| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Instrumental Praise Volume I - Christmas Instrumentation Flexible [Conducteur + CD] GIA Publications
(Hymns and Songs for Flexible Ensemble). For flute 1, flute 2 or oboe, clarinet ...(+)
(Hymns and Songs for
Flexible Ensemble). For
flute 1, flute 2 or oboe,
clarinet 1 and clarinet 2
in Bb, alto saxophone,
bassoon, horn in F,
trumpet in Bb, trombone,
tuba, percussion/drums,
voice and guitar, piano,
violins 1 and 2, viola,
cello, double bass.
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tasty Tunes Flûte traversière et Piano Fentone Music
Flute and Piano - easy-intermediate SKU: HL.44005962 Short Repertoire ...(+)
Flute and Piano -
easy-intermediate SKU:
HL.44005962 Short
Repertoire or Concert
Pieces for Flute and
Piano. Composed by
Colin Cowles. Fentone
Instrumental Books. Book
and CD. Composed 2005.
Fentone Music #F877.
Published by Fentone
Music (HL.44005962).
ISBN 9789043149495.
UPC: 884088044329. 9x12
inches.
English-German-French-Dut
ch. Tasty Tunes is
a collection of short
repertoire or concert
pieces forthe developing
instrumentalist. The
descriptive titles, such
as JellyCopters, Dough
Raises Me, A Cream Tease
and Cornish Pastichehelp
conjure the mood of the
music and act as a
stimulus for
theperformer. With a
mixture of styles and
tempi these
piecesrepresent a
worthwhile challenge for
players of grades three
tofive standard. Pieces
may be performed
individually or
combinedin any number to
create a suite - or
perhaps a sweet? Although
themusic is approachable
and light in character,
it provides importantand
technical musical
experience. Enjoy playing
and wet youraudience's
appetite! A separate
pianoaccompaniment part
isincluded with this
book.
'Leckere
Melodien' - ist voll von
kurzen Repertoire oder
Konzertstucken fur den
etwas fortgeschrittenen
Instrumentalisten.
Aussagekraftige Titel
beschworen verschiedene
musikalische Stimmungen
herauf und machen dem
Spieler die Musik
schmackhaft. Die Stucke
konnen einzeln oder in
beliebiger Anzahl
kombiniert zu einer Suite
gespielt werden. Der
Charakter der Musik ist
zwar eingangig und
leicht, mit Tasty
Tunes werden aber
auch wichtige technische
und musikalische
Erfahrung gesammelt. Die
CD enthalt Demo- und
Mitspielversionen aller
Stucke.
Tasty
Tunes (Melodie
saporite) si sviluppa
attraverso un percorso
musicale gustoso
punteggiato di brani
corti e variati. Le
musiche possono essere
interpretate
singolarmente oppure
unite in una suite.
Nonostante le musiche
siano accessibili e
leggere di carattere,
offrono un materiale
tecnico motivante per
un'esperienza musicale
interessante. $22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalmfest Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Oxford University Press
Psalmfest by John Rutter (1945-). For Mixed Choir (Orchestra: [2, 2, 2, 2-4, 3, ...(+)
Psalmfest by John Rutter
(1945-). For Mixed Choir
(Orchestra: [2, 2, 2,
2-4, 3, 3, 1], timpani,
percussion, harp, strings
/ Chamber ensemble:
flute, oboe, clarinet,
organ, optional timpani
and percussion, and harp
(or synthesizer)).
Choral. Longer Choral
Work. Contemporary,
Choral Works. Vocal
Score. 96 pages. Duration
45'. Published by Oxford
University Press
$18.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Inspirational Hymns with CD - Flute Flûte traversière [Partition + CD] Santorella Publications
Inspirational Hymns for Flute with CD composed by Various. Arranged by Tony Sant...(+)
Inspirational Hymns for
Flute with CD composed by
Various. Arranged by Tony
Santorella and Jonathon
Robbins. For flute. This
edition: Paperback.
Collection. Sacred. Book
and CD. Text Language:
English. 32 pages.
Published by Santorella
Publications
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Inspirational Hymns for Flute with CD Flûte traversière Santorella Publications
Flute SKU: SP.TS036 Composed by Jonathon Robbins and Tony Santorella. Col...(+)
Flute SKU:
SP.TS036 Composed by
Jonathon Robbins and Tony
Santorella. Collection;
Sacred. Book and CD.
Santorella Publications
#TS036. Published by
Santorella Publications
(SP.TS036). ISBN
9781585600502. UPC:
649571100360. Spiri
tual enlightenment is at
the heart of this sacred
collection from
Santorella Publications.
Inspirational Hymns for
Flute arranged by Tony
Santorella and Jonathon
Robbins features
thirty-three well known
hymns written
specifically for brass
and reed instruments and
includes a piano
accompaniment CD. Each
piece is edited and
arranged in a comfortable
key and range for wind
players of any level. A
great addition to any
church music library,
this assortment of sacred
titles is sure to bring
the congregation to its
feet with songs of
praise. Written in
accommodating keys for
Bb, Eb, C treble and C
bass clef instruments,
now everyone can sing His
praise and worship in
song. Includes: Nearer My
God To Thee - Fairest
Lord Jesus - Where He
Leads Me - O God, Our
Help in Ages Past - Rock
of Ages - There is a
Happy Land - Holy, Holy,
Holy - Lead Kindly Light
- Faith of Our Fathers -
The Little Brown Church
in the Vale - A Mighty
Fortress is Our God -
Hark! The Vesper Hymn is
Stealing - Abide With Me
- Now The Day is Over -
Praise God From Whom All
Blessings Flow - The Lord
is My Shepherd - Blest
The Tie That Binds -
Eternal Father, Strong to
Save (The Navy Hymn) -
Bringing in The Sheaves -
Jesus Loves Me - Evening
Prayer - Jesus, Lover of
My Soul - Prayer of
Thanksgiving - Softly Now
The Light of Day - When I
Survey The Wond'rous
Cross - I Need Thee Every
Hour - He Leadeth Me -
Jesus, Saviour, Pilot Me
- Let The Lower Lights Be
Burning - Stand Up For
Jesus - God Be With You
'Till We Meet Again -
Amazing Grace. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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