PARTITIONS GRATUITES :
- C Instrument by Edvard Grieg

(from Peer Gynt Suite No. 1 arranged for percussion ensemble). Composed by Edvard Grieg (1843-1907). Arranged by Brian Blume. Percussion Ensembles. For Glockenspiel, xylophone, bell tree, chimes, 2 vibraphones, 2 low-A marimbas, 1 low-C marimba, 4 timpani, double bass (optional), triangle, 3 suspended cymbals, windchimes, bass drum, ride cymbal, and finger cymbals (12-13 players). Difficulty: Medium-Advanced. Folio and CD-ROM. 10 pages. Duration 3:15. Published by Tapspace Publications

Composed by Edvard Grieg (1843-1907). Op. 36. For cello solo and piano accompaniment. Format: instrumental solo book. With solo part, standard notation, bowings, fingerings and piano accompaniment. Romantic Period. 58 pages. 9x12 inches. Published by C.F. Peters.

Piano duets (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.EB-10719

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann and Einar Steen-Nokleberg. Solo instruments; Softbound. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Piano reduction. 72 pages. Duration 30'. Breitkopf and Haertel #EB 10719. Published by Breitkopf and Haertel (BR.EB-10719).

ISBN 9790201807195. 9.5 x 12 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15164-07

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15164-07. Published by Breitkopf and Haertel (BR.PB-15164-07).

ISBN 9790004215906. 6.5 x 9 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Woodwinds (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.OB-15152-30

Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Set of parts. 144 pages. Duration 30'. Breitkopf and Haertel #OB 15152-30. Published by Breitkopf and Haertel (BR.OB-15152-30).

ISBN 9790004344101. 10 x 12.5 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15164

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. Duration 30'. Breitkopf and Haertel #PB 15164. Published by Breitkopf and Haertel (BR.PB-15164).

ISBN 9790004215906. 6.5 x 9 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Violoncello (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.OB-15152-23

Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 15152-23. Published by Breitkopf and Haertel (BR.OB-15152-23).

ISBN 9790004344088. 10 x 12.5 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.