| Ghost Chasers - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 1.5 SKU:
CF.FPS156 Composed by
Joseph Compello. Folio.
Fps. Set of Score and
Parts.
8+2+4+4+2+5+2+2+4+4+4+6+2
+3+2+1+2+3+16 pages.
Duration 2 minutes, 50
seconds. Carl Fischer
Music #FPS156. Published
by Carl Fischer Music
(CF.FPS156). ISBN
9781491156360. UPC:
680160914906. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for Ghost Chasers is
to have a spooky tune (m.
9, Trumpets) chasing
around in simple
counterpoint between two
sections. (See m. 19).
Students will find the
independent part playing
both challenging and fun.
In the contrasting
section at m. 30, young
students will gain
experience in changing
their articulation from
marcato to legato.
Obeying the cues for low
brass in this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted. Overall,
the main challenge for
this piece is balance.
For the chaser idea to be
effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the spooky theme is added
to the chasing theme. If
Clarinets can play
third-line written D, use
it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesThe idea for Ghost
Chasers is to have a
spooky tune (m. 9,
Trumpets) chasing around
in simple counterpoint
between two sections.
(See m. 19). Students
will find the independent
part playing both
challenging and fun.In
the contrasting section
at m. 30, young students
will gain experience in
changing their
articulation from marcato
to legato. Obeying the
cues for low brass in
this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted.Overall, the
main challenge for this
piece is balance. For the
“chaser†idea
to be effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the “spookyâ€
theme is added to the
“chasingâ€
theme.If Clarinets can
play third-line written
D, use it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D. $60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ghost Chasers - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 1.5 SKU:
CF.FPS156F Composed
by Joseph Compello. Sws.
Fps. Full score. 16
pages. Duration 2
minutes, 50 seconds. Carl
Fischer Music #FPS156F.
Published by Carl Fischer
Music (CF.FPS156F).
ISBN 9781491156377.
UPC: 680160914913. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for Ghost Chasers is
to have a spooky tune (m.
9, Trumpets) chasing
around in simple
counterpoint between two
sections. (See m. 19).
Students will find the
independent part playing
both challenging and fun.
In the contrasting
section at m. 30, young
students will gain
experience in changing
their articulation from
marcato to legato.
Obeying the cues for low
brass in this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted. Overall,
the main challenge for
this piece is balance.
For the chaser idea to be
effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the spooky theme is added
to the chasing theme. If
Clarinets can play
third-line written D, use
it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesThe idea for Ghost
Chasers is to have a
spooky tune (m. 9,
Trumpets) chasing around
in simple counterpoint
between two sections.
(See m. 19). Students
will find the independent
part playing both
challenging and fun.In
the contrasting section
at m. 30, young students
will gain experience in
changing their
articulation from marcato
to legato. Obeying the
cues for low brass in
this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted.Overall, the
main challenge for this
piece is balance. For the
“chaser†idea
to be effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the “spookyâ€
theme is added to the
“chasingâ€
theme.If Clarinets can
play third-line written
D, use it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Paradigm Shift - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cy...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Chimes,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Finger
Cymbals, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Piccolo,
Snare Drum, Timpani,
Trombone and more. -
Grade 2 SKU:
CF.YPS218F Composed
by Joseph Compello. Sws.
Yps. Full score. 20
pages. Duration 1 minute,
50 seconds. Carl Fischer
Music #YPS218F. Published
by Carl Fischer Music
(CF.YPS218F). ISBN
9781491156575. UPC:
680160915118. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes
Paradigm Shift is an
energetic and aggressive
concert piece for young
bands with at least one
year's training. It is
also sophisticated enough
for more experienced
bands. Pitched in C
minor, the piece opens
with an energetic
introduction which
quickly leads to the main
theme stated by the
Clarinets at m. 9. A
brass fanfare in C major
ensues at m. 29. The
woodwinds' answer to the
brass fanfare at m. 39
contains divisi notes in
the flute (doubled in the
Oboe) which must be
played. The music to the
introduction is restated
at m. 58, but is now
shifted to the second
beat of the measure by
means of an additional
beat inserted into m. 57.
Younger bands may need
some extra instruction in
executing this time
shift. Overall, the music
should be performed
boldly and with marcato
articulation except where
slurs are
written. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of
music.Performance
NotesParadigm Shift is an
energetic and aggressive
concert piece for young
bands with at least one
year’s training.
It is also sophisticated
enough for more
experienced bands.
Pitched in C minor, the
piece opens with an
energetic introduction
which quickly leads to
the main theme stated by
the Clarinets at m. 9. A
brass fanfare in C major
ensues at m. 29. The
woodwinds’ answer
to the brass fanfare at
m. 39 contains divisi
notes in the flute
(doubled in the Oboe)
which must be played. The
music to the introduction
is restated at m. 58, but
is now shifted to the
second beat of the
measure by means of an
additional beat inserted
into m. 57. Younger bands
may need some extra
instruction in executing
this time shift. Overall,
the music should be
performed boldly and with
marcato articulation
except where slurs are
written. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Paradigm Shift - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cy...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Chimes,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Finger
Cymbals, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Piccolo,
Snare Drum, Timpani,
Trombone and more. -
Grade 2 SKU:
CF.YPS218 Composed by
Joseph Compello. Folio.
Yps. Set of Score and
Parts.
8+2+8+8+4+4+10+4+4+4+4+4+
6+3+2+3+2+1+4+2+20 pages.
Duration 1 minute, 50
seconds. Carl Fischer
Music #YPS218. Published
by Carl Fischer Music
(CF.YPS218). ISBN
9781491156568. UPC:
680160915101. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes
Paradigm Shift is an
energetic and aggressive
concert piece for young
bands with at least one
year's training. It is
also sophisticated enough
for more experienced
bands. Pitched in C
minor, the piece opens
with an energetic
introduction which
quickly leads to the main
theme stated by the
Clarinets at m. 9. A
brass fanfare in C major
ensues at m. 29. The
woodwinds' answer to the
brass fanfare at m. 39
contains divisi notes in
the flute (doubled in the
Oboe) which must be
played. The music to the
introduction is restated
at m. 58, but is now
shifted to the second
beat of the measure by
means of an additional
beat inserted into m. 57.
Younger bands may need
some extra instruction in
executing this time
shift. Overall, the music
should be performed
boldly and with marcato
articulation except where
slurs are
written. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of
music.Performance
NotesParadigm Shift is an
energetic and aggressive
concert piece for young
bands with at least one
year’s training.
It is also sophisticated
enough for more
experienced bands.
Pitched in C minor, the
piece opens with an
energetic introduction
which quickly leads to
the main theme stated by
the Clarinets at m. 9. A
brass fanfare in C major
ensues at m. 29. The
woodwinds’ answer
to the brass fanfare at
m. 39 contains divisi
notes in the flute
(doubled in the Oboe)
which must be played. The
music to the introduction
is restated at m. 58, but
is now shifted to the
second beat of the
measure by means of an
additional beat inserted
into m. 57. Younger bands
may need some extra
instruction in executing
this time shift. Overall,
the music should be
performed boldly and with
marcato articulation
except where slurs are
written. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bay Shore Park - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS230F
March. Composed by
Joseph Compello. Sws.
Cps. Full score. 16
pages. Duration 2
minutes, 51 seconds. Carl
Fischer Music #CPS230F.
Published by Carl Fischer
Music (CF.CPS230F).
ISBN 9781491156315.
UPC: 680160914852. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes Bay
Shore Park is intended
for a band with at least
one year's training. It
is also suitable for more
experienced bands. It
should be performed as a
traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake
Bay. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesBay Shore Park is
intended for a band with
at least one
year’s training.
It is also suitable for
more experienced bands.
It should be performed as
a traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake Bay. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bay Shore Park - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS230
March. Composed by
Joseph Compello. Folio.
Cps. Set of Score and
Parts.
16+4+8+8+4+4+8+4+4+4+4+4+
12+6+4+8+1+1+4+1+16
pages. Duration 2
minutes, 51 seconds. Carl
Fischer Music #CPS230.
Published by Carl Fischer
Music (CF.CPS230).
ISBN 9781491156308.
UPC: 680160914845. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes Bay
Shore Park is intended
for a band with at least
one year's training. It
is also suitable for more
experienced bands. It
should be performed as a
traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake
Bay. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesBay Shore Park is
intended for a band with
at least one
year’s training.
It is also suitable for
more experienced bands.
It should be performed as
a traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake Bay. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Holy God We Praise Thy Name Chorale SATB - Intermédiaire GIA Publications
SATB choir, Descant, assembly, organ accompaniment, brass quintet, timpani, susp...(+)
SATB choir, Descant,
assembly, organ
accompaniment, brass
quintet, timpani,
suspended and crash
cymbals - Intermediate
SKU: GI.G-008766
Concertato on Grosser
Gott. Composed by
Paul M. French. Arranged
by Paul M. French.
Solemnity of the Most
Holy Trinity, OT 26 Year
A. Tune Name: Grosser
Gott. Sacred. Octavo. 16
pages. GIA Publications
#008766. Published by GIA
Publications
(GI.G-008766). UPC:
641151087665. German,
English. Translation:
Clarence Walworth. Text
by Ignaz
Franz. This festive
arrangement was used at
both the US papal visits
of Pope Benedict XVI
(2008) and Pope Francis
(2015), and can be a
thrilling addition to
important occasions such
as anniversary or
dedication events.
Following the opening
fanfare, verse 1 is
scored for unison voices,
brass and organ, verse 2
for 4-part choir with
solo trumpet, and verse 3
for unaccompanied
choir.  After a key
change, the final rousing
verse employs unison
choir, descant, assembly
and all instruments. The
brass writing
is striking and the
vocal parts require only
a minimum of
rehearsal. $1.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bandanna Sketches Op. 12 (Four Negro Spirituals) Soli, choeur mixte et accompagnement Lucks Music Library
(1.1.2.1/2.2.1.0,timp,str ,vn solo) SKU: TM.07654SET Composed by Clarence...(+)
(1.1.2.1/2.2.1.0,timp,str
,vn solo) SKU:
TM.07654SET Composed
by Clarence Cameron
White. Arranged by
Roberts. Set Type: D. Set
of parts. Published by
Lucks Music Library
(TM.07654SET).
Nobody Knows
the Trouble I've Seen,
I'm Troubled in Mind Many
Thousand Gone, Sometimes
I Feel Like a Motherless
Child. P/C in set. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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