| Sahara - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Clarinet 1, Clarinet 2,
Clarinet 3, Dumbek,
Euphonium, Euphonium
T.C., Finger Cymbals,
Flute 1, Flute 2,
Glockenspiel, Gong, Horn
1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Mallet
Percussion 3 and more. -
Grade 3 SKU:
CF.CPS261 Composed by
Patrick Glenn Harper.
Cps. Set of Score and
Parts.
8+8+4+8+8+8+4+4+4+4+4+4+4
+4+4+4+4+8+8+6+4+8+1+2+2+
2+4+8+4+32 pages.
Duration 5:22. Carl
Fischer Music #CPS261.
Published by Carl Fischer
Music (CF.CPS261).
ISBN 9781491161272.
UPC:
680160919864. Sahar
a is an exciting
programmatic work for
concert band that
musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final destination.
Performance Notes You may
use a set of congas in
addition to or in lieu of
the dumbek part to bring
out that pitched drum
sound. At m. 4, emphasize
the accented quarter
notes in the horns and
euphonium. Measures
17-26, make sure that the
sixteenth note marimba
part is heard clearly. In
measures 48-92, this
entire middle section may
be played in a rubato
style at the director's
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm. 76-81.
Measures 109-112, make
sure to bring out the
trills in the Flute and
oboe parts and sustain
them all the way through
the measure with a
release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts. Sahara is an
exciting programmatic
work for concert band
that musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final
destination.Performance
NotesYou may use a set of
congas in addition to or
in lieu of the dumbek
part to bring out that
pitched drum sound. At m.
4, emphasize the accented
quarter notes in the
horns and euphonium.
Measures 17-26, make sure
that the sixteenth note
marimba part is heard
clearly. In measures
48-92, this entire middle
section may be played in
a rubato style at the
director’s
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm.
76-81.Measures 109-112,
make sure to bring out
the trills in the Flute
and oboe parts and
sustain them all the way
through the measure with
a release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Fledgling - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium,...(+)
Band Bass Clarinet, Bass
Drum, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Glockenspiel, Horn,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 2.5 SKU:
CF.YPS260 Composed by
Patrick Glenn Harper. Set
of Score and Parts. Carl
Fischer Music #YPS260.
Published by Carl Fischer
Music (CF.YPS260).
ISBN 9781491163603.
UPC:
680160922390. A
bird is considered to
have fledged at the time
when its wing muscles and
feathers are sufficiently
developed for flight.
When young birds have
reached this stage, but
are still dependent on
their parents for care
and feeding, they are
referred to as
fledglings. This piece
musically follows a
fledgling as it begins
the long process of
learning to fly. It
starts out tentatively,
gains ability, struggles,
and then eventually
soars.In all instances
where a longer note is
tied to an eighth note,
players should release,
stopping the sound, on
the eighth note. For
example, a dotted half
note tied to an eighth
note should have a
definite stop at the
beginning of beat
4.Measures 20–26:
The sudden changes in
dynamics should be
exaggerated to produce a
somewhat pronounced
awkward effect.Measures
52–57: The flute,
oboe, and clarinet parts
should produce a constant
flowing sound in the
slurred eighth notes,
breathing on the
eighth-note
rests.Measures
66–67: Make sure
the staccatos are very
short and pronounced, but
do not cover the melody
in the low brass and
reeds.Measures
72–86: Emphasize
the accents on the
upbeats in the percussion
instruments.Measure 83:
Emphasize the crescendo
to forte and then
immediately drop to
mezzo-forte. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Swingin' Christmas [Conducteur] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute,
Glockenspiel, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4 and more.
SKU: CF.CPS269F
Composed by Patrick Glenn
Harper. Full score. 32
pages. Carl Fischer Music
#CPS269F. Published by
Carl Fischer Music
(CF.CPS269F). ISBN
9781491164082. UPC:
680160922871. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Quest - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe, Percussion
1 and more. - Grade 3
SKU: CF.CPS247
Composed by Patrick Glenn
Harper. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+6+4+8+1+1+1+
2+8+4+4+24 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #CPS247. Published
by Carl Fischer Music
(CF.CPS247). ISBN
9781491158364. UPC:
680160916962. 9 x 12
inches. The Quest
aims to take the listener
on an epic musical
journey. Beginning with a
sweeping cinematic melody
that is restated at the
conclusion of the piece,
the music transitions
into an up-tempo section
that features a catchy
ostinato bass pattern,
and gives your percussion
section a chance to
shine. The slower middle
section features the
woodwinds, before
expanding the simple
chorale into the rest of
the band. The final
section of the piece sees
a restatement of the
adventure theme before
accelerating into a
rousing conclusion that
will make for an exciting
concert closer. Make sure
that all dynamic
crescendos and
decrescendos are very
pronounced in the
performance of the piece.
Take care not to let the
ostinato bass pattern
overpower the melody. The
slow section beginning at
m. 61 may be conducted in
a rubato style for
maximum musical
expression. The tempo at
m. 103 may be taken
faster or slower than the
marked tempo according to
the skill level of the
band. The Quest aims
to take the listener on
an epic musical journey.
Beginning with a sweeping
cinematic melody that is
restated at the
conclusion of the piece,
the music transitions
into an up-tempo section
that features a catchy
ostinato bass pattern,
and gives your percussion
section a chance to
shine. The slower middle
section features the
woodwinds, before
expanding the simple
chorale into the rest of
the band. The final
section of the piece sees
a restatement of the
adventure theme before
accelerating into a
rousing conclusion that
will make for an exciting
concert closer.Make sure
that all dynamic
crescendos and
decrescendos are very
pronounced in the
performance of the piece.
Take care not to let the
ostinato bass pattern
overpower the melody. The
slow section beginning at
m. 61 may be conducted in
a rubato style for
maximum musical
expression. The tempo at
m. 103 may be taken
faster or slower than the
marked tempo according to
the skill level of the
band. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Semper Gratus [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS251F Composed
by Patrick Glenn Harper.
Full score. 25 pages.
Carl Fischer Music
#CPS251F. Published by
Carl Fischer Music
(CF.CPS251F). ISBN
9781491159880. UPC:
680160918478. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on "O Come, O Come, Emmanuel" - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euph...(+)
Band Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Piccolo, Timpani and
more. - Grade 4 SKU:
CF.SPS91 Composed by
Patrick Glenn Harper.
Folio. Sps. Set of Score
and Parts.
2+8+8+4+8+8+8+4+4+4+4+4+4
+6+12+12+4+4+4+4+6+6+6+4+
6+2+2+2+8+3+4+6+28 pages.
Duration 4 minutes, 20
seconds. Carl Fischer
Music #SPS91. Published
by Carl Fischer Music
(CF.SPS91). ISBN
9781491158302. UPC:
680160916900. 9 x 12
inches. This new
interpretation of the
Christmas standard begins
with a chorale statement
of the original hymn and
then heads into new
territory as various
percussion instruments
are added to the mix.
Changing time signatures,
unique rhythmic patterns
and various musical
styles are explored as
the piece builds to a
climactic ending that
will provide an exciting,
memorable finale to your
holiday concert. Note:
The chorale section after
the intro (mm. 13 through
35) should be played very
expressively in a rubato
style. This new
interpretation of the
Christmas standard begins
with a chorale statement
of the original hymn and
then heads into new
territory as various
percussion instruments
are added to the mix.
Changing time signatures,
unique rhythmic patterns
and various musical
styles are explored as
the piece builds to a
climactic ending that
will provide an exciting,
memorable finale to your
holiday concert.Note: The
chorale section after the
intro (mm. 13 through 35)
should be played very
expressively in a rubato
style. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Quest [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Gong, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS247F Composed
by Patrick Glenn Harper.
Sws. Cps. Full score. 24
pages. Duration 4
minutes, 10 seconds. Carl
Fischer Music #CPS247F.
Published by Carl Fischer
Music (CF.CPS247F).
ISBN 9781491158371.
UPC: 680160916979. 9 x 12
inches. The Quest
aims to take the listener
on an epic musical
journey. Beginning with a
sweeping cinematic melody
that is restated at the
conclusion of the piece,
the music transitions
into an up-tempo section
that features a catchy
ostinato bass pattern,
and gives your percussion
section a chance to
shine. The slower middle
section features the
woodwinds, before
expanding the simple
chorale into the rest of
the band. The final
section of the piece sees
a restatement of the
adventure theme before
accelerating into a
rousing conclusion that
will make for an exciting
concert closer. Make sure
that all dynamic
crescendos and
decrescendos are very
pronounced in the
performance of the piece.
Take care not to let the
ostinato bass pattern
overpower the melody. The
slow section beginning at
m. 61 may be conducted in
a rubato style for
maximum musical
expression. The tempo at
m. 103 may be taken
faster or slower than the
marked tempo according to
the skill level of the
band. The Quest aims
to take the listener on
an epic musical journey.
Beginning with a sweeping
cinematic melody that is
restated at the
conclusion of the piece,
the music transitions
into an up-tempo section
that features a catchy
ostinato bass pattern,
and gives your percussion
section a chance to
shine. The slower middle
section features the
woodwinds, before
expanding the simple
chorale into the rest of
the band. The final
section of the piece sees
a restatement of the
adventure theme before
accelerating into a
rousing conclusion that
will make for an exciting
concert closer.Make sure
that all dynamic
crescendos and
decrescendos are very
pronounced in the
performance of the piece.
Take care not to let the
ostinato bass pattern
overpower the melody. The
slow section beginning at
m. 61 may be conducted in
a rubato style for
maximum musical
expression. The tempo at
m. 103 may be taken
faster or slower than the
marked tempo according to
the skill level of the
band. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Swingin' Christmas - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute,
Glockenspiel, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4 and more. -
Grade 3.5 SKU:
CF.CPS269 Composed by
Patrick Glenn Harper. Set
of Score and Parts. Carl
Fischer Music #CPS269.
Published by Carl Fischer
Music (CF.CPS269).
ISBN 9781491163689.
UPC:
680160922475. Add a
unique twist to your next
Holiday concert with this
piece, featuring fun and
often unexpected swing
jazz takes on classic
Christmas carols. Joy to
the World, Silent Night,
O Come All Ye Faithful,
Away in a Manger, We
Three Kings, and O Little
Town of Bethlehem are all
woven together and
featured in this up-tempo
selection that your
audience will definitely
remember.The concert toms
should be tuned as to
provide a
“drumsetâ€
effect when combined with
the other percussion
instruments.The concert
bass drum should be
dampened so that it
sounds more like a
drumset kick bass. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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