PARTITIONS GRATUITES :
- Landscape II - New Edition

Piano - intermediate to difficult

SKU: HL.49045232

For Piano. Composed by Renato de Grandis. This edition: Saddle stitching. Sheet music. Piano. The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cy. Classical. Softcover. Composed 1999-2000. 46 pages. Duration 32'. Schott Music #ED22099. Published by Schott Music (HL.49045232).

ISBN 9790001201667. UPC: 841886029330. 9.0x12.0x0.166 inches.

The 48 Preludes by the Venetian composer Renato de Grandis (1927-2008) were composed, largely, between 1998-2002. It was only subsequently that he arranged them into 4 cycles of 12 preludes, drawing also from earlier compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or by natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.

C instrument, B-flat instrument, keyboard, guitar

SKU: GI.G-4140K

Composed by Various. This edition: Landscape edition. Hymnal. Gather. Sacred. Book. GIA Publications #4140K. Published by GIA Publications (GI.G-4140K).

ISBN 9780941050593.

12 x 9 hardcover, spiral books. Allows you to see 4 pages in a double page spread. Two volumes.

Organ

SKU: ST.EC66

Composed by Various. Edited by John Caldwell. This edition: Collected Editions. Library Volumes. Early Tudor Organ Music. Collection. Stainer and Bell Ltd. #EC66. Published by Stainer and Bell Ltd. (ST.EC66).

ISBN 9780852499726.

EECM 65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript â?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).

The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. EECM66 contains Advent, Christmas, Epiphany and Lenten hymns from Add. MS 29996, and 22 pieces from other sources. Three appendices include intabulated pieces, plainchant melodies, and hymns and faburdens.

In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.

Score and Parts flute (pic), clarinet, violin, viola, cello, double bass, and percussion (1 player: vibraphone, crotales) - advanced

SKU: HL.49045996

For Flute, Clarinet, Violin, Viola, Cello, Double Bass & Percussion Score and Parts. Composed by Pierre Jalbert. Sheet music. Edition Schott. Softcover. Composed 2018. 37 pages. Duration 15'. Schott Music #ED30283. Published by Schott Music (HL.49045996).

ISBN 9781540033901. UPC: 888680786991. 9.25x12.0x0.314 inches.

Light, Line, Shadow is a response to Edward Hopper's iconic painting Road and Trees, a painting donated to the Philadelphia Museum of Art by Daniel Dietrich II, and the first Hopper painting acquired by the museum. My piece is in three contrasting movements, each referring to and inspired by an aspect of Hopper's painting.The first movement, Landscape in Motion, refers to the dynamic movement of the landscape when traveling in a car and looking at the landscape passing by in the window. Hopper loved to take road trips, experiencing America by car, and in one of his initial sketches for Road and Trees, there was a car in the painting. The first movement tries to capture that moving landscape as experienced in a car in motion. The second movement, Brush Strokes, focuses on the darker forest in the painting, as the trees become denser and the technique of brush strokes creates deep layers. There is a spiritual aspect to Hopper's paintings, a kind of isolation and emptied out space, and the third movement, Open Road, dwells on that aspect of the painting before reprising material from the dynamic first movement.- Pierre Jalbert.

Grade 3

SKU: CL.012-3415-01

Composed by Shaffer. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR335). Extra full score. Composed 2005. Duration 5 minutes, 26 seconds. Opus III Wind Orchestra Publications #012-3415-01. Published by Opus III Wind Orchestra Publications (CL.012-3415-01).

Not hard, but very impressive, this David Shaffer original is perfect concert or contest material for mid-level bands. It starts with a stately fanfare introduction which leads directly into the furious section. This section features a fast tempo where several playable yet independent melody lines are intertwined to create a very busy yet pleasing musical landscape. An adagio section follows before a reprise of the furious section leads to a big finish. A rewarding work that is a welcome addition to any performance!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-3415-00

Composed by Shaffer. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR335). Overture. Score and set of parts. Composed 2005. Duration 5 minutes, 26 seconds. Opus III Wind Orchestra Publications #012-3415-00. Published by Opus III Wind Orchestra Publications (CL.012-3415-00).

Not hard, but very impressive, this David Shaffer original is perfect concert or contest material for mid-level bands. It starts with a stately fanfare introduction which leads directly into the furious section. This section features a fast tempo where several playable yet independent melody lines are intertwined to create a very busy yet pleasing musical landscape. An adagio section follows before a reprise of the furious section leads to a big finish. A rewarding work that is a welcome addition to any performance!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style