PARTITIONS GRATUITES :
- Summertime: String Bass

Arranged by William Zinn. For String Bass. String Orchestra Collection. Book. Published by Alfred Publishing.

By George Gershwin (1898-1937). For String Quintet. Swiss import. Grade 2.5. Published by Editions Marc Reift

By Charlie Parker. Arranged by Jimmy Carroll. For jazz ensemble. Jazz, Swing. Difficult. Score and parts. Published by Jazz Lines Publications

(Low Voice). Composed by Various. For Voice. Fake Book. Softcover. 472 pages. Published by Hal Leonard

Arranged by Jerry Nowak. Easy Jazz Ensemble Series. Size 4.7x8 inches. 32 pages. Published by Hal Leonard

(Low Voice). Composed by Various. For Vocal. Fake Book. 440 pages. Published by Hal Leonard

(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. 472 pages. Published by Hal Leonard

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS102

Composed by Peter Terry. SWS FS. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 16+8+2+5+5+5+2+8 pages. Duration 2 minutes, 19 seconds. Carl Fischer Music #FAS102. Published by Carl Fischer Music (CF.FAS102).

ISBN 9781491146439. UPC: 680160903931. 9 x 12 inches. Key: G major.

Eternal Summer is like a breath of fresh air in the warm heat of summer. It is a tuneful composition from composer Peter Terry that exhibits all of the elements he has already become known for - fresh harmonic perspectives, driving rhythms, and wonderful scoring.
Eternal Summer captures the essence of the early summertime, when all things seem possible and the days are long and filled with promise. This fanfare-like work gives a young orchestra the chance to play strong fanfare figures with accented and staccato articulations as well as longer lyrical lines, most noticeably from mm. 23-34. Create a strong contrast between these articulated fanfares and the legato slurred passages and pay particular attention to the dynamics throughout the piece. Make sure to make the section from m. 54 to the end large and dramatic, but save enough energy to finish with a real fortissimo with a good, full tone from m. 62 on.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.—Peter TerryBluffton, Ohio 2016.