| Musician, Heal Thyself! GIA Publications
SKU: GI.G-10542 Free Your Shoulder Region through Body Mapping. Co...(+)
SKU: GI.G-10542
Free Your Shoulder
Region through Body
Mapping. Composed by
Jennifer Johnson. Body
Mapping. Music Education.
184 pages. GIA
Publications #10542.
Published by GIA
Publications
(GI.G-10542). ISBN
9781622775927. Pain
in the shoulder region is
one of the most common
problems afflicting
instrumentalists,
vocalists, and conductors
alike. Musician, Heal
Thyself! uses the
principles of Body
Mapping to free musicians
of their shoulder pain,
injury, and limitations,
leading to more
expressive and healthy
music making. While
keenly aware of the
importance of whole-body
balance and context,
author Jennifer Johnson
presents the four most
common patterns that
cause shoulder pain and
fatigue, along with
guidance on how to
“remap†the
body for healthier whole
arm movements in playing,
singing, and conducting.
Also included in the book
are anatomical images for
remapping and many
photographs of
world-class musicians who
exhibit exemplary arm
movement and a free
shoulder region in their
performances. Especially
helpful are the
book’s movement
exploration activities,
online video links, and
the appendix, which
outlines the functions of
the shoulder region
muscles in
layman’s
vocabulary. A healthier
approach to music making
begins today with the
ideas and insights
presented in Musician,
Heal Thyself! Jennifer
Johnson is a licensed and
internationally
sought-after lecturer on
Body Mapping, teaching
musicians how to move
according to the design
of their bodies to
address and prevent
playing injuries. She
maintains an active
private violin studio,
performs regularly, and
is the author of three
books on Body Mapping.
 Musician, Heal
Thyself! is an invaluable
resource for performers
and teachers at every
level. The material is so
clearly elucidated and
its concepts immediately
useful and empowering. I
love this book!
—Carol Rodland,
violist   Viola
and Chamber Music
Faculty, The Juilliard
School After doing
several of the very clear
and thorough explorations
in Jennifer
Johnson’s new
book, my arms had the
freedom and ease of a
child’s, and I
felt a corresponding ease
in my trumpet posture and
sound. Emotional
re-mapping is also part
of any physical
improvement, and Ms.
Johnson describes that
aspect of the process
clearly and
compassionately. I
recommend this book for
all musicians seeking to
express their music with
efficiency, freedom, and
beauty. —Jeffrey
Reynolds, trumpet Â
 Associate Professor,
Faculty of Music,
University of Toronto For
years, I stubbornly
ignored my body’s
messages because I was
afraid to find out I was
'doing everything wrong.'
But Jennifer’s
wealth of experience
working with musicians
and her compassionate
approach in Musician,
Heal Thyself! have made
playing more fun and less
painful. Why did I wait
so long? —Nathan
Cole, First Assistant
Concertmaster, Los
Angeles Philharmonic Â
 Founder of
natesviolin.com. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Carnival of the Animals for two Flutes 2 Flûtes traversières (duo) Barenreiter
Composed by Camille Saint- Saens (1835-1921). Edited by Jennifer Seubel, Sall...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Jennifer Seubel, Sally
Beck.
Stapled. Performance
score(s). 31 pages.
Baerenreiter Verlag #BA
10926. Published by
Baerenreiter Verlag
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Q & A for MLT GIA Publications
SKU: GI.G-10496 General Music Perspectives on Music Learning Theory(+)
SKU: GI.G-10496
General Music
Perspectives on Music
Learning Theory.
Composed by Heather
Shouldice, Jennifer
Bailey, and Jill Reese.
Music Learning Theory
(MLT). Music Education.
214 pages. GIA
Publications #10496.
Published by GIA
Publications
(GI.G-10496). ISBN
9781622776061. Imag
ine a conversation among
leaders who are
passionate about their
general music teaching,
who have found incredible
power in Music Learning
Theory (MLT), who
exchange ideas about how
to be successful in the
classroom, and who are
eager to share what
they’ve learned
with one another. This is
the magic of Q & A for
MLT. Drawing from their
expertise, experience,
and unique perspectives,
authors Jill Reese,
Heather Shouldice, and
Jennifer
Bailey—along with
a series of guest
contributors—provi
de practical suggestions
for managing the
challenges and choices in
a Music Learning
Theory-based classroom,
sometimes agreeing and
other times highlighting
differing perspectives
that encourage the reader
to consider what best
fits their understanding
and context. The book
addresses key topics,
including: An overview of
Music Learning Theory
Suggestions for classroom
activities Developing the
teacher's own musical
skills and content
knowledge Blending MLT
with the Kodaly and Orff
approaches Measuring
music aptitude and
assessing student growth
Long-term and short-term
planning Adapting MLT for
diverse populations
(students with
disabilities, visual
impairments, and English
Language Learners) How to
use MLT in various
contexts (the preshool
classroom, urban
settings, elementary
choir, and middle school
general music) Through a
conversational blend of
research, scholarship,
stories from the
classroom, and humor,
this book gives educators
a reliable source for
finding answers to
real-life questions and
suggestions for
navigating the specifics
of successfully applying
MLT in the classroom.
Jill Reese is Associate
Professor of Music
Education at the State
University of New York at
Fredonia. Dr. Reese is
also the author of
Navigating Music Learning
Theory: A Guide for
General Music Teachers.
Heather N. Shouldice is
Associate Professor of
Music Education at
Eastern Michigan
University. Dr. Shouldice
is also the author of
Weaving It All Together:
A Practical Guide to
Applying Gordon’s
Music Learning Theory in
the Elementary General
Music Program and the
host of a podcast about
Music Learning Theory
called “Everyday
Musicality.â€
Jennifer M. Bailey is an
elementary vocal music
teacher in Farmington
Public Schools with over
25 years of experience
using Music Learning
Theory in the
classroom. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sacred Choral Music Repertoire GIA Publications
SKU: GI.G-9615 Insights for Conductors. Composed by Tim Sharp. Mus...(+)
SKU: GI.G-9615
Insights for
Conductors. Composed
by Tim Sharp. Music
Education. GIA
Publications #9615.
Published by GIA
Publications (GI.G-9615).
ISBN
9781622774340. With
contributions from
Jennifer Kerr Budziak and
Kevin Padworski. This
comprehensive and
ambitious study is the
first of its kind,
focusing entirely on a
large and diverse canon
of six centuries of
sacred choral repertoire
that remains in worship
presentation and
performance to this day.
Written and compiled by
Tim Sharp, together with
chapters by Jennifer Kerr
Budziak and Kevin
Padworski and
contributions from 39
practicing church choir
directors, Sacred Choral
Music Repertoire is an
in-depth exploration of
173 short- to
medium-length anthems and
single movements from
larger sacred works. The
large body of sacred
music presented in this
book was determined by
surveys of practicing
church musicians to
discover the canon that
remains relevant,
beloved, and in
unwavering use in church,
school, and community
choirs. Resource guides
for each piece, written
by researchers and
practicing musicians from
faith communities, survey
the work’s
history, offer conducting
insights and detailed
analysis, and give
performance nuance and
insight. Sacred Choral
Music Repertoire explores
a wide range of topics,
including: Chant Sacred
Choral Music of the
Renaissance Sacred Choral
Music of the Baroque
Sacred Choral Music of
the 18th Century Sacred
Choral Music of the
Romantic Era Sacred
Choral Music of the 20th
and 21st Centuries Folk
Hymn Settings, Wilderness
and African-American
Spirituals Relational and
Intentional Worship Music
of the 21st Century
Church Music in a
Professional and
Commercial Age Each
section includes
historical background
information, conducting
insights specific to each
period, and practical
analysis of each
composition addressing
musical style,
interpretation, text,
additional resources, and
rehearsal considerations
and approaches. Sacred
Choral Music Repertoire
is a practical and
convenient reference for
any conductor looking to
bring the best sacred
literature and
performance practices to
their school, college,
community, or worship
setting. Click Here to
Download Book Index. Tim
Sharp is Executive
Director of the American
Choral Directors
Association (ACDA), the
professional association
for choral conductors,
educators, scholars,
students, and choral
music industry
representatives in the
United States. He serves
as Vice-President of the
International Federation
for Choral Music and
is Artistic Director of
the Tulsa Chorale. A
theologically and
musically trained choral
musician, Sharp has
taught and written about
sacred music literature
and performed the canon
of sacred repertoire
throughout his career. He
created and wrote the
monthly Sacred Music News
& Review publication, and
originated the standing
column on sacred music,
Hallelujah!, for
ACDA’s Choral
Journal. Dr. Sharp is a
Life Fellow of Clare
Hall, Cambridge
University, with degrees
in music and conducting
from The School of Church
Music of The Southern
Baptist Theological
Seminary, Belmont
University, and Bluefield
College, with
post-graduate studies at
the Aspen Music School,
Harvard University, and
Cambridge University. $59.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Teaching Body Mapping to Children GIA Publications
SKU: GI.G-9229 Overcoming and Preventing Injury in the Music Studio an...(+)
SKU: GI.G-9229
Overcoming and
Preventing Injury in the
Music Studio and
Classroom. Composed
by Jennifer Johnson. Body
Mapping. Music Education.
102 pages. GIA
Publications #9229.
Published by GIA
Publications (GI.G-9229).
ISBN
9781622772070. Does
your student have
unexplained arm pain when
playing violin? Does a
beginner in your band
complain of a sore neck
and shortness of breath
when playing clarinet? Or
does your piano student
complain of sore wrists?
Expanding on the concepts
of Body Mapping developed
by Barbara Conable in her
flagship book, What Every
Musician Needs to Know
about the Body, licensed
Andover Educator Jennifer
Johnson presents
anatomical facts,
movement activities, and
tools for preventing
injury in our young music
students. Teaching Body
Mapping to Children is an
essential guide for
teachers to recognize
potential movement and
posture problems and to
help their students find
free, healthy, and
efficient ways to make
music. Clear definitions
and useful drawings
illustrate the structure
of the body and healthy
movement patterns.
Imaginative games and
activities for both
individual and group
instruction teach
musically appropriate
movement and
self-awareness.
Suggestions for using
anatomically accurate
teaching language are
provided. Also addressed
are the challenges that
daily activities (such as
texting, writing, and
using a computer) present
to the well-being of our
students. A comprehensive
list of resources adds to
the value of the book.
Great resource! The
beauty of this book is
that there is help here
for all musicians
regardless of their
discipline! —Jean
Ritter, British Columbia
The Canadian Music
Teacher, Spring
Journal. $25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Practicing Music GIA Publications
SKU: GI.G-10180 How the Professionals Do It. Composed by Morris Ar...(+)
SKU: GI.G-10180
How the Professionals
Do It. Composed by
Morris Arnie Lang & Brian
Willson. Classical. 200
pages. GIA Publications
#10180. Published by GIA
Publications
(GI.G-10180). ISBN
9781574635348. Succ
essful professional
musicians—instrume
ntalists and vocalists
alike—are always
busy. Performing,
teaching, family, and
professional
responsibilities keep
them on the go around the
clock, yet they still
find time to practice so
that they can maintain
technique, prepare for
upcoming performances,
and thrive as a musician.
In this eye-opening essay
collection, these
world-renowned artists
share their insights on
practice, from practical
tips you can use today to
the intangible lessons of
living a musical life:
Paul Austerlitz Chris
Bacas Stefan Bauer
Evangeline Benedetti
Serena Benedetti Bruce
Bonvissuto John Bruschini
Norman Carey Jennifer
Choi Peter Erskine Lars
Frandsen Gordon Gottlieb
Hill Greene John Isley
Vic Juris Aline Kiryayeva
Morris
“Arnie†Lang
Deb Lyons Jacqueline
Martelle Shoko Nagai and
Satoshi Takeishi Andy
Narell Isabelle
O’Connell Richard
O’Donnell Victor
Rendón Sonny Rollins
Jay Rosen Michael Rosen
Terry Silverlight Andrew
White, III Brian Willson
Dr. Brian Willson is a
professional musician,
educator, author, and
student of African
Diaspora heritage in the
Americas. As a
percussionist/conductor/l
ecturer he has performed
in over 25 countries,
working with a wide
variety of artists
including Big Nick
Nicholas, Katy Roberts,
Morris Lang, Pauline
Oliveros, Ivo Perelman,
Rasul Siddik, the Mystery
Brothers, Salim
Washington, Brooklyn
Philharmonic, Freddie
MacGregor, Gloria Gaynor,
Roberta Flack, along with
numerous tours of the
Broadway shows A Chorus
Line, Evita, and Chess.
His work is represented
on over 15 recordings,
DVDs, and television
specials. Morris Lang
attended the Juilliard
School. In 1955, shortly
after graduation, he was
appointed Associate
Principal Timpanist and
percussionist with the
New York Philharmonic. He
has performed with music
directors from Leonard
Bernstein, Pierre Boulez,
Zubin Mehta to Kurt Mazur
on hundreds of recordings
and on television
including the famous
Leonard
Bernstein’s
“Young
People’s
Concerts†and
“Live from Lincoln
Center.â€. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contact GIA Publications
SKU: GI.G-CD-1043 GIA WindWorks Series. GIA WindWorks. Music Educa...(+)
SKU: GI.G-CD-1043
GIA WindWorks
Series. GIA
WindWorks. Music
Education. CD. GIA
Publications #1043.
Published by GIA
Publications
(GI.G-CD-1043).
Ford •
McCarthy • Abe
• Higdon •
Goto Since the inception
of the projects,
composers, conductors,
music critics, and
connoisseurs worldwide
have praised the
recordings conducted by
Eugene Migliaro Corporon
for their innovation,
excellence, and
professional standards.
These exceptional videos
and compact discs
identify and preserve the
standard repertoire and
globally encourage
composers to contribute
to the ever-growing
legacy of great music
that has the power of
universality. The breadth
and variety of the discs
highlight the fact that
the wind symphony, in its
many forms throughout
hundreds of years of
music history, has been
and continues to be a
significant original
medium for serious
aesthetic expression. The
projects have yielded
more than 100 discs that
showcase the creative
energy of thousands of
world-renowned composers
and gifted musicians.
Winds magazine offers the
following regarding the
body of work: “This
series has immense
historic value in
documenting the best of
the repertoire...as well
as providing much sheer
listening (and viewing)
pleasure for the level of
artistry in the
performances. The
acoustic quality of the
recording is
state-of-the- art...All
of the works are superbly
realized and worthy of
exploration...these discs
represent the standards
to which all must
aspire.† This
is a monumental recording
that should be listened
to and studied by every
serious concert
percussionist. The
writing for percussion
and winds is innovative
and cutting edge, and
there is much here for
composers to learn about
scoring for percussion
and winds. The
[University of North
Texas] Wind Symphony
performs these works
fabulously and
flawlessly, and the baton
of Maestro Corporon is
evident throughout.
—Tom Morgan,
Percussive Notes •
Vol. 56, No. 3 •
July 2018 Watch this
video: Eugene Corporon
and Mark Ford Discuss
Contact Read Mark Ford's
commentary on his project
with Eugene Corporon:
Contact Contents 1.
Stubernic Fantasy (2012)
• Mark Ford (b.
1958) • (13:04)
Copyright © Innovative
Percussion • Mark
Ford, Paul Rennick, Sandi
Rennick – Marimba
Soloists Chamber Symphony
No. 1 for Marimba (1993)
• Daniel McCarthy
(b. 1955) • (16:03)
Copyright © C. Alan
Publications 2. Deer
Hunting in Michigan
(4:07) 3. Harmonic
Rhythms (4:33) 4. The
Stuff of Adventure (7:23)
Mark Ford –
Marimba Soloist 5. Prism
Rhapsody II (1996)
• Keiko Abe (b.
1937) • (15:54)
Copyright © Xebec
Music • Mark Ford,
Keiko Abe –
Marimba Soloists 6.
Percussion Concerto
(2009) • Jennifer
Higdon (b. 1962) •
(25:21) Copyright ©
Lawson Press • Mark
Ford – Percussion
Soloist 7. Ruffles Call
from Afar (2013) •
Yo Goto (b. 1958) •
(10:26) Copyright © C.
Alan Publications •
Mark Ford – Snare
Drum Soloist Total Time
(70:22) Â . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Cantor's Art GIA Publications
SKU: GI.G-9378 As Found in the GIA Quarterly - Volume 1. Edited by...(+)
SKU: GI.G-9378
As Found in the GIA
Quarterly - Volume 1.
Edited by Jennifer Kerr
Breedlove Budziak.
Sacred. 104 pages. GIA
Publications #9378.
Published by GIA
Publications (GI.G-9378).
ISBN 9781622772476.
English. This
fantastic resource
gathers the best wisdom
from master cantors
experienced in drawing an
assembly into
God’s presence
through music.
You’ll discover
the ins and outs of vocal
technique, body language,
and microphone use as
well as spiritual prayer
and insights into the
poetry of the psalms.
Taken from the last
twenty-five years of
articles appearing in the
GIA Quarterly, The
Cantor’s Art is a
sure way to learn how to
grow as an artist,
musician, and minister of
sung prayer. $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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