| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Celesta,
Clarinet 1, Clarinet 2,
Contrabass, Flute, Flute
1, Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Trumpet 3 and more.
SKU: PR.41641515L
Composed by Behzad
Ranjbaran. Premiered by
the Philadelphia
Orchestra, Yannick
Nezet-Seguin, Music
Director, Jeffrey Khaner,
flute; Verizon Hall,
Philadelphia.
Contemporary. Large
Score. With Standard
notation. Composed 2013.
Duration 28 minutes.
Theodore Presser Company
#416-41515L. Published by
Theodore Presser Company
(PR.41641515L). UPC:
680160621750. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions. In writing my
flute concerto, I aimed
not only to highlight the
modern flautist's ability
to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages. Two prominent
characters permeate the
first movement of my
concerto. They are marked
in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively. The
lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others. In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. The solo flute is
left out in an agitated
middle section that
references the first
movement. In the third
section of the movement
the solo flute returns in
meditative fashion
culminating in a duet
with the harp. The third
movement is written as
one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
Some of the materials
from the earlier
movements are presented
again with joyous
character. The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. $160.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Extreme: Pornograffitti Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
(A Funked Up Fairy Tale) Performed by Extreme. For guitar and voice. Format: gui...(+)
(A Funked Up Fairy Tale)
Performed by Extreme. For
guitar and voice. Format:
guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar tab glossary.
Metal. Series: Hal
Leonard Guitar Recorded
Versions. 116 pages. 9x12
inches. Published by Hal
Leonard.
(5)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ancient And Honorable Artillery Company Orchestre d'harmonie [Conducteur] - Facile Willow Blossom Music
Grade 3 SKU: CL.WBM-4868-01 March. Composed by John Philip Sousa. ...(+)
Grade 3 SKU:
CL.WBM-4868-01
March. Composed by
John Philip Sousa.
Arranged by Brion.
Concert Band. Extra full
score. Composed 2020.
Willow Blossom Music
#WBM-4868-01. Published
by Willow Blossom Music
(CL.WBM-4868-01).
This rousing
Sousa march from the
March King’s late
career is available for
the first time in an
authentic concert-sized
edition, meticulously
edited by Sousa expert
Keith Brion. Complete
with extensive
performance information,
full score, and modern
instrumentation, this
march gem features a
stirring treatment of
Auld Lang Syne in the
trio. Perfect for any
performance situation,
and ideally suited for
adult community bands,
this march will live on
for generations to come.
Exceptional! $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spirit Theodore Presser Co.
Chamber Music Clarinet SKU: PR.114419200 For solo Bb Clarinet. Com...(+)
Chamber Music Clarinet
SKU: PR.114419200
For solo Bb
Clarinet. Composed by
Shulamit Ran. Solo part.
With Standard notation. 8
pages. Duration 7
minutes. Theodore Presser
Company #114-41920.
Published by Theodore
Presser Company
(PR.114419200). ISBN
9781491114223. UPC:
680160671731. 9 x 12
inches. Spirit was
composed in memory of the
renowned clarinetist
Laura Flax. Laura
commissioned Ran’s
first solo clarinet work,
For an Actor: Monologue
for Clarinet, to premiere
with the Da Capo Chamber
Players in 1978. Ran
returned to the clarinet
in many compositions over
the years, sometimes as a
lead instrument and at
other times as an
important voice, yet
always inspired by
Laura’s rich
sound, blazing technique,
and the “brain and
guts†that she
brought to her playing.
As a memorial, Spirit is
not about absence, but
rather a celebration
displaying a wide range
of emotions, with at
least a tiny glimpse of
Laura’s brilliant
spirit and spiritedness.
Only in the work’s
final stretch does the
sense of parting and loss
take over. SPIRIT was
composed in memory of
Laura Flax (1952-2017),
the renowned New
York-based clarinetist
and my cherished friend.
Our musical and personal
association began in 1977
when Laura invited me to
compose a solo clarinet
work, For an Actor:
Monologue for Clarinet,
in memory of her mother,
Hazel Flax, whom I had
known.After composing For
an Actor for Laura I came
back to the clarinet in
many of my compositions
over the years, sometimes
as a lead instrument and
at other times as an
important voice. In all
of my clarinet music
Laura is present. The
rich sound, blazing
technique, the
“brain and
guts†that she
brought to her playing,
and her remarkable
person, have inspired me
in so many ways during
the four decades of our
friendship, and beyond.I
did not want Spirit to be
about absence, though. I
wanted the piece to
exhibit a wider range of
emotions, as well as
capture at least a tiny
glimpse of Laura’s
brilliant spirit and
spiritedness. Only in the
work’s final
stretch does the sense of
“parting,â€
and of loss, take
over.Upon completing
Spirit on October 21,
2017 I found myself
compelled to add at the
bottom of the score the
words “To Laura,
always in my
heart,†as though
in an effort to reach
out, for a brief moment,
and touch the
unreachable.—Shula
mit Ran. $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Litaniae Lauretanae B.M.V in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA...(+)
SATB vocal soli, SATB
choir, 2 violins, basso
continuo, [3 trombones]
SKU: CA.4005411
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/11. Published by
Carus Verlag
(CA.4005411). ISBN
9790007059309. Key: B
flat major. Language:
Latin. This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Holy Spirit's solemn rite (O heiliges Geist- und Wasserbad) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, SATB Choir, 2 Vl, Va, Fg, Bc SKU: CA.3116549 Cantata for th...(+)
Soli SATB, SATB Choir, 2
Vl, Va, Fg, Bc SKU:
CA.3116549 Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Organ. Composed
1715(?). BWV 165. 12
pages. Duration 13
minutes. Carus Verlag #CV
31.165/49. Published by
Carus Verlag
(CA.3116549). ISBN
9790007209131. Language:
German/English. Text:
Franck, Salomo. The
cantata O heilges Geist-
und Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Celesta,
Clarinet 1, Clarinet 2,
Contrabass, Flute, Flute
1, Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Trumpet 3 and more.
SKU: PR.416415150
Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150). ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches. Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| What I Was Made For - Vocal Folio Word Music
SKU: WD.080689502286 By Big Daddy Weave. Sacred Vocal. Vocal score. Word ...(+)
SKU:
WD.080689502286 By
Big Daddy Weave. Sacred
Vocal. Vocal score. Word
Music #080689502286.
Published by Word Music
(WD.080689502286).
UPC:
080689502286. Big
Daddy Weave is back in a
big way with the
companion songbook to
their third new album,
What I Was Made
For. Arranged for
medium voice with piano
or guitar accompaniment,
this latest release
features songs that
reflect the band's
poignant journey of loss,
faith and new life
following their personal
experiences surviving
Hurricane Ivan. The
songbook includes all of
the songs from Big Daddy
Weave's What I Was
Made For, plus 4
more smash hits from
their first two
recordings One and
Only and Fields of
Grace. $22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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