| Violin Mastery Violon SATB, Orchestre Dover Publications
Violin SKU: AP.6-450414 Interviews with Heifetz, Auer, Kreisler, and o...(+)
Violin SKU:
AP.6-450414
Interviews with
Heifetz, Auer, Kreisler,
and others. Edited by
Frederick H. Martens.
Reference Textbooks;
Textbook - Instrumental.
Dover Edition.
Instructional and Music
Appreciation.
Biographical book. 178
pages. Dover Publications
#06-450414. Published by
Dover Publications
(AP.6-450414). ISBN
9780486450414. UPC:
9780486450414. 9x12
inches.
English. How long
should I practice? Which
pieces should I study?
How can I develop a
singing tone? All
violinists ponder these
questions, striving to
make the most of their
practice and
performances. This
enlightening and
encouraging book holds
the answers, offering a
series of interviews with
the most celebrated
violin teachers and
performers of the
nineteenth and early
twentieth
centuries.Twenty-four
famous violinists reveal
the secrets of their
success, sharing the
lessons of their artistry
and experience. In
addition to aesthetic and
technical aspects of
playing, they discuss
their personal
conceptions of violin
mastery. Eugene Ysaye
reminisces about his
studies with Vieuxtemps
and Wieniawski, and
Leopold Auer emphasizes
the importance of
fostering students'
individual talents. Maud
Powell describes her
pioneering role as a
female orchestral
musician, and Jascha
Heifetz voices his views
on technical mastery and
temperament. Hints and
advice from other masters
include tips on efficient
practice, immproving bow
technique, and refining
intonation. A rare find
in musical literature,
this book is essential
reading for every serious
violinist.Dover (2006)
unabridged republication
of the work originally
published by Frederick A.
Stokes, New York,
1919. $11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Preparing for Kreutzer - Volume 1
Violon [Partition] - Intermédiaire Hal Leonard
(An Intermediate Course of Violin Study Based on the Famous Works of Kayser, Maz...(+)
(An Intermediate Course
of Violin Study Based on
the Famous Works of
Kayser, Mazas, Dont, De
Beriot, Dancla,
Blumenstengel, and Other
Masters of the Violin
Repertoire) Written by
Harvey S. Whistler. For
violin. Format: violin
studies book. With
standard notation,
bowings, fingerings and
instructional text.
Studies and Classical. 56
pages. 9x12 inches.
Published by Hal Leonard.
(1)$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymns of Praise 2 Violons, Piano [Conducteur] - Facile Latham Music Enterprises
Violin Duet and Piano with optional Viola and Cello - Grade 2.5 SKU: AP.36-52...(+)
Violin Duet and Piano
with optional Viola and
Cello - Grade 2.5 SKU:
AP.36-52711050
Composed by Catherine
McMichael. Duet or Duo;
Performance Music
Ensemble; Violin Duet.
Ludwig Masters. Sacred.
Score. 56 pages. Latham
Music Enterprises
#36-52711050. Published
by Latham Music
Enterprises
(AP.36-52711050). ISBN
9781628762013. UPC:
679360706787.
English. The word
"hymn" comes
from the Greek
"hymnos",
meaning a festive song.
To hymnologists
(people who study hymns),
the HYMN is the poetry,
the lyrics, which is then
set to a HYMN TUNE.
Many wonderful hymn
tunes have been used over
the centuries with
several completely
different sets of words.
The name of a hymn
tune seldom matches the
name of its hymn, and
most people refer to
hymns by their poetic
names rather than their
tune names.
However, some hymn
tunes are so powerful, so
flexible and so rooted in
the collective social
consciousness that they
transcend whatever poetry
is put with them.
Several tunes in
this set have been used
for many poems, most of
which are unfamilar.
But we know the
melody instantly!
Written for two
violins and piano, both a
viola and cello part are
include to substitue for
the 2nd violin.
Hymns (tunes)
include: 1. All Glory,
Laud and Honor (St.
Theodulph), 2. Crown Him
With Many Crowns
(Diademata), 3. Glorious
Things of Thee Are Spoken
(Austria), 4. I Love to
Tell the Story (Hankey),
5. Immortal, Invisible,
God Only Wise (St.
Denio), 6. O For a
Thousand Tongues to Sing
(Axnon), 7. O Worship the
King (Lyons), 8. Praise
Ye the Lord, the Almighty
(Lobe Den Herren).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $21.95 - Voir plus => Acheter | | |
| The Lark Ascending, IRV 38 Violon et Piano LudwigMasters Publications
Violin and Piano SKU: AP.36-60710008 For Violin and Piano. Compose...(+)
Violin and Piano SKU:
AP.36-60710008 For
Violin and Piano.
Composed by Ralph Vaughan
Williams/ Inspired by a
poem of George Meredith.
Violin. Master String
Series. Book.
LudwigMasters
Publications
#36-60710008. Published
by LudwigMasters
Publications
(AP.36-60710008). ISBN
9798888522028. UPC:
676737624248.
English. Ralph
Vaughan Williams, ever
fond of poetry, found
creative impetus for his
beautiful romance The
Lark Ascending, IRV 39,
in an 1881 poem by George
Meredith. Marie Pauline
Hall, to whom the work
was dedicated, gave the
first performance of the
original violin and piano
version, here presented
in a Masters reprint
edition, at Shirehampton
Public Hall on December
15, 1920, beside pianist
Geoffrey Mendham. After
World War I, the composer
expanded the work for
soloist and full
orchestra. This has
become the version most
familiar to listeners.
The violin, lifting its
silvery tones above the
stage, captures the
soaring nature of
Meredith's couplet: Till
lost on his aerial
rings/In light, and then
the fancy sings. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $9.99 - Voir plus => Acheter | | |
| Partita No. 2 Piccolo [Conducteur] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo
SKU: PR.114422450
Composed by Johann
Sebastian Bach. Arranged
by Nicola Mazzanti. Sws.
Full score. 20 pages.
Duration 17 minutes.
Theodore Presser Company
#114-42245. Published by
Theodore Presser Company
(PR.114422450). ISBN
9781491134986. UPC:
680160685974. 9 x 12
inches. Bachâs
colossal Partita No. 2
for Solo Violin has been
crowned by many masters
as one of musicâs
greatest achievements,
and even its famous
Chaconne movement alone
is a mountain many
performers dare not
scale. While the
literature of several
other instruments has
been enriched by
transcriptions of the
Chaconne, Mazzantiâs
heroic adaptation of the
complete Partita is the
culmination of many
yearsâ work, and the
only transcription
specifically for the
piccoloâs unique
range. THE
INSPIRATIONEver since my
childhood, Johann
Sebastian Bachâs
solo violin music (like
his works for solo cello)
has always held a charm
and mystery for me.
Thereâs something
about this repertoire
that sparks an
inextinguishable
questioning in my musical
and human soul.It is
music without spatial
limits or temporal cages,
a music as essential as
it is masterfully
complex, in which the
solitary voice of man
meets the
all-encompassing voice of
God. It is a music whose
vertical and horizontal
dimensions, already
admirably fused, are
faceted into new and
mysterious realities. For
every violinist, the
study of these
compositions is at the
apex of tenacious
technical study and
interpretative
effort.Violinist Joshua
Bell has said the
Ciaccona (Bach did write
the Partitaâs
movement titles in
Italian) is ânot
just one of the greatest
pieces of music ever
written, but one of the
greatest achievements of
any man in history.
Itâs a spiritually
powerful piece,
emotionally powerful,
structurally
perfect.âTranscribin
g and performing
Bachâs PARTITA NO.
2, BWV 1004 on piccolo
was a feat that took
years of work. The famous
Ciaccona movement is, of
course, the piece that
alone occupied most of
this time. How does one
honor and elevate such
high music with such a
âsmallâ
instrument, devoid of the
enormous expressive
potential of the violin,
devoid of its chords and
its polyphony? How might
I transform the piccolo
into an instrument with,
like the violin,
full-bodied low notes and
subtle high notes? Above
all, why undertake such a
demanding and
extraordinary journey?The
first reason is obvious:
by transcribing,
studying, and performing
such an admirable piece,
we assimilate it, it
becomes part of us, it
enormously enriches our
musical interior.In
addition, it forces us
technically to expand the
colors, agility, and
flexibility of the
instrument; it makes us
think in a polyphonic
way.Finally, the daily
study, especially of the
Ciaccona, is an
extraordinary gymnasium
in which to consolidate
and strengthen our
general technique.THE
TRANSCRIPTIONThe whole
Partita was transcribed
in the key of A minor, a
fifth above the original
in D minor. This was
necessary for the lowest
note of the violin (G) to
correspond to the lowest
note of the piccolo (D).
This version exploits the
full range of the
piccolo, from the D of
the first octave to the B
of the third octave.
However some octave
adjustments were
needed.The chords,
particularly in the
Sarabanda and the
Ciaccona, have been left
with the same notational
system used by Bach in
his version for violin. I
chose to respect
Bachâs presentation
and did not transcribe
these into grace notes
breaking the chords. I
advocate that we must at
least try to think of
this music in its
vertical dimension,
trying to make the notes
resonate as if they were
being played together,
deciding the speed of the
arpeggio based on musical
needs.While some woodwind
editions of Bachâs
string solos do indicate
broken chords as grace
notes, this implies that
the most important note
is necessarily the
highest one, while
sometimes it is precisely
in the lower pitches that
the theme is voiced.In
this piccolo adaptation,
many of Bachâs
original articulations
have been respected. Some
have been changed, when
needing to adapt them to
the specific needs of
flute playing.The two
passages in the Ciaccona
where Bach indicates
âarpeggioâ were
rendered trying to
respect the most
consolidated and virtuous
violin traditions, and at
the same time the
possibilities that the
piccolo offers us. For
this purpose, in some
cases, different
revoicings of the chords
have been used.I thank
all those who patiently
listened to me and were
close to me during this
period, for their
observations and advice.
In particular, I thank my
daughter Sara for her
assistance and skill in
entering this edition
into music writing
software. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto in C, IFK 42 Violon et Piano [Conducteur] LudwigMasters Publications
Violin and Piano SKU: AP.36-60710011 In the Style of Antonio Vivaldi(+)
Violin and Piano SKU:
AP.36-60710011 In
the Style of Antonio
Vivaldi. Composed by
Fritz Kreisler. Violin.
Master String Series.
Score. LudwigMasters
Publications
#36-60710011. Published
by LudwigMasters
Publications
(AP.36-60710011). ISBN
9798888521892. UPC:
676737626686.
English. Austrian-b
orn American violinist
and composer Fritz
Kreisler (1875-1962) is
considered among the best
virtuosic violinists in
history. While he did
write some operettas,
vocal works, and a
smattering of pieces for
other instruments, it is
unsurprising that most of
his output was for the
violin. In the earlier
part of his career, he
wrote a number of
pastiches in the style of
other well-known
composers, going so far
as to ascribe the work to
them rather than to
himself. In 1935,
Kreisler revealed that he
had composed these select
works, answering his
critics by pointing out
that they had deemed to
music worthy under the
other composers' names,
and that the name
changes, the value
remains. Among these such
works is his Concerto in
C, IFK 42, which Kreisler
falsely attributed to
Baroque composer Antonio
Vivaldi. In three
movements, the work
exists with both string
orchestra accompaniment
and this Master reprint
edition for violin and
piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $9.99 - Voir plus => Acheter | | |
| Art of Violin Playing, The-Bk. 1 Violon [Livre] Carl Fischer
Book One. By Carl Flesch. Edited by E. Rosenblith. Arranged by E. Rosenblith A. ...(+)
Book One. By Carl Flesch.
Edited by E. Rosenblith.
Arranged by E. Rosenblith
A. Mutter. For Violin.
Masters Collection.
Classical. Text. 192
pages. Published by Carl
Fischer.
$42.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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