PARTITIONS GRATUITES :
- Jingle All the Way: Oboe

By William T. Robinson, III. For Oboe. Method. Fun With. All Styles. Level: Beginning. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute, Horn, Jingle Bells, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine and more. - Grade 2.5

SKU: CF.YPS251

Composed by Ed Kiefer. Yps. Set of Score and Parts. 16+4+8+8+8+4+4+10+4+4+8+8 +8+8+6+6+6+4+6+2+2+4+4+1+ 24 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #YPS251. Published by Carl Fischer Music (CF.YPS251).

ISBN 9781491161340. UPC: 680160919932.

Commi ssioned by the Midway High School Band, NC Joshua Tew and Jesse Shelton, Directors Commission funded by the Simple Gifts Grant Fund (Clinton, NC) In memory of Deborah Tew, mother of Joshua Tew This composition is a great concert opener or festival selection for a young band. Beginning with a joyful motive and lots of featured percussion, it uses sudden dynamic changes and a dark middle section to create plenty of contrast and excitement. The ending begins very softly, building to a tension filled climax that eventually returns to the joyful motive from the beginning of the piece. Lots of fun for the musicians and the audience! Be sure to keep the tempo moving throughout--don't let it slow down or it will lose energy, especially in the soft sections. Keep articulations crisp and let the horns wail (doubles in altos). Make sure your percussionists observe the marked dynamics and do not cover the winds. Otherwise, this piece is very accessible, with reasonable ranges and rhythmic challenges. It may take a minute or two to balance the dark chords in the middle section, but it will be well worth it for the contrast. Have fun!.
Commissioned by the Midway High School Band, NCJoshua Tew and Jesse Shelton, DirectorsCommission funded by the Simple Gifts Grant Fund (Clinton, NC)In memory of Deborah Tew, mother of Joshua TewThis composition is a great concert opener or festival selection for a young band. Beginning with a joyful motive and lots of featured percussion, it uses sudden dynamic changes and a dark middle section to create plenty of contrast and excitement. The ending begins very softly, building to a tension filled climax that eventually returns to the joyful motive from the beginning of the piece. Lots of fun for the musicians and the audience!Be sure to keep the tempo moving throughout--don’t let it slow down or it will lose energy, especially in the soft sections. Keep articulations crisp and let the horns wail (doubles in altos). Make sure your percussionists observe the marked dynamics and do not cover the winds. Otherwise, this piece is very accessible, with reasonable ranges and rhythmic challenges. It may take a minute or two to balance the dark chords in the middle section, but it will be well worth it for the contrast. Have fun!

Flute/Oboe - Grade 0.5 to 1. Arranged by Mike Hannickel, Amy Adam. Curnow Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 20 pages. Published by Curnow Music.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Jingle Bells, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Snare Drum and more. - Grade 3

SKU: CF.CPS243

Incorporating The First Noel. Composed by Ed Kiefer. Folio. Cps. Set of Score and Parts. 2+8+8+4+8+8+8+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+4+8+1+2+ 3+1+2+24 pages. Duration 4:15. Carl Fischer Music #CPS243. Published by Carl Fischer Music (CF.CPS243).

ISBN 9781491158500. UPC: 680160917105. 9 x 12 inches.

This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite. When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet, nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to match articulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.
This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite.When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet,nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to matcharticulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Jingle Bells, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Snare Drum and more. - Grade 3

SKU: CF.CPS243F

Incorporating The First Noel. Composed by Ed Kiefer. Sws. Cps. Full score. 24 pages. Duration 4:15. Carl Fischer Music #CPS243F. Published by Carl Fischer Music (CF.CPS243F).

ISBN 9781491158517. UPC: 680160917112. 9 x 12 inches.

This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite. When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet, nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to match articulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.
This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite.When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet,nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to matcharticulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.

By Peter Blair. For flute, Violin and oboe. Christmas, Secular Christmas. Instrumental ensemble (woodwind). Published by Heritage Music Press. (50/1140H)