| Moments in the Life of Brother Roger GIA Publications
SKU: GI.G-DVD-1034 Composed by Taizé Community. Sacred. DVD. GIA Publi...(+)
SKU: GI.G-DVD-1034
Composed by Taizé
Community. Sacred. DVD.
GIA Publications #1034.
Published by GIA
Publications
(GI.G-DVD-1034). UPC:
785147003458. Momen
ts in the Life of Brother
Roger is a film about
sixteen moments in the
life of the founder of
the Taizé Community,
from his childhood in a
Swiss mountain village,
to his settling at
Taizé near the
beginning of World War
II, to his tragic death
during an evening prayer.
For each of these
moments, which include
times of doubts or
uncertainty, there are
contrbutions from
brothers of the Community
who shared his life for
years, from old friends,
including the philosopher
Paul Ricœur, from
Catholic and Protestant
church leaders, from the
secretary of Pope John
XXIII, from Brother
Roger's sister who lived
in Taizé from 1941,
from a historian, a
biographer, and others
who appreciate his
compelling personality.
This unusual man was
always ready to take
risks for the
reconciliation of
Christians, for the
younger generation, and
for the poorest of the
world. The disc includes
previously unpublished
excerpts of interviews
with Brother Roger. This
DVD offers two language
options—French and
French with English
Subtitles. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Colonial Moments Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4003881 Composed by Rick Kirby. Mu...(+)
Concert Band (Score) -
Grade 3 SKU:
HL.4003881 Composed
by Rick Kirby. MusicWorks
Grade 3. Concert. 48
pages. Published by Hal
Leonard (HL.4003881).
UPC: 888680010089.
9x12
inches. Depicting
three contrasting and
intriguing settings from
early American lore, Rick
Kirby masterfully brings
these images to life in
this suite for band. The
first movement tells the
legend of The Phantom
Drummer with unique
orchestrational effects.
The second movement,
The Lady's Lament,
mourns the loss of loved
ones in the Revolutionary
War, and the suite
concludes with the lively
dance Virginia
Two-Step. Rich in
stylistic and tonal
variety, this is an
appealing work for
concert or festival use.
Duration: 8:00. $10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Moments Like These Lorenz Publishing Company
Arrangements for Piano and Synthesizer. Composed by Frank Milholland. Sac...(+)
Arrangements for Piano
and Synthesizer.
Composed by Frank
Milholland. Sacred.
Lorenz Publishing Company
#9780834193246. Published
by Lorenz Publishing
Company
(LO.9780834193246).
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| America Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS252 Composed by Michael J. Miller....(+)
Band Concert Band - Grade
3 SKU: CF.CPS252
Composed by Michael J.
Miller. Set of Score and
Parts.
12+4+4+2+4+4+4+2+2+2+2+2+
2+4+4+4+2+2+3+3+3+2+4+3+1
+2+3 pages. Duration
1:45. Carl Fischer Music
#CPS252. Published by
Carl Fischer Music
(CF.CPS252). ISBN
9781491159699. UPC:
680160918287. Ameri
ca is intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible. The
introduction, mm. 1-12,
should be approached in
the style of a fanfare,
with an emphasis on
syncopation and
exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm. 15-22 the
melody is carefully
hidden among counter
lines. This should be
carefully balanced to
highlight the melody,
while still shaping the
counter melodies
appropriately. A brief
return to the fanfare
style occurs in mm. 33-35
before melding back into
the chorale style. In
regards to dynamics,
performers should be
reminded that within any
single dynamic exists a
range of expressive
shades. No two notes
should be played at the
same volume, ensuring
direction in even the
simplest of phrases.
Generally speaking, the
fortissimo dynamic should
be approached
thoughtfully, with the
bulk of the sound coming
from the lowest voices,
and the least from the
highest
voices. America is
intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible.The
introduction, mm.
1–12, should be
approached in the style
of a fanfare, with an
emphasis on syncopation
and exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm.
15–22 the melody
is carefully hidden among
counter lines. This
should be carefully
balanced to highlight the
melody, while still
shaping the counter
melodies appropriately.A
brief return to the
fanfare style occurs in
mm. 33–35 before
melding back into the
chorale style.In regards
to dynamics, performers
should be reminded that
within any single dynamic
exists a range of
expressive shades. No two
notes should be played at
the same volume, ensuring
direction in even the
simplest of
phrases.Generally
speaking, the fortissimo
dynamic should be
approached thoughtfully,
with the bulk of the
sound coming from the
lowest voices, and the
least from the highest
voices. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| America Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS252F Composed by Michael J. Miller...(+)
Band Concert Band - Grade
3 SKU: CF.CPS252F
Composed by Michael J.
Miller. Full score. 9
pages. Carl Fischer Music
#CPS252F. Published by
Carl Fischer Music
(CF.CPS252F). ISBN
9781491159705. UPC:
680160918294. Ameri
ca is intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible. The
introduction, mm. 1-12,
should be approached in
the style of a fanfare,
with an emphasis on
syncopation and
exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm. 15-22 the
melody is carefully
hidden among counter
lines. This should be
carefully balanced to
highlight the melody,
while still shaping the
counter melodies
appropriately. A brief
return to the fanfare
style occurs in mm. 33-35
before melding back into
the chorale style. In
regards to dynamics,
performers should be
reminded that within any
single dynamic exists a
range of expressive
shades. No two notes
should be played at the
same volume, ensuring
direction in even the
simplest of phrases.
Generally speaking, the
fortissimo dynamic should
be approached
thoughtfully, with the
bulk of the sound coming
from the lowest voices,
and the least from the
highest
voices. America is
intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible.The
introduction, mm.
1–12, should be
approached in the style
of a fanfare, with an
emphasis on syncopation
and exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm.
15–22 the melody
is carefully hidden among
counter lines. This
should be carefully
balanced to highlight the
melody, while still
shaping the counter
melodies appropriately.A
brief return to the
fanfare style occurs in
mm. 33–35 before
melding back into the
chorale style.In regards
to dynamics, performers
should be reminded that
within any single dynamic
exists a range of
expressive shades. No two
notes should be played at
the same volume, ensuring
direction in even the
simplest of
phrases.Generally
speaking, the fortissimo
dynamic should be
approached thoughtfully,
with the bulk of the
sound coming from the
lowest voices, and the
least from the highest
voices. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ritual Moments GIA Publications
SKU: GI.G-CD-640 Music for Sacraments, RCIA, and Other Occasions. ...(+)
SKU: GI.G-CD-640
Music for Sacraments,
RCIA, and Other
Occasions. Composed
by Paul Inwood. Sacred.
CD. GIA Publications
#640. Published by GIA
Publications
(GI.G-CD-640).
Rituals are a
part of our daily lives
that frequently go
unnoticed. When we
experience a ritualistic
moment significant enough
to be memorable, our
recollection of the event
is often made stronger by
the music we associate
with it. Within the
church, ritual and
sacrament shape the way
we worship, and music
complements these
meaningful moments of
grace. Ritual Moments is
a collection of new
compositions by Paul
Inwood written
specifically to accompany
the rituals of the
church, from baptisms to
weddings to funerals.
You’ll find
beautiful pieces
appropriate for
celebrating the
church’s
sacraments, rites of
Christian initiation, and
other various
occasions. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| This present moment used to be the unimaginable future... Breitkopf & Härtel
SKU: BR.EB-9387 Composed by Christian Mason. Edition Breitkopf. New music...(+)
SKU: BR.EB-9387
Composed by Christian
Mason. Edition Breitkopf.
New music (post-2000);
Music post-1945. Set of
parts. Composed 2019.
Duration 20'. Breitkopf
and Haertel #EB 9387.
Published by Breitkopf
and Haertel (BR.EB-9387).
ISBN 9790004188576. 0
x 0
inches. Commissione
d by the Kolner
Philharmonie (KolnMusik)
for the non bthvn projekt
2020 and the Cite de la
musique / Philharmonie de
Paris Dedicated to
Arditti Quartet Each
movement of this quartet
explores a single state,
its lights and its
shadows. Each movement,
you could say, is a
moment . And these
moments could last for
more or less time without
compromising their
essential nature. The
processes could be
extended or compressed,
repeated or reversed, but
the core ideas - if they
are ideas, but maybe they
are simply experiences? -
are what they are.
Despite this, the precise
sequence of movements
matters a great deal.
Heard together they do
articulate some kind of
linear narrative, maybe
even a metaphorical
journey (albeit a
circular one where the
arrival might, who knows,
prove to be a new
departure). One situation
gives way to another and
instrumental
relationships within the
quartet vary, but
ultimately the
imaginative impulse
behind the piece
preferences states of
unity. Whether or not
this unity is expressed
texturally - sometimes
literal unisons pervade,
but not always - there is
generally a sense that
even seemingly diverse
aspects relate to a
fundamental condition of
concord: a conscious
limitation in the pitch
structure to spectral
emanations of the root
notes E-flat and C. At
the opening this is
unambiguously audible in
the perpetual alternation
of these two notes in the
low cello register. Later
the two spectra are woven
into a micro-tonal
'double-spectral-mode'
(derived from the first
24 partials of the C and
E-flat fundamentals),
which defines the subtle
melodic inflection of the
second movement, and the
never-quite-chromatic
ascending scales of the
third. For now this feels
like a rich source of
melodic possibility, so
far only just glimpsed...
And why the insistence on
E-flat? Probably by way
of historical anecdote.
Apparently Karl Holz (a
member of the
Schuppanzigh Quartet)
said to Beethoven: We
performed your Quartet in
E-flat Op. 127 in his
[Weber's] honour; he
found the Adagio too
long; but I told him:
Beethoven also has a
longer feeling and a
longer imagination than
anyone standing or not
standing today. - Since
then, even Linke (another
member of the quartet)
can no longer stand him:
we cannot forgive him for
this. Listening again to
Op. 127, in light of
these comments, I was
struck by the opening
moment: the unfolding of
an E-flat 7th chord over
the course of a few bars.
Every time I hear it I
find myself wishing that
Beethoven would have
lingered longer there,
without resolution or
progression, just
enjoying that sonority.
And maybe - why not? -
tune the 7th naturally.
And what would it be to
stretch that moment into
an entire piece? What
would Weber think of
that?! In the end I was
not so extreme in my
self-limitation, and
other concerns took over,
but it was from these
thoughts that the
composition process
began... Lastly, about
the title: it comes from
a book called 'The Clock
of the Long Now' by
Stewart Brand, published
at the turn of the
millennium. It's about
the creation of a
thousand-year clock to
embody the aspiration to
thinking in terms of
longer time-spans than
are presently habitual.
If the music of Beethoven
embodied a 'longer'
feeling and imagination
than some of his
contemporaries were able
to appreciate, what is
our relation to time now?
Longer or shorter? Maybe
it depends who you ask...
It's probably more
extreme in both
directions: attention
spans might be
diminishing in the
digital world, but
conversely there is an
awareness of distant
pasts and potential
futures which would have
been inconceivable at the
time of Beethoven. In any
case, the interesting
thing is to ponder how
societal conditions,
assumptions and
expectations might -
whether consciously or
unconsciously - influence
the time of art, for
listeners and creators
alike. And what if time
is running out?
(Christian
Mason)
World
premiere: Paris, Cite de
la musique, January 14,
2020. $53.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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