| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of Bill Anderson Piano, Voix et Guitare Hal Leonard
By Bill Anderson. Piano/Vocal/Guitar Artist Songbook. Softcover. 106 pages. Publ...(+)
By Bill Anderson.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 106
pages. Published by Hal
Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Classic Country Book - easy guitar
Ligne De Mélodie, Paroles et Accords [Partition] - Facile Hal Leonard
Easy guitar/vocal songbook for guitar and voice. With leadsheet notation (includ...(+)
Easy guitar/vocal
songbook for guitar and
voice. With leadsheet
notation (includes melody
line and chords), chord
names, guitar chord
diagrams, strum and pick
patterns and lyrics.
Series: Easy Guitar. 176
pages. Published by Hal
Leonard.
(23)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Graffiti Boosey and Hawkes
Study Score Ensemble (Score) SKU: HL.48024565 Large Ensemble Study Sco...(+)
Study Score Ensemble
(Score) SKU:
HL.48024565 Large
Ensemble Study Score.
Composed by Unsuk Chin.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 160 pages.
Duration 1680 seconds.
Boosey & Hawkes
#M060133718. Published by
Boosey & Hawkes
(HL.48024565).
Most of us,
when confronted with the
term graffiti, are likely
to associate it with the
rather desolate wall
scrawlings all over our
urban landscapes.
However, this is not the
whole picture: no less
artists than Klee, Miro,
Dubuffet, and Picasso
were interestedin it (the
latter painting examples
himself on Parisian
walls). In our time,
there is the highly
interesting and
controversial phenomenon
of Street Art, which has
occasionally wittily
succeeded in criticizing
the commercialization of
cities. At their best,
street artists have been
able to thwart the
expectations created by
omnipresent mass media
and by advertising - one
can find some
particularly remarkable
examples in metropolises
such as Berlin, Paris, or
New York. Though this was
the initial stimulus for
Graffiti, it finally
branched into rather
different directions: it
is only very loosely,
ifat all, connected to
the phenomenon of Street
Art (or to the visual
arts). The music is not
illustrative nor is it
programmatic and the main
idea was to compose a
music which is not
restricted as to time or
place, and which offers
strong contrasts between
different modes of
expression. The three
movements headings give a
hint of the changing
modes, moods, and
structures of the music.
The first movement,
Palimpsest,is
polydimensional and
many-layered; one can
hear allusions to a
multiplicity of styles.
The second movement,
Notturno urbano, forms a
strong contrast to the
hyperactive previous
movement. It starts with
distant and gradually
approaching bell-like
sounds, from which the
whole movement's musical
material is being
derived. The instruments
are often used in an
unconventional way: the
winds as well as the
strings employ extended
techniques, which
contributes to the
aloofness and the
mysteriousness of the
movement. The third,
highly virtuosic,
movement, is a kind of an
'urban passacaglia' (the
name of this musical form
actually derives from the
Spanish 'pasar una
calle', 'to walk along a
street'). It consists of
eight incisive chords,
which are played
continuously by the
brass, albeit always in a
different way. Two worlds
collide in this movement:
the brass attacks are
commented upon by
flitting interjections of
different instruments,
which are highly varied
in character and length.
As a whole, the musical
language of Graffiti
shifts between roughness
and refinement,
complexity and
transparency. It is rich
in contrast and
labyrinthine, neither
tonal nor atonal.
Graffiti calls for great
agility, virtuosity, and
constant changes of
perspective from the
musicians; each
instrument is being
treated as a soloist.
Graffiti was commissioned
by the Los Angeles
Philharmonic Association,
Barbican, London;
Orchestra Ensemble
Kanazawa, Kunststiftung
NRW and Ensemble
musikFabrik. It was first
performed on 26th of
February 2013 by the Los
Angeles Philharmonic New
Music Group conducted
b. $64.00 - Voir plus => Acheter | | |
| Jim Reeves: The Songs Of Jim Reeves
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Jim Reeves. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Jim Reeves.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams, introductory
text and black and white
photos. Traditional
country and nashville
sound. 80 pages. 9x12
inches. Published by Hal
Leonard.
(7)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bass Tab White Pages
Basse electrique [Partition] - Intermédiaire Hal Leonard
For bass guitar and voice. Format: bass tablature songbook. With bass tablature,...(+)
For bass guitar and
voice. Format: bass
tablature songbook. With
bass tablature, standard
notation, vocal melody,
lyrics, chord names and
bass notation legend.
Rock and pop rock.
Series: Hal Leonard Bass
Recorded Versions. 1023
pages. 8.5x11 inches.
Published by Hal Leonard.
(26)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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