PARTITIONS GRATUITES :
- Bass Trombonist. 

By James Markey. For bass trombone and piano. Bass Trombone and Piano recording. CD. Published by Cherry Classics

Composed by Sigmund Hering. Edited by William Stanley. Arranged by William Stanley. Contemporary. Performance scores. With Standard notation. 36 pages. Carl Fischer #WF00205. Published by Carl Fischer

Solo Bass Trombone and Piano accompaniment - Advanced

SKU: CY.CC3088

Composed by Alan Pierce. Classical. Score and Parts. Cherry Classics #CC3088. Published by Cherry Classics (CY.CC3088).

ISBN 9790530110652. 8.5 x 11 in inches.

The writing of Romanza and Scherzo was inspired by Charles Vernon, the legendary Bass Trombonist of the Chicago Symphony, who asked Mr. Pierce to write something for me with lots of melodies. The work is in three sections: a brief introduction followed by the very expressive Romanza and the final Scherzo, which is light and bouncy. The music is full of LOTS OF MELODIES, has a very large range and features a challenging cadenza. About 10 minutes in length, this music is appropriate for advanced performers. This work is dedicated to George Curran, Bass Trombonist of the New York Philharmonic who performs it on his new CD, Vital Signs, available on iTunes, CD Baby and from other distributors. Below is a brief sample of this beautiful work performed by Mr. Curran.

Bass Trombone

SKU: HL.48183388

Composed by Michel Defaye Jean. Leduc. Softcover. 14 pages. Alphonse Leduc #AL25465. Published by Alphonse Leduc (HL.48183388).

UPC: 888680869328. 9.0x12.0x0.075 inches.

French pianist, arranger, composer and conductor, Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, Two Dances, composed in 1954, and adapted for Bass Trombone and Piano by Donald Knaub, being no exception. With a typical performance lasting about eight minutes, Defaye's Two Dances are named Sacred Dance and Secular Dance. Defaye's understanding of the Trombone is clear throughout the work, with use of exciting techniques and contrasts. For all aspiring bass trombonists wishing to vary and expand their repertoire, Two Dances by Jean-Michel Defaye is essential..

Composed by Clinton F. Nieweg. Reference Book. Coil bound book. 286 pages. Cherry Classics #2967. Published by Cherry Classics (CY.CC2967).

Bass Trombone and Piano - Advanced

SKU: CY.CC3058

Composed by Shane Lamb. Classical. Score and Parts. Cherry Classics #CC3058. Published by Cherry Classics (CY.CC3058).

ISBN 9790530110331. 8.5 x 11 in inches.

Bagatelle was commissioned in 2016 by bass trombonist Jonathan Warburton as a companion piece to Pledge (2010). The piece is in A minor, and opens with a determined march-like theme shared by both instruments. The following section uses an ascending Dorian mode scale as its primary motif, before merging this theme with the opening march melody. The bass trombone and piano share equally important roles in the work. The piece is titled Bagatelle, as it is a short and unpretentious work. Shane Lamb's new work Bagatelle for Bass Trombone and Piano challenges both performers with different colors and expressive moods. About 4 minutes in length, this work is very appropriate for advanced intermediate performers. The range is modest and there is a muted section as well as a rubato cadenza-like section for the soloist.

Bass trombone unaccompanied - advanced

SKU: CY.CC2921

Composed by Phil Brink. Contemporary. Booklet. Published by Cherry Classics (CY.CC2921).

Exegesis is an unaccompanied solo for Bass Trombone written by American composer and Bass Trombonist Philip Brink in 1973. The work of about 4 minutes in length is appropriate for very advanced performers and requires the use of multi-phonics and other technical challenges.
Below is a brief instruction to the performer from the composer.
The rhythmic notation of Exegesis is fairly free; sections in traditional notation should approximate those rhythmic patterns, while arbitrarily long notes, rests or patterns should be as long as possible. The score hints at but does not make explicit any particular dramatic action or effect, which it is left to the performer to create or not. Most of the instructions are on the score and fairly easy to follow. The Beams that crescendo and diminuendo relate to acceleration or deceleration as indicated. There are odd little notes, like secretive in the first line - in these instances do whatever comes to mind as giving an impression of secrecy - change in volume, tone, or whatever - even a hand gesture!
The composer gives detailed instructions in the score for the listener and the performer, helping with the interpretation and appreciation of this work.

Written by Lew Gillis. Instructional book for bass trombone. 44 pages. Published by Southern Music Company.