| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 Piano seul [Conducteur] Musik Fabrik
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
$48.69 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Let Love Light the Way (from Elena of Avalor) Chorale 2 parties 2 parties, Piano - Facile Hal Leonard
Discovery Level 2. Composed by John Kavanaugh. Arranged by Audrey Snyder. Disc...(+)
Discovery Level 2.
Composed
by John Kavanaugh.
Arranged
by Audrey Snyder.
Discovery
Choral. Christmas,
Disney,
Holiday, Pop. Octavo. 12
pages. Published by Hal
Leonard
$2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 Piano seul [Conducteur] - Intermédiaire Musik Fabrik
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5 SKU:
FA.MFCD017B By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B). 8.27 x
11.69
inches. Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher. $48.69 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| All I Want For Christmas Chorale Unison Unison/2-parties, Piano [CD d'accompagnement] - Facile Brentwood-Benson
By Dennis Allen, Nan Allen. For Unison/2-part choir. Modern Christian. Sacred. L...(+)
By Dennis Allen, Nan
Allen. For Unison/2-part
choir. Modern Christian.
Sacred. Level: Easy.
Accompaniment Track
(Musical) - CD. Duration
40 minutes. Published by
Brentwood-Benson Music
Publishing.
$90.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Meet Me At The Manger Chorale Unison Unison/2-parties, Piano Word Music
Meet Me At The Manger (Wise Men Still Follow Him Today). By Celeste Clydesdale. ...(+)
Meet Me At The Manger
(Wise Men Still Follow
Him Today). By Celeste
Clydesdale. Arranged by
David Clydesdale. For
2-part/Unison choir.
Musical. Characters and
Casting: 6 Male
Characters, 3 Female
Characters, 1 Adult, 12
solos. Modern Christian,
Christmas. Easy. Choral
Book. Duration 37'00".
Published by Word Music
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Animals' Christmas Tree: A Tree-mendous Mini-Musical for Unison and 2-Part Voices Chorale Unison Unison/2-parties, Piano Alfred Publishing
By Andy Beck And Brian Fisher, Recording Orch. Tim Hayden. For Choir. Musicals a...(+)
By Andy Beck And Brian
Fisher, Recording Orch.
Tim Hayden. For Choir.
Musicals and Programs.
Novelty; Secular. Book.
56 pages. Published by
Alfred Publishing.
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Animals' Christmas Tree: A Tree-mendous Mini-Musical for Unison and 2-Part Voices Chorale Unison Unison/2-parties, Piano [Partition + CD] Alfred Publishing
By Andy Beck And Brian Fisher, Recording Orch. Tim Hayden. For Choir. Musicals a...(+)
By Andy Beck And Brian
Fisher, Recording Orch.
Tim Hayden. For Choir.
Musicals and Programs.
Novelty; Secular. Book
and CD. 56 pages.
Published by Alfred
Publishing.
$64.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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