PARTITIONS GRATUITES :
- Kanons im Urtext

SKU: M2.MOS-91920

Composed by Wolfgang Amadeus Mozart. Möseler Verlag #MOS 91920. Published by Möseler Verlag (M2.MOS-91920).

ISBN 978-3-7877-3920-2.

Mozart Kanons, nimmt man die Skizzen und Fragmente hinzu, sind zahlreich. Und gerade in ihnen manifestiert sich sein Humor oft mit Texten, die nicht nur im krassen Gegensatz zur Strenge der Form stehen, sondern zudem haufig alles andere als stubenrein sind. So sahen sich andere Zeiten genotigt, hier reinigend einzugreifen und harmlosere Texte zu unterlegen. Wolters Veroffentlichung im Urtext aus dem Jahr 1956 war deshalb begreiflicherweise eine kleine Sensation. Auch wenn wenige Einzelheiten der Sammlung nicht mehr ganz dem heutigen Stand der Musikforschung entsprechen und der Autor die geplante Uberarbeitung nicht mehr ausfuhren konnte, mindert das den Wert der kleinen Sammlung nicht. ... Unsere Kanonsammlung bemuht sich zunachst um wissenschaftliche Genauigkeit: Die Kanons werden in ihrer Gesamtheit und nach Text und Weise in originaler Gestalt dargeboten. Was zur Aufhellung des historischen Tatbestandes zusammengetragen wurde, ist in den Anmerkungen (als Revisionsbericht) niedergelegt. ... aus dem Vorwort des Herausgebers.

Urtext der Neuen Mozart-Ausgabe. By Johann Sebastian Bach. Edited by Christoph Wolff. For Instrument. Neue Bach-Ausgabe. Serie VIII, Band 1. Collection; Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA5042 01)

SKU: CA.4023210

Composed by Wolfgang Amadeus Mozart. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Dreizehn Kanons. Secular choral music, Easter and Eastertide, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Collection. 4 pages. Carus Verlag #CV 40.232/10. Published by Carus Verlag (CA.4023210).

ISBN 9790007065508.

(9 Kompositionen. Urtext der Lechner-Gesamtausgabe). By Leonhard Lechner. Edited by Konrad Ameln; Uwe Martin. For Mixed Choir. Leonhard Lechner Werke. Band 14. Score; Urtext Edition; Collection; Complete Edition (cloth bound)

Chorus a cappella

SKU: BR.CHB-5386

Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. Breitkopf and Haertel #CHB 5386. Published by Breitkopf and Haertel (BR.CHB-5386).

ISBN 9790004413876. 7.5 x 10.5 inches. German.

It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.

For three, four and six female voices a cappella.

Chorus a cappella

SKU: BR.CHB-5386-02

Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. 12 pages. Breitkopf and Haertel #ChB 5386-02. Published by Breitkopf and Haertel (BR.CHB-5386-02).

ISBN 9790004413876. 7.5 x 10.5 inches. German.

It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.

For three, four and six female voices a cappella.