PARTITIONS GRATUITES :
- Overture: Score

Orchestra

SKU: HL.14022872

Composed by Carl August Nielsen. Music Sales America. 20th Century. Score Only. Composed 2002. 32 pages. Edition Wilhelm Hansen #WH21752. Published by Edition Wilhelm Hansen (HL.14022872).

ISBN 9788759857250. 8.25x11.75 inches.

Overture to the Comic Opera Maskerade written between 1904-06. Full score.

Arranged by Richard Meyer. Orchestra. For Full Orchestra. Full Orchestra. First Philharmonic. Form: Transcription. 2 (grade 2). Score. 24 pages

Famous Overture Themes. Arranged by Douglas E. Wagner. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Overture. Classical; Masterwork Arrangement; Romantic. 124 pages. Published by Belwin Music (AP.44809).

Study Score. Composed by Ludwig van Beethoven (1770- 1827). Edited by Helga Luhning. Henle Study Scores. Classical, Opera. Softcover. 58 pages. G. Henle #HN9046. Published by G. Henle

SKU: CA.5022500

Composed by Josef Gabriel Rheinberger. Edited by Felix Loy. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Konzertouverturen. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). 208 pages. Carus Verlag #CV 50.225/00. Published by Carus Verlag (CA.5022500).

ISBN 9790007090739.

Rhei nberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in this same line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures.