PARTITIONS GRATUITES :
- William Champion

10 secular pieces arranged for accompanied/unaccompanied SATB voices. Composed by Ralph Vaughan Williams (1872- 1958). Arranged by John Leavitt. 72 pages. Oxford University Press #9780193532090. Published by Oxford University Press

(The Official Theme of the 2002 Olympic Winter Games) Composed by John Williams. For orchestra and chorus (optional). Format: full score (spiral bound). With full score notation and introductory text. 20th Century. Series: John Williams Signature Edition. 40 pages. 10.5x14 inches. Duration 4m55s. Published by Hal Leonard.

The Washington Winds, Edward S. Petersen, conductor A collection of outstanding compositions composed with young musicians in mind. An ideal model of tone quality, balance, blend, phrasing, and intonation for all developing band musicians. Let Evening Come, Robert Sheldon Northern Lights, Larry Neeck Antigua Bay, Ed Huckeby The Pinnacle , David Shaffer Park Street Celebration, James Swearingen Sirocco, Jerry Williams High Falls Overture , James Swearingen Tribute and Triumph, David Shaffer The Pioneer's Passage, Robert Sheldon Foxfire March, Ed Huckeby Deck The Halls With Dazzling Drummers, Jerry Williams Champions of Freedom March, Ken Harris Wyndham Variations , James Swearingen Battle Hymn Epic, Tim Loest Taco Time, Ed Huckeby Monster Rock, Tom Molter Of Kings and Christmas, Larry Neeck When The Koalas Do The Conga With The Kangaroos, Len Orcino Leader of The Class, Ed Huckeby Northpointe Fantasy, James Swearingen

For orchestra with opt. chorus. By John Williams. John Williams Signature Edition. Size 9x12 inches. Published by Hal Leonard.

Harpsichord; piano

SKU: HH.HH236-SOL

Composed by Richard Fitzwilliam. Edited by Gerald Gifford. Harpsichord; Piano. Playing score. Edition HH Music Publishers #HH236-SOL. Published by Edition HH Music Publishers (HH.HH236-SOL).

ISBN 9790708059851.

Lord Fitzwilliam championed the performance of Handel’s music in late 18th century England, yet his own compositions – themselves often indebted to and inspired by Handel – have never before appeared in print. Surveying a broad cross section of Fitzwilliam’s works, this edition, prepared by Gerald Gifford, Honorary Keeper of Music at the Museum, is of considerable musicological interest and marks an important addition to the keyboard repertoire of the period.

(The Official Theme of the 2002 Winter Olympic Games). By John Williams. Arranged by John Moss. Score and full set of parts. Young Band (Concert Band). Grade 3. Published by Hal Leonard.

(The Official Theme of the 2002 Winter Olympic Games). By John Williams. Arranged by Michael Sweeney. Discovery Concert Band Plus. Grade 2. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash Cymbals, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Oboe 2, Percussion 1, Percussion 2, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more.

SKU: CF.SC88

Composed by William Grant Still. Full score. 32 pages. Duration 9 minutes, 20 seconds. Carl Fischer Music #SC88. Published by Carl Fischer Music (CF.SC88).

ISBN 9781491158845. UPC: 680160917563.

Willi am Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American” by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.