PARTITIONS GRATUITES :
- Our Kingsland Spring - Percussion

Composed by Samuel R. Hazo. For Concert Band (Score and Parts). FlexBand. Grade 2-3. Published by Hal Leonard

(Movement I of Georgian Suite). By Samuel R. Hazo. (Score & Parts). MusicWorks Grade 2. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

(Score) - Grade 3

SKU: HL.4002390

Composed by Samuel R. Hazo. MusicWorks Grade 3. Concert Band. 20 pages. Published by Hal Leonard (HL.4002390).

UPC: 073999979886. 9.0x12.0x0.08 inches.

Our sky is never the same – from day to day or even hour to hour. It holds the brightest and darkest things we will ever see, and in addition is capable of displaying every imaginable color and mood. Through this expressive work, Samuel Hazo has translated the many qualities of the sky into musical moods. The opening section features flowing melodies beautifully developed between soloistic and full ensemble playing. The “sinister” fast section features driving rhythms, mixed meters and a crescendo that evolves into a powerful setting of the original melody. Sam's sense of timing and emotional pacing is strongly evident in this effective work. (5:45).

Composed by Jim Andy Caudill. Hal Leonard Concert Band Series. Published by Hal Leonard

By Samuel R. Hazo. (Score & Parts). MusicWorks Grade 1. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

(Score) - Grade 3

SKU: HL.4002362

Composed by Giovanni de Palestrina. Arranged by John Moss. MusicWorks Grade 3. Concert Band. Published by Hal Leonard (HL.4002362).

UPC: 073999376876. 9.0x12.0x0.076 inches.

Hymns by Giovanni de Palestrina pre-date those of Bach by over a century and incorporate the great polyphonic tradition of Renaissance writing. The compositions used in this suite are from a collection published in 1589 titled Hymns of the Entire Year, and incorporate antiphonal choral effects that lend themselves particularly well to instrumental settings. John Moss uses richly contrasting tone colors and textures as well as characteristic modal tonalities in this wonderful setting for band. (3:30).