| Encounters (6 Advanced Timpani Solos) Kendor Music Inc.
Timpani Solo - 5.5 SKU: KN.13648 (6 Advanced Timpani Solos). Compo...(+)
Timpani Solo - 5.5
SKU: KN.13648
(6 Advanced Timpani
Solos). Composed by
John H. Beck. Solo.
Timpani Solo. Kendor
Music Inc #13648.
Published by Kendor Music
Inc (KN.13648). UPC:
822795136487. These
six grade 5+ works by
legendary timpanist John
H. Beck are unique and
will challenge any
advanced players as they
work to perfect their
playing and improvisation
skills. Ideal for recital
and jury
performances. $11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Der Kreuzweg [Conducteur] Carus Verlag
SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani,...(+)
SBar vocal soli, SATB
voices (with divisi
voices), oboe, temple
blocks, timpani, organ, 3
dancers SKU:
CA.1905400 Composed
by Thomas Gabriel. This
edition: Paperbound.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Full score.
Composed 2005. 36 pages.
Duration 60 minutes.
Carus Verlag #CV
19.054/00. Published by
Carus Verlag
(CA.1905400). ISBN
9790007140120. Language:
German. The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60
minutes. $40.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Der Kreuzweg Carus Verlag
SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani,...(+)
SBar vocal soli, SATB
voices (with divisi
voices), oboe, temple
blocks, timpani, organ, 3
dancers SKU:
CA.1905404 Composed
by Thomas Gabriel.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Choir part.
Composed 2005. 8 pages.
Duration 60 minutes.
Carus Verlag #CV
19.054/04. Published by
Carus Verlag
(CA.1905404). ISBN
9790007192624. Language:
German. The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60 minutes.
Score and part available
separately - see item
CA.1905400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Der Kreuzweg Carus Verlag
SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani,...(+)
SBar vocal soli, SATB
voices (with divisi
voices), oboe, temple
blocks, timpani, organ, 3
dancers SKU:
CA.1905405 Composed
by Thomas Gabriel.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Choral
Score. Composed 2005. 20
pages. Duration 60
minutes. Carus Verlag #CV
19.054/05. Published by
Carus Verlag
(CA.1905405). ISBN
9790007161293. Language:
German. The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60 minutes.
Score available
separately - see item
CA.1905400. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Der Kreuzweg [Conducteur et Parties séparées] Carus Verlag
SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani,...(+)
SBar vocal soli, SATB
voices (with divisi
voices), oboe, temple
blocks, timpani, organ, 3
dancers SKU:
CA.1905419 Composed
by Thomas Gabriel.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Set of
Orchestra Parts. Composed
2005. 22 pages. Duration
60 minutes. Carus Verlag
#CV 19.054/19. Published
by Carus Verlag
(CA.1905419). ISBN
9790007141110. Language:
German. The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60 minutes.
Score and parts available
separately - see item
CA.1905400. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| John Tavener: Agraphon Chester
String Instruments, Soprano SKU: HL.14032750 Composed by John Tavener. Mu...(+)
String Instruments,
Soprano SKU:
HL.14032750 Composed
by John Tavener. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
2002. 28 pages. Chester
Music #CH61160. Published
by Chester Music
(HL.14032750). ISBN
9780711992771. John
Tavener 'Agraphon'
arranged for soprano,
timpani and strings.
Commissioned by the
Athens Concert Hall,
first performed on 29th
October 1995. The music
contains two symbolic
ideas - the first being
the opening series of
intervals which appear to
be inexhaustible in their
multifaceted symbolism,
representing the music of
the spheres. If the
angel's song is indeed
one of knowledge, they
could not choose a better
theme of harmony. And
then there is the
apparent evil of the
endless series of
spiralling sixths and
sevenths, falling without
apparent hope of
redemption through an
eternal geometric series,
down into a hellish
realm. Agraphon must be
performed with great
intensity, literally at
the breaking point of
intensity and
petrification. For the
voice the style
alternates between
European and classical
Indian singing; for
example, the passage
beginning on page 12 is
entirely semi-improvised.
The singer must listen to
many examples of
classical Indian music,
or else be trained by a
master. The music ends
fiercely at the
incomprehensible clash
and union between the
Divine and the human.
Duration 22 minutes.
Instrumental parts are
available on hire
only. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Encounters VI Theodore Presser Co.
Chamber Music Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4...(+)
Chamber Music Percussion,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4 SKU:
PR.114409860
Concertino for Roto
Toms and Percussion
Quartet. Composed by
William Kraft.
Encounters. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 1976.
27+12+10+10+10+10 pages.
Duration 10 minutes.
Theodore Presser Company
#114-40986. Published by
Theodore Presser Company
(PR.114409860). UPC:
680160014644. Here
I have adapted a standard
musical form to a
contemporary medium. The
concertino is a small
concerto: a one-movement
work that draws upon the
basic principles of the
concerto form - two
bodies of sound which at
times compete, contrast,
or act together. The
piece explores the
musical possibilities of
Roto-toms. The sound of
these drums is a cross
between a tom-tom and a
timpani, and their pitch
is changed by rotating
the drum. During the
course of the work, the
various effects used
include pitch and
fingernail glissandi;
playing on the rims; and
playing on the heads with
fingers, brushes, timpani
sticks, wood mallets or
rattan. Harmonics on the
octave and the fourth
above the fundamental
pitch are produced by the
drums when weights (in
this case, small pitched
cymbales called crotales)
are placed in the center
of the drum heads. In
return the drum itself
acts a resonator for the
crotales, which also have
a fundamental pitch when
played on the face and a
partial a fifth above
when played on the center
dome. The opening section
of the concertino
introduces a motive,
played by the soloist,
while the ensemble
sustains a bowed chord on
the vibraphone. Following
this cadenza-like
introduction, the piece
gradually moves into a
bright 6/8 tempo that is
characterized by constant
sixteenth notes in all
parts. After a brief
period of interaction,
the ensemble continues
its sixteenth notes
patterns and the soloist
plays and improvised
solo. Next, an interlude
is presented by the
ensemble which leads to a
dramatic recapitulation
by the soloist of the
motivic material. A
thematically-derived coda
concludes the work.
Encounters VI,
commissioned by Remo
Belli, is dedicated to
Jennifer Kraft, the
composer's daughter. The
premiere performance took
place in 1976 at the MENC
National Convention in
Atlantic City, New
Jersey, and was performed
by the Temple University
Percussion Ensemble
conducted by Glenn
Steele. --William
Kraft. $46.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Encounters VI [Conducteur] Theodore Presser Co.
Bass Drum, Chimes, Glockenspiel, Percussion, Percussion 1, Percussion 2, Percuss...(+)
Bass Drum, Chimes,
Glockenspiel, Percussion,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4, Spring
Coil, Tam-tam,
Vibraphone, Wind Chimes
SKU: PR.11440986S
Composed by William
Kraft. Full score. With
Standard notation. 27
pages. Duration 10
minutes. Theodore Presser
Company #114-40986S.
Published by Theodore
Presser Company
(PR.11440986S). UPC:
680160014651. Here
I have adapted a standard
musical form to a
contemporary medium. The
concertino is a small
concerto: a one-movement
work that draws upon the
basic principles of the
concerto form - two
bodies of sound which at
times compete, contrast,
or act together. The
piece explores the
musical possibilities of
Roto-toms. The sound of
these drums is a cross
between a tom-tom and a
timpani, and their pitch
is changed by rotating
the drum. During the
course of the work, the
various effects used
include pitch and
fingernail glissandi;
playing on the rims; and
playing on the heads with
fingers, brushes, timpani
sticks, wood mallets or
rattan. Harmonics on the
octave and the fourth
above the fundamental
pitch are produced by the
drums when weights (in
this case, small pitched
cymbales called crotales)
are placed in the center
of the drum heads. In
return the drum itself
acts a resonator for the
crotales, which also have
a fundamental pitch when
played on the face and a
partial a fifth above
when played on the center
dome. The opening section
of the concertino
introduces a motive,
played by the soloist,
while the ensemble
sustains a bowed chord on
the vibraphone. Following
this cadenza-like
introduction, the piece
gradually moves into a
bright 6/8 tempo that is
characterized by constant
sixteenth notes in all
parts. After a brief
period of interaction,
the ensemble continues
its sixteenth notes
patterns and the soloist
plays and improvised
solo. Next, an interlude
is presented by the
ensemble which leads to a
dramatic recapitulation
by the soloist of the
motivic material. A
thematically-derived coda
concludes the work.
Encounters VI,
commissioned by Remo
Belli, is dedicated to
Jennifer Kraft, the
composer's daughter. The
premiere performance took
place in 1976 at the MENC
National Convention in
Atlantic City, New
Jersey, and was performed
by the Temple University
Percussion Ensemble
conducted by Glenn
Steele. --William
Kraft. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |