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| Jubiläumsalbum Piano seul Holzschuh Musikverlag
Piano SKU: M7.VHR-3564 125 Bearbeitungen und Original-Kompositionen fÃ...(+)
Piano SKU:
M7.VHR-3564 125
Bearbeitungen und
Original-Kompositionen
für Klavier.
Composed by Anne
Terzibaschitsch. Sheet
music. Performance book.
Holzschuh Musikverlag
#VHR 3564. Published by
Holzschuh Musikverlag
(M7.VHR-3564). ISBN
9783864340765.
German. Zum
20-jährigen
Jubiläum der
Zusammenarbeit von Anne
Terzibaschitsch und dem
Holzschuh-Verlag
erscheint vorliegende
Sammlung. Enthalten sind
sowohl Eigenkompositionen
von Anne Terzibaschitsch
als auch Bearbeitungen
der Autorin von Werken
aus Barock über
Klassik und Romantik bis
hin zu Musik des 20.
Jahrhunderts. Populäre
Melodien - Traditionals,
Volkslieder sowie Themen
aus Film, Musical und Pop
- bereichern diese
Edition. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Get Set! Piano My First Piano Book Piano seul Chester
Piano SKU: BT.9780008353230 By Em Wilson. By Karen Marshall. Get Set! Pia...(+)
Piano SKU:
BT.9780008353230 By
Em Wilson. By Karen
Marshall. Get Set! Piano.
Tuition. Book Only.
Composed 2020. 64 pages.
Collins Music Publishing
#9780008353230. Published
by Collins Music
Publishing
(BT.9780008353230).
ISBN 9780008353230.
English. My First
Piano Book introduces
young children to the
piano and music-making
through fun activities,
rhymes, songs and pieces.
The author’s
tried-and-tested
progression covers note
learning, theory, aural
and composing through
acreative and holistic
approach. Many pieces
have simple teacher duet
parts to encourage
ensemble playing from the
start, and the book is
illustrated throughout in
the charming Get Set!
style. This carefully
designed tutor
willinspire, entertain
and, most importantly,
nurture a love of music
that can last a lifetime.
Suitable for children
aged 5+. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Adventures Popular Repertoire, Level 3A
Piano seul [Partition] - Facile Faber Music Limited
(Piano Adventures®). By Nancy Faber and Randall Faber. For Piano. Faber Piano A...(+)
(Piano Adventures®). By
Nancy Faber and Randall
Faber. For Piano. Faber
Piano Adventures®.
Methods. SMP Level 3
(Early Intermediate).
Softcover. 40 pages.
Faber Music #FF1260.
Published by Faber Music
(2)$9.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Adventures Popular Repertoire CD, Level 3A CD Piano seul [CD d'accompagnement] Faber Music Limited
By Nancy Faber, Randall Faber. Arranged by Edwin Mclean. For Piano. Piano Advent...(+)
By Nancy Faber, Randall
Faber. Arranged by Edwin
Mclean. For Piano. Piano
Adventures. Level: 3A.
CD. Published by The FJH
Music Company Inc.
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dark Sleep Piano seul Oxford University Press
Solo piano (Solo) SKU: OU.9780193722507 Composed by Michael Berkeley. Pia...(+)
Solo piano (Solo) SKU:
OU.9780193722507
Composed by Michael
Berkeley. Piano (Solo).
12 pages. Duration 9'.
Oxford University Press
#9780193722507. Published
by Oxford University
Press (OU.9780193722507).
ISBN 9780193722507. 12
x 8 inches. This
evocative solo piano
piece looks back, as
though in some troubled
dream, to fragments of
Purcell and Tippett. The
widely spaced opening
notes are interrupted,
after only eight bars, by
a quick and relentlessly
turbulent passage. A
brief reference to the
opening of Tippett's
Fourth Symphony leads
into a slower, more
expressive section; a
predominantly mysterious,
even glassy sound world
from which emerges the
poignant notes of Dido's
Lament from Purcell's
Dido and Aeneas, now at
last momentarily in its
correct juxtaposition.
Finally, a tiny fragment
of the music is spun
obsessively until it
falls out of control and
back into the carefully
placed notes of the
opening. $18.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto Piano seul Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202. What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My Piano Dreams Piano seul - Facile Music Distribution Services
Piano - easy SKU: M7.ART-42090 Zauberhaft-romantische Klavierträume...(+)
Piano - easy SKU:
M7.ART-42090
Zauberhaft-romantische
Klavierträume - leicht
arrangiert. Composed
by Jens Rupp. Score with
online audio files. 52
pages. MDS (Music
Distribution Services)
#ART 42090. Published by
MDS (Music Distribution
Services) (M7.ART-42090).
ISBN
9783866420908. Mit
'My Piano Dreams' ist
Autor Jens Rupp eine
wunderschöne
Fortsetzung seines
Spielbuches
'Klavierträume'
gelungen. Seine 16
zauberhaften Stücke
sind von romantischer,
aber auch eingängiger,
moderner Klaviermusik
geprägt. Die bei
einigen Stücken
verwendeten Synkopen
machen die Musik lebendig
und rhythmisch. So
erinnern einige Stücke
an Filmmusik mit
vielfältigen
Stimmungen. Mal
romantisch, leicht
melancholisch, dann
wieder beruhigend und
liebevoll, bis hin zu
jazzig-heiteren
Klangfarben. Die
Stücke sind leicht
arrangiert, werden im
Verlauf des Buches aber
immer anspruchsvoller.
Auch die Tonarten sind
einfach gehalten. So
eignen sich die Stücke
hervorragend für
Vorspiele aller Art. 'My
Piano Dreams' bildet
einen nahtlosen
Ãœbergang zu Jens Rupps
'Shades of Piano' oder
auch Stücken wie
'River Flows In You' von
Yiruma, die dann mit
Leichtigkeit gespielt
werden können.
Unabhängig davon sind
die Stücke für alle
Pianistinnen und
Pianisten geeignet, die
musikalischen Erfolg mit
Spaß kombinieren
möchten. 'My Piano
Dreams' - immer wieder
eine Einladung zum
Träumen. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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