PARTITIONS GRATUITES :
- Ferruccio Busoni (1866-1924)

(Based on the Finale of Mozart's Piano Concerto in F Major, K. 459). By Ferruccio Busoni (1866-1924). Edited by Greg Anderson and Elizabeth Joy Roe. For Piano. This edition: Piano Duo (2 Pianos, 4 Hands). Book; Duet or Duo; Masterworks; Piano Duo (2 Pianos, 4 Hands). Alfred Masterwork Edition. Form: Transcription. 20th Century; Masterwork. Advanced. 36 pages. Published by Alfred Music Publishing

By Ferruccio Busoni (1866 - 1924). For Clarinet. Woodwind - B-Flat Clarinet Solo. Kalmus Edition. Masterwork. Book. 24 pages. Published by Alfred Publishing.

Composed by Ferruccio Busoni (1866-1924), edited by Egon Petri. op. 39. Piano reduction and performance part (enlarged cadenza to the fourth movement) for 2 pianos four-hands. With standard notation and fingerings. Series: Edition Breitkopf. 178 pages. Published by Breitkopf and Haertel (German import).

(HC)

SKU: HL.49020784

Zeittafel eines Europaers. Composed by Strobel. This edition: Hardback/Hard Cover. Book. Edition Schott. 180 pages. Schott Music #ATL 6063. Published by Schott Music (HL.49020784).

ISBN 9783254000637. 5.75x9.0x0.74 inches. German.

Die einzigartige Personlichkeit des weltberuhmten Pianisten Ferruccio Busoni (1866 Empolie - 1924 Berlin), der auch als Komponist, Dirigent, Musikpadagoge und Schriftsteller zu den bedeutendsten Erscheinungen in der Zeit des Anbruchs der Neuen Musik gehort, hat zwei Generationen von Musikern und nicht nur von Musikern in Bann geschlagen. Wer ihn noch im Konzertsaal erlebt hat oder ihm gar personlich begegnet ist, weiss eine typische Busoni-Geschichte zu erzahlen, und niemand, der ihn einmal gesehen hat, vergisst diese imposante Erscheinung mit dem ausdrucksvollen, sensitiven Gesicht.Hans Heinz Stuckenschmidt, der Berliner Kritiker, dessen Buch uber Arnold Schonberg bereits in mehreren Sprachen vorliegt, hat es unternommen, Busonis unruhiges Leben anhand der paar gedruckten und zahlreicher ungedruckter Zeugnisse nachzuzeichnen und auf lebendige Weise zu schildern. Die einzelnen Kapitel beleuchten die verschienden Aspekte dieses faszinierenden Musikerschicksals. Ein ausfuhrliches Namenregister und vorzugliche Fotografien aus verschiedenen Lebensepochen erganzen die reprasentative Busoni-Biographie.

(study score). By Ferruccio Busoni (1866-1924). Edited by Antony Beaumont. For Piano, Orchestra and Men's Choir. Breitkopf Full Scores. Study score. 336 pages

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc

SKU: AP.36-A263301

Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Form: Concerto. Romantic. Score. LudwigMasters Publications #36-A263301. Published by LudwigMasters Publications (AP.36-A263301).

UPC: 660355020445. English.

The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc

SKU: AP.36-A263302

Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble; Solo. Kalmus Orchestra Library. Form: Concerto. Romantic. Score and Part(s). LudwigMasters Publications #36-A263302. Published by LudwigMasters Publications (AP.36-A263302).

UPC: 746241287199. English.

The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.