PARTITIONS GRATUITES :
- Nicolas-Lebegue

Organ solo

SKU: FZ.5393

Composed by Nicolas-Antoine Lebegue. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5393).

ISBN 9790540053932. 23.50 x 32.50 cm inches.

This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, (s. d. = 1685). Facsimile of a copy in the Troyes city library which, like the second book, probably belonged tothe Siret family. Preface by: Jean Saint-Arroman: the Troyes copy. Philippe Lescat: Nicolas Lebegue's obligations.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Troyes (France). Anne Fuzeau Classique propose period copies of classical music scores.

Harpsichord solo

SKU: FZ.50531

Composed by Nicolas-Antoine Lebegue. Edited by Marie Demeilliez. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.50531).

ISBN 9790049505314. 22.00 x 30.00 cm inches.

This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : s. d. =1687. Presentation by Marie Demeilliez : Biography - Le second livre de clavecin - Bibliography (Description of conserved editions) - Manuscript versions and Concordances table - Table od contents. This facsimile reproduces the copy in the British Library, the only complete exemplar. A modern edition, already dated, is based on the incomplete copy from the Bibliotheque Nationale de France. This second book of harpsichord pieces is interesting for several reasons: the very typical pieces of the suite are classical models most of them are of limited difficulty and therefore playable by young pupils these pieces date from a key period during which both pre-classical ornamentation (see the book of motets by Lebegue) and the emerging classical ornamentation were used. The preface by M. D. is remarkably well documented. The engraving is very clear. Anne Fuzeau Productions have published all the period editions of Lebegue's works: 3 organ books, 2 harpsichord books, one book of motets.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.

Harpsichord solo

SKU: FZ.2600

Composed by Nicolas-Antoine Lebegue. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Published by Anne Fuzeau Productions - France (FZ.2600).

ISBN 9790230626002. 22.00 x 31.00 cm inches.

This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Lebegue - Harpsichord pieces book I - Harpsichord. Edition : Paris, 1677. Works presenting no great technical difficulties. They allow harpsichord of average ability to tackle the French style. Preface by: Philippe Lescat: bibliographical notice,Jean Saint-Arroman: hints about the score. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Grenoble (France).

Organ solo

SKU: FZ.5010

Composed by Nicolas-Antoine Lebegue. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5010).

ISBN 9790230650106. 23.50 x 31.50 cm inches.

This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, P. Baillon, c. 1678. The copy reproduced here was used in the organ loft of Troyes cathedral. It may have belonged to the Siret family. We have added the Troyes fauxbourdons for the Magnificat. Preface by: Jean Saint-Arroman: the copy from the Biblioheque Municipale de Troyes. Philippe Lescat: the organs of Lebegue.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Troyes (France). Anne Fuzeau Classique propose period copies of classical music scores.

Voice and basso continuo (1 or 2 soprano voices)

SKU: FZ.3276

Composed by Nicolas-Antoine Lebegue. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Sacred. Score. Published by Anne Fuzeau Productions - France (FZ.3276).

ISBN 9790230632768. 23.50 x 32.50 cm inches.

This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, C. Ballard, 1687. These motets, quite short and presenting few difficulties, are an excellent introduction to the French vocal repertory of the second half of the 17th century. Preface by: Philippe Lescat: Lebegue's works. Jean Saint-Arroman: bibliography of the motets - comparison of the sources. Motet for 2 soprano voices and continuo: O crux ave (page 11). All the other motets are for 1 soprano voice and continuo. Motets in which the right hand part of the organ is written between the sung phrases: Veni Sancte Spiritus (page 1) - O Rex gloriae (page 14) - Parasti in conspectu (page 18) - Vidi speciosam (page 24) - O salutaris hostia (page 35) - Anima Christi (page 39) - Ave verum (page 44) - Salve Regina (page 49) - Regina Coeli (page 56) - Exultet Omnium (page 60) - Domine salvum fac Regem (page 65) - Domine salvum fac Regem (page 68). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.










Facsimile of a copy in the Schonborn Castle's Library of Wiesentheid (Germany). Anne Fuzeau Classique propose period copies of classical music scores.

Composed by Nicolas Lebegue (1631-1702). Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 132 pages. Kalmus Classic Edition #00-K04156. Published by Kalmus Classic Edition

Composed by Nicolas Lebegue (1631-1702). Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 104 pages. Kalmus Classic Edition #00-K04154. Published by Kalmus Classic Edition

Composed by Nicolas Lebegue (1631-1702). Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 72 pages. Kalmus Classic Edition #00-K04155. Published by Kalmus Classic Edition