PARTITIONS GRATUITES :
- The Contemporary Tuba

Tuba

SKU: HL.48181759

Composed by Roger Boutry. Leduc. Softcover. 4 pages. Alphonse Leduc #AL21635. Published by Alphonse Leduc (HL.48181759).

UPC: 888680863074. 9.0x12.25x0.059 inches.

Composed by Roger Boutry, Tubaroqueis a melodious piece of baroque music for Tuba, Bb Bass Saxhorn or Bass Trombone with Piano accompaniment. Quite difficult, it would be perfect for advanced players and would work well in a concert. Starting with a small introduction in three measures, the first part of the piece begins on a Slow Waltz movement which consists of a main theme with two variations, including one played an octave lower. The second part Allegretto is more lyrical and the last one Moderato/Allegro, starts like a march to then go back to a more melodious finale. Roger Boutry is a French musician and contemporary composer who received eight First Prizes at the Conservatoire, including composition, conducting and Piano. He also won the Grand Prix de Rome in 1954 and some prizes by the SACEM and by the city of Paris. He also got involved as a professor of Harmony and director of Orchestras..

By Barton Cummings. For Tuba (Methods/Studies/Etudes). Published by Cimarron Music Press.

Chamber Music brass quintet

SKU: PR.14440622S

For Brass Quintet. Composed by Lauren Bernofsky. Contemporary. Full score. With Standard notation. Composed 1997. 8 pages. Duration 3 minutes. Theodore Presser Company #144-40622S. Published by Theodore Presser Company (PR.14440622S).

UPC: 680160626762. 9 x12 inches.

A commission by the South Shore Conservatory (Duxbury, MA) led to this exciting fanfare for brass quintet. Says Bernofsky, The piece begins with a rather fragmented-sounding opening, and it gradually takes shape as all the instruments come together to play the main theme of the piece..

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

(Solos with Ensemble Arrangements for Two or More Players) Arranged by Stan Pethel. For bass and tuba. Format: bass/tuba songbook. With standard notation, solo part and harmony part. Contemporary Christian. 21 pages. 9x12 inches. Published by Daybreak Music.

By Vince Gassi. For Brass Quintet (Opt. Percussion). Brass Ensemble - Quintet. Eighth Note Publications. Contemporary. Duration 00:02:50. Published by Eighth Note Publications