PARTITIONS GRATUITES :
- Celtic Air and Dance No. 2 - F Horn

By Maggie Sansone. For Dulcimer (Hammered). Solos. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 160 pages. Published by Mel Bay Publications, Inc.

Big band (Woodwind 1 (Solo), Woodwind 2, Woodwind 3 (Solo), Woodwind 4, Baritone Sax, Flugelhorn/Trumpet 1, Flugelhorn/Trummpet 2, Trumpet 3, Flugelhorn/Trumpet 4 (Solo), Trombone 1-3, Bass Trombone, Piano, Guitar, Bass, Drums (Solo)) - difficult

SKU: M7.SMP-207

Celtic. Composed by Bill Whelan. Arranged by Bob Curnow. Sheet music. Celtic. Score and parts. Duration 8'. Handelsware #SMP 207. Published by Handelsware (M7.SMP-207).

English.

The chart everyone has been waiting for!! Eight minutes of amazing, dynamic, exciting sounds! This arrangement was commissioned and recorded by the SWR Big Band of Stuttgart, Germany. It is, of course, based on the centerpiece of the wildly popular show. Everytime this chart was performed in live concerts in Germany (and elsewhere), the audience just erupted with applause and standing ovations. This isn't an easy chart to play, but it is well worth the effort (similar to The First Circle in that respect). All ranges are fairly reasonable, with the 1st Tpt. part topping out at a written high E. This is recorded on the highly acclaimed CD Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.

Fiddle - Beginning - Intermediate

SKU: MB.30670

Composed by Rowan Leslie. Perfect binding. Celtic / Irish. Book. 156 pages. Mel Bay Publications, Inc #30670. Published by Mel Bay Publications, Inc (MB.30670).

ISBN 9781513465296. 8.75 x 11.75 inches.

This unique collection celebrates the contemporary fiddle music of northeast Ireland, much of it for the first time in print. Not surprisingly, given its location and long history of traditional music, the fiddle music of this region shares some characteristics with Scottish music, yet it has its own distinct style. For those who are not familiar with this ruggedly attractive part of Ireland, this book will introduce you to some of its music and musicians. The tunes presented here, collected by County Antrim fiddler, Rowan Leslie, have all been written relatively recently by local musicians. Each tune is offered in two versions?one with the barebones melody and suggested accompaniment chords, and a second with ornamentation, articulation and bowing details. All tune types from northeast Ireland are represented, including jigs and reels, polkas and hornpipes, marches, barn dances and waltzes, plus set dances and slow airs. Moreover, the biographical sketches and backstories provided for each composer and tune demonstrate how the land itself, along with personal experiences and relationships, influence the fiddle music of northeast Ireland.

By Geraldine Cotter (Arranger). For Pennywhistle. Irish, Traditional, Folk, Celtic. 104 pages. Published by Ossian Publications.

Eb Horn & Piano or CD Play Back / Play Along - Grade 2

SKU: MA.EMR-49890

Composed by Bertrand Moren. Eb Horn & CD Playback (Play Along). Score and parts. Duration 19'31. Editions Marc Reift #EMR 49890. Published by Editions Marc Reift (MA.EMR-49890).

1. Once Upon A Time In A Wonderful Kingdom / 2. Celtic Variations / 3. Caribbean Adventure / 4. Ancient Dances / 5. A Fairy Tale.

Solo Violin

SKU: SU.29110060

For Solo Violin. Composed by Wynton Marsalis. Strings, Violin. Unaccompanied. Score. Subito Music Corporation #29110060. Published by Subito Music Corporation (SU.29110060).

1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).