| Emily! Voix Soprano, Piano - Intermédiaire Schirmer
(Musical Settings of the Poems of Emily Dickinson). Composed by Gwyneth W. Walke...(+)
(Musical Settings of the
Poems of Emily
Dickinson). Composed by
Gwyneth W. Walker
(1947-). For soprano
voice solo, piano.
Secular, 21st century.
Medium. Collection.
Published by E.C.
Schirmer Publishing
$18.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Emily! (from New England) Musical Settings of the Poems of Emily Dickinson Schirmer
Composed by Gwyneth W. Walker (1947-). Vocal Solo. Secular, 21st Century. Colle...(+)
Composed by Gwyneth W.
Walker (1947-). Vocal
Solo. Secular, 21st
Century. Collection. 31
pages. Published by E.C.
Schirmer Publishing
(EC.8460).
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moonlight Odyssey - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS111
Composed by Matt Turner.
Concert String Orchestra
(CAS). Set of Score and
Parts. With Standard
notation.
16+16+4+10+10+10+4+16
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #CAS111.
Published by Carl Fischer
Music (CF.CAS111).
ISBN 9781491151303.
UPC: 680160908806. 9 x 12
inches. Key: G
minor. Composed by
Matt Turner, Moonlight
Odyssey for string
orchestra is a
hard-driving piece which
takes the listener on an
adventure full of
rhythmic twists and turns
as well as Middle
Eastern-flavored
melodies. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginningdont hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmerplay very
quietly but intensely.
Exaggerate and move
quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precisebe careful not
to rush! Cellists and
bassists should rock out
and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginningadonat hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmeraplay
very quietly but
intensely. Exaggerate and
move quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and preciseabe careful
not to rush! Cellists and
bassists should arock
outa and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginning--don't hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmer--play
very quietly but
intensely. Exaggerate and
move quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precise--be careful
not to rush! Cellists and
bassists should rock out
and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginning—donâ€
™t hurry through the
introduction. The
tremolos in mm. 3 and 7
should
shimmer—play very
quietly but intensely.
Exaggerate and move
quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precise—be
careful not to rush!
Cellists and bassists
should “rock
out†and emphasize
the accented notes in mm.
50 and 51 to set up the
next section. Exaggerate
dynamics throughout.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moonlight Odyssey [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS111F
Composed by Matt Turner.
Concert String Orchestra
(CAS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#CAS111F. Published by
Carl Fischer Music
(CF.CAS111F). ISBN
9781491151679. UPC:
680160909179. 9 x 12
inches. Composed by
Matt Turner, Moonlight
Odyssey for string
orchestra is a
hard-driving piece which
takes the listener on an
adventure full of
rhythmic twists and turns
as well as Middle
Eastern-flavored
melodies. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginningdont hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmerplay very
quietly but intensely.
Exaggerate and move
quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precisebe careful not
to rush! Cellists and
bassists should rock out
and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginningadonat hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmeraplay
very quietly but
intensely. Exaggerate and
move quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and preciseabe careful
not to rush! Cellists and
bassists should arock
outa and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginning--don't hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmer--play
very quietly but
intensely. Exaggerate and
move quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precise--be careful
not to rush! Cellists and
bassists should rock out
and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginning—donâ€
™t hurry through the
introduction. The
tremolos in mm. 3 and 7
should
shimmer—play very
quietly but intensely.
Exaggerate and move
quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precise—be
careful not to rush!
Cellists and bassists
should “rock
out†and emphasize
the accented notes in mm.
50 and 51 to set up the
next section. Exaggerate
dynamics throughout.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haunted Bridges [Conducteur] - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210F Composed
by Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Full
score. 12 pages. Carl
Fischer Music #YAS210F.
Published by Carl Fischer
Music (CF.YAS210F).
ISBN 9781491160701.
UPC:
680160919307. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haunted Bridges - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210 Composed by
Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Set of
Score and Parts.
16+16+4+10+10+10+12
pages. Carl Fischer Music
#YAS210. Published by
Carl Fischer Music
(CF.YAS210). ISBN
9781491160442. UPC:
680160919031. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating F/C
sharps and naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/CÂ sharps and
naturals throughout and
devilishly unpredictable
harmonic patterns. The
piece also calls for
numerous extended
techniques that students
will enjoy, including
playing behind the
bridge, sul ponticello,
portamento, and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Fox Went Out on a Chilly Night GIA Publications
SKU: GI.G-10053 Composed by John M. Feierabend. First Steps in Music. Mus...(+)
SKU: GI.G-10053
Composed by John M.
Feierabend. First Steps
in Music. Music
Education. 48 pages. GIA
Publications #10053.
Published by GIA
Publications
(GI.G-10053). ISBN
9781622774357. The
Fox Went Out on a Chilly
Night is part of a series
of captivating picture
books, each based on a
beloved songtale from the
great American folk music
tradition and collected
by John M. Feierabend.
The Fox Went Out on a
Chilly Night is one of
the most enduring of
children’s folk
songtales, with roots
dating back to England
some 500 years ago and
recorded by Peter, Paul,
and Mary, Harry
Belafonte, Pete Seeger,
Burl Ives, The Smothers
Brothers, and many more.
Beautiful illustrations
by Taylor Herrington
evoke a wily fox as he
roams a sleepy New
England town in search of
a meal for his family,
with tones and textures
that are so vivid you can
almost hear the rustle of
leaves and see the
shimmer of moonlight over
the meadows. Like the
other picture books in
John M.
Feierabend’s First
Steps in Music series,
The Fox Went Out on a
Chilly Night includes a
description of the
history of the song, the
notation of the song, and
a link to a free mp3
download of the song,
sung by Jill Trinka. The
song may be downloaded
here:Â FREE MP3
Download - Full
Performance MP3 download
instructions: Windows
users right click on the
link. Mac users hold down
the Control key as you
click the link. Then
select either Save Link
As... or Save Target
As... and choose the
location you would like
to save the file on your
computer. $17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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