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McBurney, Samuel
Royaume-Uni
(1847 - 1909)
2 partitions
1 MP3 - 2 MIDI
SUIVRE
0
Ce n'est qu'un au revoir (Auld Lang Syne)
INSTRUMENTATIONS :
PIANO
› Piano seul
7
› 2 Pianos et cordes
1
› Clavier (piano, clavecin ou orgue)
1
GUITARE
› Guitare seule (notation standard)
4
› Guitare seule (avec tablature)
3
CHANT - CHORALE
› Chœur SATB, Quatuor à cordes
2
› Chœur SATB a cappella
2
› Chœur SSA, piano ou orgue ou guitare
1
› Lignes mélodiques et Accords (Lead sheet)
1
› Chœur SATB, piano ou orgue
1
› Chœur SATB
1
› Piano et Voix
1
› Chœur SSA a cappella
1
› Chant, piano ou guitare ou orgue
1
› Chœur a cappella
1
› Chœur SA, piano ou orgue ou guitare
1
› Chœur SATB, quatuor de cuivres
1
TROMBONE
› Trombone ou tuba ou euphonium, piano
1
SAXOPHONE
› Saxophone alto et Guitare
1
› sax soprano ou clarinette sib, guitare, basse, batterie
1
› Saxophone alto ou Clarinette en Mib, piano ou orgue
1
› Saxophone ténor et Guitare
1
› Quatuor de saxophones
1
HAUTBOIS
› Hautbois, Piano (clavier)
1
› Hautbois et guitare
1
TROMPETTE
› Trompette et Guitare
1
› Quatuor de Cuivres
1
› Trompette (Sib) ou Bugle, piano ou orgue
1
FLUTE
› Flûte (ou violon), piano (ou orgue)
1
› Quatuor à vent: Flûte, Hautbois, Clarinette, Basson
1
› Flute et Piano
1
› Ensemble de Flûtes
1
› Flûte et Guitare
1
ACCORDEON
› Accordéon, piano ou orgue ou guitare
1
› Accordéon
1
XYLOPHONE
› Xylophone, piano ou orgue
1
VIOLONCELLE
› Violoncelle, piano ou orgue
1
› 4 violoncelles
1
UKULELE
› Ukulélé (Tab)
1
VIOLON
› Guitare, Violon
1
› Quatuor à cordes
1
› Violon et Piano (ou Orgue)
1
ALTO
› Alto et Piano (ou orgue)
1
› Alto, Guitare
1
CLARINETTE
› Clarinette, Guitare
1
› Clarinette, piano ou orgue
1
› 4 clarinettes (quatuor)
1
FLUTE A BEC
› Flûte à bec, Guitare
1
› Flûte à bec (S. ou T.), piano (ou orgue)
1
BASSON
› Basson, piano ou orgue
1
COR
› Cor (Fa), piano ou orgue
1
VIBRAPHONE
› Vibraphone ou Marimba ou Xylophone, piano ou orgue
1
EUPHONIUM
› Trio de cuivres
1
+ 48
instrumentations
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ARRANGEURS :
› Anderson, Gustav
1
› Baptiste, Ronald
1
› Bergeron, Guy
1
› Bizzarri, Bruno
1
› Cumant, Micheline
1
› Daneels, Pierre-Paul
2
› DESSEN, Antoine
1
› Dewagtere, Bernard
31
› Hamm, Phil
1
› Heidtmann, Klaus
3
› Lewis, Alastair
10
› Messerschmidt, Hans Jorgen
1
› Muner, Ilso
1
› Ruthen, Roger
1
› RYSKOV, NIKOLAI
1
› Tagliabue, Renato
1
› Wallace, William
1
› Non attribuées
7
+13
arrangeurs
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CLARINETTE
Instrumentations
Hautbois et Clarinette (1)
2 flûtes, 1 clarinette (1)
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2
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Genres musicaux
Hymne - Eglise - Sacre
2
Compositeur
Samuel McBurney
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Wheelwright, Lance (2)
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Ce n'est qu'un au revoir (Auld Lang Syne)
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Samuel McBurney
(1847 - 1909)
Royaume-Uni
Samuel McBurney (1847-1909), educationist and music teacher, was born on 30 April 1847 in Glasgow, Scotland, eldest of the five children of Isaiah McBurney, I.L.D., and his wife Margaret, nee Bonnar. His father was classics master at Glasgow Academy and later principal of a school at Douglas, Isle of Man; he published a work on Ovid in 1854 and was co-editor of the Cyclopaedia of Universal History (London, 1855); he went to Victoria about 1881, and died there on 5 July 1896.
Samuel’s early e
ducation included musical training through the Tonic Sol-fa method. In 1864-66 he attended the University of Glasgow, becoming a prizeman in humanities. He migrated to Victoria in 1870 and taught classics and mathematics at schools in Kyneton, South Melbourne and Sale. He moved to Portland in 1875 and returned to England in 1876, intending to enter the Order of Benedicts, but a year later married Marie Louise Accleston. After a visit to Germany he returned to London to specialise in the Tonic Sol-fa method of teaching music, passing all the examinations of the Tonic Sol-fa College, London, and becoming a friend of the founder, John Curwen (1816-1880). McBurney returned to Victoria where in 1877 he was appointed principal of a Ladies’ College in Geelong. During almost a decade at the college he was an active member of the local ‘Shakespere’ Society, published textbooks on English, geography and music theory and began his crusade to propagate the method in music education. In 1878 he founded the Victorian Tonic Sol-fa Association and 1883 organised its first Intercolonial Conference at Geelong. From 1884 he began publishing articles on teaching the system in the Australasian Schoolmaster and writing letters to the press in an attempt to persuade the Education Department to recognise the method. In 1887 he toured the eastern colonies of Australia, conducting lecture-demonstrations and forming associations in New South Wales and Queensland. He also collected material on colonial peculiarities for Dr A. J. Ellis, On Early English Pronunciation, pt 5 (London, 1889). McBurney and his wife continued their lecture tour in New Zealand and North America, and then returned to England. To demonstrate the advantages of the system, McBurney passed examinations at the University of Dublin (Mus. Bac., Mus. Doc., 1890). Next year he was elected a fellow of the Tonic Sol-fa College, London.
On his return to Victoria in 1891 McBurney was given a temporary appointment as inspector of music with the Education Department and continued his advocacy of the system by giving lectures, offering postal courses and holding Tonic Sol-fa Summer Schools. Victoria’s worsening economic situation led to retrenchments and McBurney’s post in the Education Department was among those abolished. In 1894 with his wife he opened a Ladies’ College at St Kilda and also began teaching music based on the Tonic Sol-fa system at the Blind Institute, St Kilda Road, using a Braille raised-type notation which he had devised. In 1898 he was appointed an examiner in the University of Melbourne (Mus. Doc., ad eund., 1901). In 1902 he was appointed to the staff of the University Conservatorium of Music as teacher of sight singing and ear training.
McBurney was a prominent figure in education as scholar, teacher and author of many articles and books. He was widely travelled and interested in languages and dialects, serving for a time as secretary of the Esperanto Society in Melbourne. His compositions, although few and chiefly choral, include cantatas, part-songs and Australian patriotic songs. Aged 62 he died on 9 December 1909 at Melbourne, survived by his wife.
Biographical summary by Robin S. Stevens.
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Ce n'est qu'un au revoir (Auld Lang Syne)
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