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Vecchi, Orazio
Italie
(1550 - 1605)
21 partitions - 16 MIDI
SUIVRE
0
Orphée aux enfers
INSTRUMENTATIONS :
PIANO
› Piano et Voix
1
Original
› Piano seul
6
› 1 Piano, 4 mains (duo)
2
› 1 piano 6 mains
1
GUITARE
› Guitare seule (notation standard)
2
› Guitare seule (avec tablature)
1
CONTREBASSE
› Ensemble à Cordes
2
ACCORDEON
› Accordéon
1
VIOLON
› Violon et Piano
1
BATTERIE
› non définie
1
ORGUE
› Orgue seul
1
FLUTE
› Flute et Clarinette
1
› Flute et Piano
1
FLUTE A BEC
› Flûte à bec soprano et Piano
1
EUPHONIUM
› Euphonium seul
1
+ 10
instrumentations
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ARRANGEURS :
› Vecchi, Orazio
Original
1
› Bizzarri, Bruno
1
› Delahaye, Thomas
1
› Dewagtere, Bernard
4
› Durand, Patrice
1
› Giuseppe, Torrisi
1
› Grand, Mark
1
› LEUTHEREAU, Bernard
1
› MACHELLA, MAURIZIO
1
› RYSKOV, NIKOLAI
1
› Vincent
3
› Wheelwright, Lance
1
› ZEHAR, Farid
1
› Zencovich, Antonio
1
› Non attribuées
4
+9
arrangeurs
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1
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Genres musicaux
Renaissance
1
Compositeur
Orazio Vecchi
Arrangeurs
Lichtmann, Jay (1)
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Orazio Vecchi
(1550 - 1605)
Italie
Orazio Vecchi (December 6, 1550 (baptized) ? February 19, 1605) was an Italian composer of the late Renaissance. He is most famous for his madrigal comedies, particularly L'Amfiparnaso.
He was born in Modena, and studied with Salvatore Essenga, a Servite monk there. In addition he prepared for holy orders with early education at the Benedictine monastery, and took holy orders sometime before 1577.
By the end of the 1570s he was well-connected with the composers of the Venetian school (for ex
ample Claudio Merulo and Giovanni Gabrieli) since he collaborated with them in writing a sestina for a ducal marriage. During this period he accompanied Count Baldassare Rangoni on his travels, going to Bergamo and Brescia.
He was maestro di cappella (director of music) at the Salò cathedral between 1581 and 1584. Following this, he was the choirmaster at the cathedral of Reggio Emilia, until 1586. In that year he moved to Correggio where he was appointed canon of the cathedral there; he composed copiously during his time there, though he felt isolated from the major musical centers of Italy such as Rome, Venice, Florence and Ferrara. Eventually he attempted to correct this by moving back to Modena, where he attained the rank of mansionario (a priest who also had charge of the choir). He seems to have had considerable financial difficulties during this time, which he alluded to in his letters, and occasionally in his compositions.
In 1597 he visited Venice, where he published a collection of canzonette. In addition he published a huge amount of other music that same year, evidently his complete production of the last 16 years in Correggio and the other towns. One of the pieces he published was L'Amfiparnaso, which is his best-known composition.
Duke Cesare d'Este hired Vecchi in 1598 to be his maestro di corte, i.e. the master of music at his court, and Vecchi accompanied him to Rome and Florence in 1600; while in Florence he heard Jacopo Peri's opera Euridice. Afterwards he returned to Modena where he continued to serve in the cathedral until his death in 1605.
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