| Judgement Day: Dies Irae Orchestre d'harmonie - Facile Hal Leonard
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3 SKU:
HL.4008730 Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730). ISBN
9798350119473. UPC:
196288195238. The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you. $133.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Judgement Day: Dies Irae Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4008731 Concert Band, Grde...(+)
Concert Band (Score)
- Grade 3 SKU:
HL.4008731 Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731). UPC:
196288195245. The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you. $23.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval French Carol [Conducteur] - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2.5 SKU:
CF.YAS201F Entre
le bœuf et l'âne
gris. Composed by 0.
Arranged by Ian David
Coleman. Sws. Yas. Full
score. 8 pages. Carl
Fischer Music #YAS201F.
Published by Carl Fischer
Music (CF.YAS201F).
ISBN 9781491157589.
UPC: 680160916160. 9 x 12
inches. This
ancient melody has an
intrinsic beauty in both
its shape and harmonic
support. Reflecting those
elements, this
arrangement also creates
an evocative sound world.
The mood of this piece is
inspired by viewing the
expanse of the night sky.
Throughout history, we as
humans are connected, in
a sense, by the fact that
we look up at the same
pattern of stars today as
those who created this
ancient tune so many
years ago, which suggests
a point of connection
over time. In this
arrangement you will find
a sense of wonder and awe
as the melody weaves its
way between consonance
and dissonance, and that
the reimagining of an
ancient melody in a new
setting, also reflects
the timeless nature that
points of celebration,
such as in the Christmas
season. This ancient
melody has an intrinsic
beauty in both its shape
and harmonic support.
Reflecting those
elements, this
arrangement also creates
an evocative sound
world. The mood of
this piece is inspired by
viewing the expanse of
the night sky.Â
Throughout history, we as
humans are connected, in
a sense, by the fact that
we look up at the same
pattern of stars today as
those who created this
ancient tune so many
years ago, which suggests
a point of connection
over time. In this
arrangement you will find
a sense of wonder and awe
as the melody weaves its
way between consonance
and dissonance, and that
the reimagining of an
ancient melody in a new
setting, also reflects
the timeless nature that
points of celebration,
such as in the Christmas
season.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Medieval French Carol - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2.5 SKU:
CF.YAS201 Entre le
bœuf et l'âne
gris. Composed by
Traditional French Carol.
Arranged by Ian David
Coleman. Folio. Yas. Set
of Score and Parts.
8+8+2+5+5+8+5 pages.
Duration 3 minutes, 5
seconds. Carl Fischer
Music #YAS201. Published
by Carl Fischer Music
(CF.YAS201). ISBN
9781491157763. UPC:
680160916344. 9 x 12
inches. Though not
as familiar as other
holiday carols, this
ancient melody has an
intrinsic beauty in both
its shape and harmonic
support. Reflecting those
elements, this
arrangement creates an
evocative sound world.
The mood is inspired by
viewing the expanse of
the night sky. Throughout
history, we as humans are
connected, in a sense, by
the fact that we look up
at the same pattern of
stars today as those who
created this ancient tune
so many years ago, which
suggests a point of
connection over time. In
this arrangement you will
find a sense of wonder
and awe as the melody
weaves its way between
consonance and
dissonance. The
re-imagining of this
medieval carol reflects
the timeless nature of
the Christmas season.
Students will work on
sustaining long tones and
tuning non-traditional
chords in this
choral-like setting for
string orchestra. The
melody flows between all
the parts with short
musical interludes
between. Though not as
familiar as other holiday
carols, this ancient
melody has an intrinsic
beauty in both its shape
and harmonic support.
Reflecting those
elements, this
arrangement creates an
evocative sound
world. The mood is
inspired by viewing the
expanse of the night
sky. Throughout
history, we as humans are
connected, in a sense, by
the fact that we look up
at the same pattern of
stars today as those who
created this ancient tune
so many years ago, which
suggests a point of
connection over time.Â
In this arrangement you
will find a sense of
wonder and awe as the
melody weaves its way
between consonance and
dissonance. The
re-imagining of this
medieval carol reflects
the timeless nature of
the Christmas season.
Students will work on
sustaining long tones and
tuning non-traditional
chords in this
choral-like setting for
string orchestra. The
melody flows between all
the parts with short
musical interludes
between.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Anime Themes for Saxophone Ensemble 3 Saxophones (trio) - Facile Yamaha
Woodwinds. Animation Songs. Sheet music. Yamaha Music Media #GTW01094990. Publ...(+)
Woodwinds. Animation
Songs.
Sheet music. Yamaha Music
Media #GTW01094990.
Published
by Yamaha Music Media
$20.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Anime Themes for Flute Ensemble Trio de Flûtes: 3 flûtes - Facile Yamaha
Woodwinds. Animation Songs. Sheet music. Yamaha Music Media #GTW01094989. Publ...(+)
Woodwinds. Animation
Songs.
Sheet music. Yamaha Music
Media #GTW01094989.
Published
by Yamaha Music Media
$13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Anime Themes for Horn Ensemble 3 Cors (trio) - Facile Yamaha
Brass. Animation Songs. Sheet music. Yamaha Music Media #GTW01094993. Publishe...(+)
Brass. Animation Songs.
Sheet
music. Yamaha Music Media
#GTW01094993. Published
by
Yamaha Music Media
$13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Hope Remains Within [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Brake Drum, Chimes,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum and more. -
Grade 2.5 SKU:
CF.YPS217F Composed
by Zachary Cairns. Sws.
Yps. Full score. 24
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217F.
Published by Carl Fischer
Music (CF.YPS217F).
ISBN 9781491156551.
UPC: 680160915095. 9 x 12
inches. Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.). $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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