paul Kelly. Trumpet and Piano. Score and part. Forton Music #FM418. Published by Forton Music (FT.FM418).

ISBN 9790570483174.

A suite for trumpet and piano in 3/4 time, recommended for the intermediate player. Minuet and Variations for Trumpet and Piano This minuet starts off with restrained elegance and then veers off into something with attitude, no longer quite baroque. There are few places to rest in this piece so good breath control is very important. Strive for precise articulation especially in the staccato passages, and a full, rich tone in the Tempo Primo section at Bar 30. Sarabande This piece was inspired by various classical works but it still has something of the Twentieth Century about it. You'll notice the B section suggests a minuet. If you can find moments to use a true, fully supported pianissimo it will help make this melody truly haunting. August Serenade This piece has a spritely main theme that introduces two quieter, more introspective melodies. The first theme again echoes a minuet while the second is more of a slow waltz. The main theme should be precise and fiery, the second played with a sweet elegance and the waltz filled with warmth and autumnal colours.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Lead Sheets for 200 Jazz Standards. Composed by Various. Guitar Book. Softcover. 382 pages. Published by Hal Leonard

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard