| Meet Me At The Manger Chorale Unison Unison/2-parties, Piano Word Music
Meet Me At The Manger (Wise Men Still Follow Him Today). By Celeste Clydesdale. ...(+)
Meet Me At The Manger
(Wise Men Still Follow
Him Today). By Celeste
Clydesdale. Arranged by
David Clydesdale. For
2-part/Unison choir.
Musical. Characters and
Casting: 6 Male
Characters, 3 Female
Characters, 1 Adult, 12
solos. Modern Christian,
Christmas. Easy. Choral
Book. Duration 37'00".
Published by Word Music
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All Shall Be Well Chorale SATB Carl Fischer
Choral SATB Choir SKU: CF.CM9654 Composed by Mark Burrows. Fold. Performa...(+)
Choral SATB Choir SKU:
CF.CM9654 Composed by
Mark Burrows. Fold.
Performance Score. 12
pages. Duration 4:15.
Carl Fischer Music
#CM9654. Published by
Carl Fischer Music
(CF.CM9654). ISBN
9781491157268. UPC:
680160915828. 6.875 x
10.5 inches. Key: Ab
major. English, English.
Julian of Norwich
(1342-1416). Burrow
s's setting of words of
assurance from the
English mystic Julian of
Norwich (1342-1416) is as
relevant today as ever.
For the advanced mixed
ensemble, the powerful
lyrics coupled with
gorgeous harmonies make
this an optimistic song
of hope appropriate
throughout the
year. All shall be
well, And all shall be
well, And all manner of
thing shall be well.
These words of assurance
from the English mystic
Julian of Norwich
(1342-1416) are as
relevant today as ever.
During her life, Julian
saw her community
devastated by the Great
Plague as well as deep
civil unrest. Yet through
all the turmoil came a
vision of hope that has
given the world this
profound text. One of the
most striking features is
how this short text
incorporates so much
repetition. It's as if
the writer knew she must
be gently persistent in
order for her optimistic
message to truly sink in.
The opening section tries
to capture musically some
of that persistent
optimism. Then there is a
departure from this
optimistic tone (measure
26) The feel becomes more
desperate, building to an
anguished cry (measure
38), acknowledging the
reality that, while all
shall be well, things are
very much NOT well right
now. Eventually the
anguish subsides (measure
52) as the music turns
back hopeward with the
calm assurance, again and
again, that all shall be
well. All shall be
well,And all shall be
well,And all manner of
thing shall be well.These
words of assurance from
the English mystic Julian
of Norwich (1342-1416)
are as relevant today as
ever. During her life,
Julian saw her community
devastated by the Great
Plague as well as deep
civil unrest. Yet through
all the turmoil came a
vision of hope that has
given the world this
profound text.One of the
most striking features is
how this short text
incorporates so much
repetition. It’s
as if the writer knew she
must be gently persistent
in order for her
optimistic message to
truly sink in.The opening
section tries to capture
musically some of that
persistent optimism.Then
there is a departure from
this optimistic tone
(measure 26) The feel
becomes more desperate,
building to an anguished
cry (measure 38),
acknowledging the reality
that, while all shall be
well, things are very
much NOT well right
now.Eventually the
anguish subsides (measure
52) as the music turns
back hopeward with the
calm assurance, again and
again, that all shall be
well. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Relevance in the Choral Art GIA Publications
SKU: GI.G-10102 A Pathway to Connections. Composed by Tim Sharp. M...(+)
SKU: GI.G-10102
A Pathway to
Connections. Composed
by Tim Sharp. Music
Education. 206 pages. GIA
Publications #10102.
Published by GIA
Publications
(GI.G-10102). ISBN
9781622774241. Cont
ributors: Juan Carlos
Acosta, Melissa Baughman,
Rhonda Fuelberth, Monte
Garrett, Alex Gartner,
Stephanie Henry, Joy
Hirokawa, Suzy Johnson,
Chris Ludwa, Jennifer
Rodgers
Relevance unlocks new
ways to build deep
connections with people
who do not immediately
self-identify with our
work as musicians.
Relevance in the Choral
Art outlines the alchemy
of relevance and its role
in offering meaningful
programs and concerts for
today’s audiences.
Relevance in the Choral
Art is a collection of
essays from leading
practitioners in the
choral field that
challenges musicians to
reflect on the role
choral music plays in
today’s culture
and what can be done to
keep it relevant. Now
more than ever we must
face the challenge of the
relevancy of choral music
in our culture, for
artistic directors and
their role within choral
organizations, for
members of choral
organizations, and for
the community that choral
music education and
performance serves. Tim
Sharp along with ten
contributing authors
explore the idea of
relevance and what it
means to the choral
community, offering
wisdom and guidance on a
range of topics,
including: The alchemy of
choral relevance A rubric
for achieving choral
relevance Programming for
choral relevance How to
empower minority and
underrepresented groups
in choral music How to
create choral experiences
for non-traditional
groups, such as those
comprised of individuals
with Alzheimer’s
or dementia, cognitive or
physical differences, and
even those who are
incarcerated How to
encourage and develop
youth leadership in
choral organizations When
something is relevant it
leads somewhere, brings
new value, and succeeds
in opening a door to
something valuable. It
gives new information,
adds meaning to life,
makes a difference, and
yields a positive effect.
Relevance in the Choral
Art provides valuable
insights based on
research, decades of
experience, and practical
applications for those
looking to revive and
grow the relevancy of
their work in choral
music. Tim Sharp is
Executive Director of the
American Choral Directors
Association (ACDA),
Vice-President of the
International Federation
for Choral Music (IFCM),
and Artistic Director of
the Tulsa Chorale.
Relevancy is at the
center of his aggressive
agenda in strategic
planning and progressive
initiatives, achieving
unprecedented success and
changing the conversation
in the choral world. Tim
appears regularly as a
guest conductor and
choral clinician
throughout the world.
Additional books in this
series are Mentoring in
the Ensemble Arts,
Collaboration in the
Ensemble Arts, and
Innovation in the
Ensemble Arts. Chapter 3:
Programming for the
Twenty-First Century
Handout Chapter 10:
Previous i2Choir Concert
Programs Chapter 10: Full
Color Examples. $22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hominis Dies, Op. 158a - Satb Chorale SATB - Intermédiaire Wilhelm Hansen
Mixed Choir [SATB] - Grade 5 SKU: HL.14041389 Liber Canticorum Va....(+)
Mixed Choir [SATB] -
Grade 5 SKU:
HL.14041389 Liber
Canticorum Va.
Composed by Vagn Holmboe.
Large Choral. Hymns &
Chorals. Vocal Score.
Composed 2002. Edition
Wilhelm Hansen #WH29767.
Published by Edition
Wilhelm Hansen
(HL.14041389).
Latin. The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope. The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Everyone Sang Chorale SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano SKU:
CF.CM9740 Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740). ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson. Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let There Be Peace on Earth - SSA Chorale 3 parties SSA [Octavo] - Intermédiaire Alfred Publishing
By Jill Jackson and Sy Miller. Arranged by Jay Althouse. For Choir. (SSA). Chora...(+)
By Jill Jackson and Sy
Miller. Arranged by Jay
Althouse. For Choir.
(SSA). Choral Octavo.
Peace/Brotherhood; Pop.
Level: Level 3 (grade
L3). Choral Octavo. 8
pages. Published by
Alfred Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Riders of the Purple Sage: The Opera based on the novel by Zane Grey (Piano/Vocal Score) Opéra - Intermédiaire Schirmer
Opera in 3 Acts for mixed voices (2[1.2/pic] 2 [1.2/Eh] 2 2- 4 2 2 1-tmp 2-hp,...(+)
Opera in 3 Acts for mixed
voices (2[1.2/pic] 2
[1.2/Eh]
2 2- 4 2 2 1-tmp 2-hp,
kbd-
str) - Late Intermediate
SKU: EC.8932
Composed by Craig
Bohmler.
Instrumental part. E.C.
Schirmer Publishing
#8932.
Published by E.C.
Schirmer
Publishing
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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