| Overture to a Small Town - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarine...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crotales, English Horn,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Mallet Percussion 1 and
more. - Grade 4 SKU:
CF.SPS94 Composed by
Cooper Minnis. Sps. Set
of Score and Parts.
1+8+8+4+1+8+8+8+2+2+2+2+2
+2+2+3+3+3+2+2+2+2+3+3+3+
3+2+3+1+2+2+1+2+2+24
pages. Duration 7:48.
Carl Fischer Music
#SPS94. Published by Carl
Fischer Music (CF.SPS94).
ISBN 9781491161449.
UPC:
680160920037. On
November 5th, 2017, a
mass shooting took place
at the First Baptist
Church in Sutherland
Springs, Texas.
Twenty-six innocent
people lost their lives
that day, including an
unborn child. Overture to
a Small Town is dedicated
to these victims and the
loved ones they left
behind. From the biggest
cities to the smallest
towns, the senseless
bloodshed must end.
Despite the darkness of
this tragedy, it is my
intent through this music
to portray a sense of
hope, dignity, and
innocence deserved by all
America's cities and
towns. The opening
moments of this piece
should be treated
delicately, ensuring that
the brass section moves
together in one unified
voice, and that the
crotales evoke distant
flickers of light.
Similarly, in mm.
120-127, articulations in
the flutes, trumpets and
mallets should be strong
enough to be heard, but
without being aggressive.
The textural layering in
mm. 48-53 should be
executed with
machine-like precision of
both rhythm and
articulation. This
passage should evoke the
sound of many voices
rising together. There
should be a great
contrast between the
opening Piano dynamic and
the final Forte dynamic.
In mm. 65-69, both mallet
percussionists may play
the indicated notes in
any octave they choose.
Both players should move
rapidly between notes in
any order. This passage
should sound fluid and
ethereal. In mm. 69-73:
If there is no English
Horn available to the
ensemble, the Trumpet
should play this passage
solo. If there is an
English Horn, both
instruments should play
the passage together.
This impressionistic
composition about these
vanished structures,
although written for more
advanced ensembles, has
only one flute, clarinet,
trumpet, horn and
trombone part. As a
result, smaller bands can
play this composition
without having to look
for a flex-band
arrangement. Use this to
develop the essential
skills of syncopation and
counting while also
offering the security of
only having one part for
each instrument voice. An
exciting contrasting
selection for bands
looking for a
harmonically interesting
composition, this also
works well as a contest
selection.  . On
November 5th, 2017, a
mass shooting took place
at the First Baptist
Church in Sutherland
Springs, Texas.
Twenty-six innocent
people lost their lives
that day, including an
unborn child. Overture to
a Small Town is dedicated
to these victims and the
loved ones they left
behind. From the biggest
cities to the smallest
towns, the senseless
bloodshed must end.
Despite the darkness of
this tragedy, it is my
intent through this music
to portray a sense of
hope, dignity, and
innocence deserved by all
America’s cities
and towns.  The
opening moments of this
piece should be treated
delicately, ensuring that
the brass section moves
together in one unified
voice, and that the
crotales evoke distant
flickers of light.
Similarly, in mm.
120-127, articulations in
the flutes, trumpets and
mallets should be strong
enough to be heard, but
without being
aggressive.  The
textural layering in mm.
48-53 should be executed
with machine-like
precision of both rhythm
and articulation. This
passage should evoke the
sound of many voices
rising together. There
should be a great
contrast between the
opening Piano dynamic and
the final Forte
dynamic.  In mm.
65-69, both mallet
percussionists may play
the indicated notes in
any octave they choose.
Both players should move
rapidly between notes in
any order. This passage
should sound fluid and
ethereal.  In mm.
69-73: If there is no
English Horn available to
the ensemble, the Trumpet
should play this passage
solo. If there is an
English Horn, both
instruments should play
the passage together.This
impressionistic
composition about these
vanished structures,
although written for more
advanced ensembles, has
only one flute, clarinet,
trumpet, horn and
trombone part. As a
result, smaller bands can
play this composition
without having to look
for a flex-band
arrangement. Use this to
develop the essential
skills of syncopation and
counting while also
offering the security of
only having one part for
each instrument voice. An
exciting contrasting
selection for bands
looking for a
harmonically interesting
composition, this also
works well as a contest
selection. . $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Overture for a Small Town - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarine...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crotales, English Horn,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Mallet Percussion 1 and
more. - Grade 4 SKU:
CF.SPS94F Composed by
Cooper Minnis. Sps. Full
score. 24 pages. Duration
7:48. Carl Fischer Music
#SPS94F. Published by
Carl Fischer Music
(CF.SPS94F). ISBN
9781491161838. UPC:
680160920518. On
November 5th, 2017, a
mass shooting took place
at the First Baptist
Church in Sutherland
Springs, Texas.
Twenty-six innocent
people lost their lives
that day, including an
unborn child. Overture to
a Small Town is dedicated
to these victims and the
loved ones they left
behind. From the biggest
cities to the smallest
towns, the senseless
bloodshed must end.
Despite the darkness of
this tragedy, it is my
intent through this music
to portray a sense of
hope, dignity, and
innocence deserved by all
America's cities and
towns. The opening
moments of this piece
should be treated
delicately, ensuring that
the brass section moves
together in one unified
voice, and that the
crotales evoke distant
flickers of light.
Similarly, in mm.
120-127, articulations in
the flutes, trumpets and
mallets should be strong
enough to be heard, but
without being aggressive.
The textural layering in
mm. 48-53 should be
executed with
machine-like precision of
both rhythm and
articulation. This
passage should evoke the
sound of many voices
rising together. There
should be a great
contrast between the
opening Piano dynamic and
the final Forte dynamic.
In mm. 65-69, both mallet
percussionists may play
the indicated notes in
any octave they choose.
Both players should move
rapidly between notes in
any order. This passage
should sound fluid and
ethereal. In mm. 69-73:
If there is no English
Horn available to the
ensemble, the Trumpet
should play this passage
solo. If there is an
English Horn, both
instruments should play
the passage
together. On November
5th, 2017, a mass
shooting took place at
the First Baptist Church
in Sutherland Springs,
Texas. Twenty-six
innocent people lost
their lives that day,
including an unborn
child. Overture to a
Small Town is dedicated
to these victims and the
loved ones they left
behind. From the biggest
cities to the smallest
towns, the senseless
bloodshed must end.
Despite the darkness of
this tragedy, it is my
intent through this music
to portray a sense of
hope, dignity, and
innocence deserved by all
America’s cities
and towns.  The
opening moments of this
piece should be treated
delicately, ensuring that
the brass section moves
together in one unified
voice, and that the
crotales evoke distant
flickers of light.
Similarly, in mm.
120-127, articulations in
the flutes, trumpets and
mallets should be strong
enough to be heard, but
without being
aggressive.  The
textural layering in mm.
48-53 should be executed
with machine-like
precision of both rhythm
and articulation. This
passage should evoke the
sound of many voices
rising together. There
should be a great
contrast between the
opening Piano dynamic and
the final Forte
dynamic.  In mm.
65-69, both mallet
percussionists may play
the indicated notes in
any octave they choose.
Both players should move
rapidly between notes in
any order. This passage
should sound fluid and
ethereal.  In mm.
69-73: If there is no
English Horn available to
the ensemble, the Trumpet
should play this passage
solo. If there is an
English Horn, both
instruments should play
the passage together. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dance of the Tumblers Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-19...(+)
(from The Snow Maiden).
Composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Arranged by
Lewis Norfleet.
Percussion Ensemble. For
glockenspiel, xylophone,
chimes, 2 vibraphones,
two 4.3-octave (low A)
marimbas, two smaller
4-octave marimbas, 4
timpani, snare drum,
small and large crash
cymbals (pairs), bass
drum, triangle, gong,
tambourine. Note for
larger ensembles: If
there is a f (13
players).
Medium-Advanced. Score
and parts on CD-ROM. 18
pages. Duration 3'00 .
Published by Tapspace
Publications
$36.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Surfboard Ensemble de Percussions [Partition + CD-ROM] - Intermédiaire Tapspace Publications
(arranged for percussion ensemble). Composed by Antonio Carlos Jobim. Arranged b...(+)
(arranged for percussion
ensemble). Composed by
Antonio Carlos Jobim.
Arranged by Murray
Gusseck. For Percussion
Ensemble (8 players).
Percussion Ensembles.
Medium. 12 pages.
Duration 3 minutes.
Published by Tapspace
Publications
$40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 30″ Symphonic Gong Hal Leonard
SKU: HL.3710702 Model SG15030. Paiste Gongs. General Merchandise. ...(+)
SKU: HL.3710702
Model SG15030.
Paiste Gongs. General
Merchandise. Hal Leonard
#SG15030. Published by
Hal Leonard (HL.3710702).
UPC: 697643590151.
32.75x33.0x3.75
inches. Our oldest
version of the
instrument, Symphonic
Gongs have a slightly
raised surface (without
boss) with a harmonic and
universal sound
structure. The
fundamental note of the
gong is balanced with the
instrument's complex
overtones. The
characterizing word
“Symphonicâ€
thereby should not be
misinterpreted as
describing the literal
sense of classical
symphonic orchestra
application but its
original sense to unite
harmonic sounds. The
describing word universal
shall be understood as
“sound in its
entirety.†The
sound of these gongs can
be influenced and varied
through the nature of the
stroke, as well as the
size, weight, and
composition of the
mallets. By varying the
striking points, highs,
lows, and various sound
mixtures contained in the
entirety of the gong's
sound sphere may be
extracted and played up.
The fundamental note of
the gong is balanced with
the instrument's complex
overtones. The sound of
these gongs can be
influenced and varied
through the nature of the
stroke, as well as the
size, weight, and
composition of the
mallets. By varying the
striking points, highs,
lows, and various sound
mixtures contained in the
entirety of the gong's
sound sphere may be
extracted and played
up. $1488.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Woody Woodblocker Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS138F Composed by Joseph Compello. ...(+)
Band concert band - Grade
1 SKU: CF.BPS138F
Composed by Joseph
Compello. Full score. 10
pages. Carl Fischer Music
#BPS138F. Published by
Carl Fischer Music
(CF.BPS138F). ISBN
9781491159507. UPC:
680160918096. Woody
Woodblocker is a novelty
piece featuring the title
instrument as a soloist.
It is suitable for bands
currently in the first
year of lessons. It
should be performed in a
lively manner and played
at a tempo deemed
suitable by the director.
While the typical
woodblock is usually
struck with a drumstick,
the director may wish to
explore other types of
blocks and mallets which
may prove more effective
with bands of varying
sizes. To overcome the
issue of balance, the
woodblock notes are
primarily sounded while
the winds have rests
within a measure. Young
bands, therefore, with
more than a few players
in the percussion section
may use more than one
woodblock player on the
solo part without
upsetting the balance
between woodblock(s) and
winds. Thank you for
choosing this
composition. Woody
Woodblocker is a
novelty piece featuring
the title instrument as a
soloist. It is suitable
for bands currently in
the first year of
lessons. It should be
performed in a lively
manner and played at a
tempo deemed suitable by
the director. While the
typical woodblock is
usually struck with a
drumstick, the
director may wish to
explore other types of
blocks and mallets which
may prove more effective
with bands of varying
sizes. To overcome the
issue of balance, the
woodblock notes are
primarily sounded while
the winds have rests
within a measure. Young
bands, therefore, with
more than a few players
in the percussion section
may use more than one
woodblock player on the
solo part without
upsetting the balance
between woodblock(s) and
winds.Thank you for
choosing this
composition. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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