PARTITIONS GRATUITES :
- Theodore Baker

For Two Flutes. Composed by Robert Maggio (1964-). Contemporary. Set of performance scores. With Standard notation. Composed 2014. 8 pages. Duration 2 minutes. Theodore Presser Company #114-41786. Published by Theodore Presser Company (PR.114417860).

The complete 17 Grands Exercices Journaliers with Practice Strategies and Expanded Exercises. Composed by Philippe Gaubert Paul Taffanel. Edited by Jasmine Choi. Theodore Presser Company #414-41239. Published by Theodore Presser Company

By Anonymous. Arranged by Robert Suderburg. For SATB Chorus, Organ Rehearsal. Piano reduction/vocal score. Standard notation. 12 pages. Published by Theodore Presser Company

Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more.

SKU: PR.44641215L

Composed by Donald Erb. With Standard notation. 50 pages. Theodore Presser Company #446-41215L. Published by Theodore Presser Company (PR.44641215L).

11 x 17 inches.

Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more.

SKU: PR.446412150

Composed by Donald Erb. With Standard notation. 52 pages. Theodore Presser Company #446-41215. Published by Theodore Presser Company (PR.446412150).

UPC: 680160607440. 9 x 12 inches.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342S

For Orchestra. Composed by Clint Needham. Study Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342S. Published by Theodore Presser Company (PR.11640342S).

UPC: 680160687749.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.