| America's All-Time Favorite Songs for God and Country Piano, Voix et Guitare [Partition] Music Sales
(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacr...(+)
(P/V/G). By Various.
Songbooks and Methods.
Music Sales America.
Patriotic, Sacred.
Softcover. 320 pages
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Folk Songs of the World - Intermédiaire De Haske Publications
4 Part Variable Wind Ensemble with Percussion - intermediate SKU: BT.DHP-1216...(+)
4 Part Variable Wind
Ensemble with Percussion
- intermediate SKU:
BT.DHP-1216326-070
Arranged by Wil van der
Beek. Music Box. Folk
Music. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216326-070. Published by
De Haske Publications
(BT.DHP-1216326-070).
ISBN 9789043162067.
English-German-French-Dut
ch. 1. Emerald
Isle, in this part, the
musical spotlight focuses
in on the green island of
Ireland and its great
wealth of traditional
folk music. The piece
opens with the air ‘My
Lodging Is on the Cold
Ground’, also known
under the title
‘Believe Me, If All
Those Endearing Young
Charms’ (bars 5-24).
Next, we hear another
well-known air ‘The
Minstrel Boy’ (bars
29-44). Finally, the air
‘The Groves of
Blarney’, possibly
better known as ‘The
Last Rose of Summer’
(bars 53-68) is heard.
Each air is heralded by a
short introduction and
brought to an end by a
short conclusion. 2. Old
Kentucky Memories,
following an introduction
of 14 bars all attention
is claimed by the song
‘My Old Kentucky
Home’. As the piece
goes on, snippets of
memories emerge,
fleetingly, surfacing
fast, but quickly
disappearing again: this
is musically featured by
way of small motifs and
themes from other songs.
These can be heard
briefly, and then they
disappear, musing on Old
Kentucky until the
introduction returns to
end the piece. 3.
Uppland, is a province in
Sweden that had a rich
folk music culture, like
the whole of Sweden, that
boasts many songs and
dances. A notable amount
of these songs and dances
have been composed in
minor keys, three of
which feature in this
part. First, we hear
‘Svensk
folkvisa’(bars 1-38),
followed by the famous
‘Värmlandsvisan’
(bars 39-67) and then
brought to an end by
‘Vexelsang’ (bars
68-end). 4. Ratatouille,
in this part, no folk
songs of just one country
or one province are
featured. This piece is a
mishmash (or
ratatouille), a
hotchpotch of three folk
songs with no significant
relation at all. In
succession, we hear a
song from Russia (bars
1-30), one from Japan
(bars 31-58) and one from
Australia (bars 59-end).
The composer of the
Russian song titled
‘The Nightingale’ is
Alexander Alyabyev (1787
1851), but the composers
of the Japanese song
titled ‘Sakura’ and
the Australian
‘Waltzing Matilda’
are unknown.
1.
Emerald Isle, in dit deel
zijn de muzikale
schijnwerpers gericht op
het groene eiland
Ierland, op de grote
rijkdom aan traditionele
volksmuziek. Het werkje
opent met de air ‘My
Lodging Is on the Cold
Ground’, ook bekend
onder de titel ‘Believe
Me, If All Those
Endearing Young Charms’
(maat 5-24). Daarna volgt
de bekende air ‘The
Minstrel Boy’ (maat
29-44). En ten slotte
horen we nog de air
‘The Groves of
Blarney’, misschien
beter bekend als ‘The
Last Rose of Summer’
(maat 53-68). Elke air
wordt voorafgegaan door
een korte inleiding en
beëindigd met een korte
afsluiting. 2. Old
Kentucky Memories, na een
inleiding van 14 maten
(deels ook als afsluiting
van dit deel gebruikt)
wordt alle aandacht
opgeëist door de song
‘My Old Kentucky
Home’. Al gauw doemen
er echter flarden van
herinneringen op,
vluchtig, snel opkomend,
maar ook weer snel
verdwijnend: dit krijgt
muzikaal gestalte door
middel van motiefjes en
thema’s uit andere
songs. Deze zijn even
hoorbaar en dan weer vlug
verdwenen... Mijmeren
over Old Kentucky dus...
3. Uppland, is een
provincie in Zweden met
een rijke muziekcultuur,
zoals heel Zweden
trouwens ruim bedeeld is
met volksliederen en
volksdansen. Opvallend
veel van deze liederen en
dansen zijn gecomponeerd
in mineurtoonsoorten. Dit
is ook het geval met de
drie voor dit deel
uitgekozen songs: als
eerste ‘Svensk
folkvisa’(maat 1-38),
gevolgd door het bekende
‘Värmlandsvisan’
(maat 39-67) en tot
besluit ‘Vexelsang’
(maat 68-slot). 4.
Ratatouille, in dit deel
worden geen volksliedjes
van één land of één
provincie belicht. Dit
werkje is een
‘ratjetoe’
(ratatouille), een
allegaartje van drie
folksongs die onderling
geen enkel verband met
elkaar hebben: de enige
overeenkomst is dat ze
alle drie als volksmuziek
bestempeld kunnen worden.
Achtereenvolgens klinkt
er een lied uit Rusland
(maat 1-30), uit Japan
(maat 31-58) en uit
Australië (maat
59-slot). Van het
Russische lied met de
titel ‘De nachtegaal’
is de componist bekend:
dat is Aleksandr Aljabjev
(1787 1851). Van het
Japanse lied ‘Sakura’
en de Australische song
‘Waltzing Matilda’
kennen we niet de
componist niet.
1.
Emerald Isle, in diesem
Abschnitt richtet sich
die musikalische
Aufmerksamkeit auf die
grüne Insel Irland mit
ihrem großen Reichtum an
traditioneller
Volksmusik. Das Stück
beginnt mit der Melodie
My Lodging Is on the Cold
Ground“, auch bekannt
unter dem Titel Believe
Me, If All Those
Endearing Young Charms“
(Takt 5-24).
Anschließend erklingt
die bekannte Melodie The
Minstrel Boy“ (Takt
29-44). Schließlich ist
The Groves of Blarney“,
vielleicht bekannter
unter dem Titel The Last
Rose of Summer“ (Takt
53-68), zu hören. Jede
Melodie wird durch eine
kurze Einleitung
angekündigt und mit
einem kurzen Nachspiel
beendet. 2. Old Kentucky
Memories, nach einer 14
Takte dauerndern
Einleitung tritt das Lied
My Old Kentucky Home“
in den Mittelpunkt. Im
weiteren Verlauf des
Stücks erscheinen
bruchstückhafte
Erinnerungen, die fast so
schnell wieder
verschwinden, wie sie
auftauchen. Dies wird
musikalisch durch kleine
Motive und Themen aus
anderen Liedern
dargestellt. Diese sind
kurz zu hören und
verschwinden dann,
während man über Old
Kentucky nachdenkt, bis
die Einleitung wieder
erklingt, die zum Schluss
des Stückes führt. 3.
Uppland, ist eine
schwedische Provinz, die
wie ganz Schweden eine
reiche Volksmusikkultur
mit vielen Liedern und
Tänzen hat. Eine große
Anzahl der Lieder und
Tänze, von denen drei in
diesem Abschnitt
enthalten sind, stehen in
Moll-Tonarten. Zuerst
hören wir Svensk
folkvisa“ (Takt 1-38),
darauf erklingt das
berühmte
Värmlandsvisan“ (Takt
39-67) und am Ende
Vexelsang“ (Takt
68-end). 4. Ratatouille,
in diesem Abschnitt
werden nicht die
Volkslieder eines
einzigen Landes oder
einer einzigen Provinz
vorgestellt, sondern das
Stück ist ein Mischung
(oder Ratatouille“) aus
drei Volksliedern, die
keinerlei Beziehung
zueinander haben.
Zunächst erklingt ein
Lied aus Russland (Takt
1-30), dann eines aus
Japan (Takt 31-58) und
zum Schluss eines aus
Australien (Takt
59-Ende). Der Komponist
des russischen Liedes mit
dem Titel The
Nightingale“ ist
Alexander Alyabyev (1787
1851). Die Komponisten
des japanischen Liedes
Sakura“ und der
australischen Melodie
Waltzing Matilda“ sind
unbekannt.
1.
Emerald Isle (Île
d’émeraude), cette
première partie met en
vedette la verdoyante
île d’Irlande et son
riche patrimoine de
musique folklorique
traditionnelle. Elle
s’ouvre avec « My
Lodging Is on the Cold
Ground », un air
également connu sous le
titre « Believe Me, If
All Those Endearing Young
Charms » (mesures 5-24).
Vient ensuite un autre
air célèbre, « The
Minstrel Boy » (mesures
29-44), lui-même suivi
de « The Groves of
Blarney », peut être
mieux connu sous le titre
« The Last Rose of
Summer » (mesures
53-68). Chaque air est
annoncé par une courte
introduction et
s’achève avec une
courte conclusion. 2. Old
Kentucky Memories
(Souvenirs du vieux
Kentucky), après une
introduction de 14
mesures, toute
l’attention se porte
sur la chanson « My Old
Kentucky Home ». A fil
de la pièce, des
fragments de souvenirs
fugaces émergent,
disparaissant aussi vite
qu’ils se présentent :
cette impression est
créée par le biais de
courts motifs et thèmes
empruntés d’autres
chansons. On les entend
brièvement puis ils
s’estompent, comme de
lointains souvenirs du
vieux Kentucky, jusqu’
une reprise de
l’introduction pour
conclure la pièce. 3.
Uppland, est une province
suédoise aux riches
traditions musicales,
tout comme l’ensemble
de la Suède, qui compte
de nombreuses danses et
chansons. Beaucoup sont
en tonalité mineure, et
cette partie en comprend
trois. La première est
« Svensk folkvisa »
(mesures 1-38), qui est
suivie de «
‘Värmlandsvisan »
(mesures 39-67), et la
pièce s’achève avec
« Vexelsang » (mesure
68 jusqu’ la fin). 4.
Ratatouille, cette
dernière partie ne
comprend pas d’air
provenant d’un seul
pays. C’est un
méli-mélo, une «
ratatouille » de trois
chansons folkloriques
sans aucun lien. Il y a
d’abord une chanson
russe, « Le Rossignol »
(mesures 1-30), puis «
Sakura », originaire du
Japon (mesures 31-58) et,
enfin, « Waltzing
Matilda », venue
d’Australie (mesure 59
jusqu’ la fin). La
chanson russe est
d’Alexander Alyabyev
(1787-1851), mais nous
ignorons les auteurs des
deux autres chansons. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Reflections on an Old Japanese Folk Song Orchestre d'harmonie - Avancé Anglo Music
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012759 Composed by Phil...(+)
Concert Band/Harmonie
(Score) - Grade 5 SKU:
HL.44012759 Composed
by Philip Sparke. Anglo
Music Concert Band.
Softcover. Composed 2015.
Anglo Music Press
#AMP443140. Published by
Anglo Music Press
(HL.44012759). UPC:
888680610456.
10.75x14.0x0.142 inches.
English-German-French-Dut
ch. Reflections
on an Old Japanese Folk
Song is based on the
tune Suiryo-Bushi,
which comes from the
shamisen tradition and
opens with two
contrasting statements of
the melody followed by
several variations each
in an own style based
uponthe same tune, or
sometimes only fragments
of it. In one of the
variants, the pentatonic
scale is used. The final
section is in the form of
a scherzo, which
eventually forms the
accompaniment to a final
presentation of the folk
tune.
Reflectio
ns on an Old Japanese
Folk Song is
gebaseerd op het liedje
Suiryo-Bushi, dat
afkomstig is uit de
shamisen-traditie en
opent met twee
contrasterende statements
van de betreffende
melodie, gevolgd door
verschillende
variatieshierop, in
diverse stijlen, steeds
gebaseerd op hetzelfde
liedje of fragmenten
eruit. In een van de
variaties wordt de
pentatonische toonladder
gebruikt. Het
slotgedeelte begint met
een scherzo, dat
uiteindelijk de
begeleiding vormt van een
laatsteuiteenzetting van
het
volksliedje.
Das
Stuck Reflections on
an Old Japanese Folk
Song basiert auf der
Melodie des Volksliedes
Suiryo-Bushi, das
in der Tradition des
japanischen
Saiteninstruments
Schamisen steht. Es
beginnt mit zwei
gegensatzlichen
Darstellungen derMelodie,
gefolgt von verschiedenen
Variationen: jede in
einem eigenen Stil, aber
alle auf der gleichen
Melodie oder auf
Fragmenten der Melodie
beruhend. In einer
Variation wird auch die
pentatonische Tonleiter
verwendet. Im
Scherzo,
demSchlussteil des
Stuckes, erklingt das
Volkslied schliesslich
zum letzten
Mal.
Reflection
s on an Old Japanese Folk
Song est base sur la
melodie
Suiryo-Bushi, qui
est issue de la tradition
de shamisen. L'oeuvre
commence par deux
versions differentes de
la melodie, suivies par
plusieurs variations sur
le theme enentier ou en
partie, chacune dans son
propre style. La section
finale est dans la forme
d'un scherzo, qui
prend le role
d'accompagnement a la
fin, lors de la derniere
presentation du theme
folklorique.
Re
flections on an Old
Japanese Folk Song,
basata su un motivo di
Suiryo-Bushi,
originariamente concepito
per shamisen, strumento a
corde tipico della
tradizione musicale
giapponese. La struttura
del brano e del tutto
peculiare, basata
sulladalla reiterazione
melodica di un tema o
frammenti di esso, con
l'inserimento di brevi
variazioni. In una delle
varianti, e usata la
scala pentatonica. La
sezione finale e nella
forma dello scherzo. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Popular Songs for Brass and Reed Instruments - Piano Accompaniment Accompagnement Piano [Partition] Santorella Publications
101 Popular Songs for Brass and Reed Instruments * Piano Accompaniment composed ...(+)
101 Popular Songs for
Brass and Reed
Instruments * Piano
Accompaniment composed by
Various. Arranged by
Jonathon Robbins. For
piano accompaniment. This
edition: Paperback.
Collection. Popular.
Book. Text Language:
English. 240 pages.
Published by Santorella
Publications
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on 'The Wee Cooper of Fife' Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18). ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major. A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |