PARTITIONS GRATUITES :
- Eb Instrument by Peter Ilyich Tchaikovsky

Chorus - intermediate

SKU: XC.2401015

Composed by Peter Ilyich Tchaikovsky. Achievement Plus Grade 2-2.5. Set of parts. Pinkzebra #2401015. Published by Pinkzebra (XC.2401015).

10.5 x 6.75 inches.

Dance of the Sugar Plum Fairy is reimagined as a jazz waltz and creatively set with lyrics that capture the awe and wonder of witnessing the Sugar Plum Fairy perform her iconic dance in the Nutcracker ballet. Discover the perfect version for your vocal group. Challenge your vocal ensemble with the rich harmonies of the SATB version, or look to the SAB, SSA, and Two-Part arrangements for less complexity. Perform with piano, or add bass and drums for a jazz trio accompaniment. A wonderful choice for a December concert!

Please note the jazz ensemble version of this song is in a different key and cannot be combined with the choral version. Perform with the accompaniment MP3 or add the bass and drum parts to the written piano accompaniment to form a live jazz trio. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir.

Jazz Ensemble Jazz Ensemble - Grade 3

SKU: XC.24041JES

Composed by Peter Ilyich Tchaikovsky. Arranged by Pinkzebra. Jazz Ensemble, School, College, December concerts, Christmas. Score. Pinkzebra #24041JES. Published by Pinkzebra (XC.24041JES).

9 x 12 inches.

Dance of the Sugar Plum Fairy is reimagined as a swinging jazz waltz, with cool vibes and smart attitude. Includes additional instrument parts for flute, clarinet, French horn, and tuba. A free jazz solo practice track is available for this arrangement and features the full band heard in the demo recording during the solo section minus the soloist. A wonderful choice for a December concert! Please note the jazz ensemble version is in a different key and cannot be combined with the choral version.

Jazz Ensemble Jazz Ensemble - Grade 3

SKU: XC.24041JE

Composed by Peter Ilyich Tchaikovsky. Arranged by Pinkzebra. Set. Jazz Ensemble, School, College, December concerts, Christmas. Set of parts. Pinkzebra #24041JE. Published by Pinkzebra (XC.24041JE).

9 x 12 inches.

Dance of the Sugar Plum Fairy is reimagined as a swinging jazz waltz, with cool vibes and smart attitude. Includes additional instrument parts for flute, clarinet, French horn, and tuba. A free jazz solo practice track is available for this arrangement and features the full band heard in the demo recording during the solo section minus the soloist. A wonderful choice for a December concert! Please note the jazz ensemble version is in a different key and cannot be combined with the choral version.

By Piotr [Peter] Ilyich Tchaikovsky. Arranged by Steven H. Brook. Orchestra. Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement; Romantic. Grade 4. 124 pages. Published by Belwin Publishing

By Piotr [Peter] Ilyich Tchaikovsky. Arranged by Steven H. Brook. Orchestra. Score; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement; Romantic. Grade 4. 24 pages. Published by Belwin Publishing

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1012918-010

Composed by Peter Ilyich Tchaikovsky. Arranged by Wil van der Beek. The Great Classics. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012918-010. Published by De Haske Publications (BT.DHP-1012918-010).

Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

Tchaikowsky ist berühmt für seine rein instrumentalen Kompositionen. Er ist jedoch auch als Opernkomponist nicht zu unterschätzen.Viele seiner OPern werden immoernoch regelmäßig auf der ganzen Welt aufgeführt, wie zum Beispiel Pique Dame und Eugen OneginEugen Onegin wurde in den Jahren 1877 bis 1878 komponiert und von Tschaikowsky selbst zunächst nicht als Oper, sondern als lyrische Szenen betitelt. Der lyrische Charakter ist im ganzen Werk vorherrschend. Zwei Stellen kontrastieren jedoch deutlich mit dieser Lyrik: zwei Ballszenen ,für die Tschaikowsky einen Walzer uns eine Polonaise schrieb.Nach einem weniger bekannten Allegro Dansant als Eröffung,stellt dieses Arrangement vor allem den oben genannten Walzer in den Vordergrund, welcher guten Herzens als ein schönes russisches Gegenstück zu Charles Gounods Faustwalzer bezeichnet werden kann. In der Oper wird dieser Walzer von einer Militärkapelle gespielt. Das Arrangement schließt mit der erwähnten pompösen Polonaise, die den letztzen Akt eröffnet: die ideale Musik, um ein Bild des Hochadels im Salon eines Petersburger Palastes zu zeichnen.

By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Ed Huckeby. For concert band. This edition: Build-A-Band edition. Build-A-Band Series. Grade 3. Score and set of parts. Composed 2010. Duration 4 minutes, 9 seconds. Published by C.L. Barnhouse

3.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): [Solo Piano]

SKU: AP.36-A219801

Composed by Peter Ilyich Tchaikovsky. Chamber Orchestra; Performance Music Ensemble. Edwin F. Kalmus. Form: Concerto. Romantic. Score. LudwigMasters Publications #36-A219801. Published by LudwigMasters Publications (AP.36-A219801).

UPC: 660355013270. English.

Captivated by the playing of famed Franz Liszt pupil Eugen d'Albert during the 1883-1884 concert season, Peter Ilyitch Tchaikovsky (1840-1893) began work on Concert Fantasia. After an arduous composition process, on which the composer himself remarked, I stopped playing around and came up with something... but it still sounded too poor and unoriginal... Tchaikovsky laid aside Concert Fantasia and began sketching out his Third Orchestral Suite. He eventually returned to and finished Concert Fantasia in June of 1884, with the surprising addition of the second movement Contrastes. Originally composed as the first movement of his Third Orchestral Suite but ultimately rejected, Tchaikovsky reservedly added it as a second movement to Concert Fantasia. While recognizing and wishing to use the movement for its own merits, he still harbored doubts and added an alternative solo cadenza to the end of the first movement in case Contrastes was to be omitted. The Russian Musical Society under the direction of Max Erdmannsdörfer premiered the work in 1855. In the two decades after its debut, Concert Fantasia received many performances but disappeared from the repertoire until it underwent a revival in the latter part of the 20th century. Instrumentation: 3.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set): [Solo Piano].

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.