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Longueval, Antoine de
France
(1498 - 1525)
1 partition
SUIVRE
0
The Star Spangled Banner (Hymne National des États-Unis d'Amérique)
INSTRUMENTATIONS :
PIANO
› Piano et Voix
3
Original
› Piano seul
12
› Clavier (piano, clavecin ou orgue)
1
CHANT - CHORALE
› Voix Soprano (ou Ténor), piano (ou orgue)
1
Original
› Chœur SATB, piano ou orgue
1
Original
› Voix
1
Original
› Voix seule, Chœur et Clavier
4
› Chœur TTBB, Piano (ou orgue)
1
› Chœur TTBB a cappella
1
› Chœur SATB
1
› Voix Alto ou Basse, piano ou orgue
1
› Chœur SATB a cappella
1
› Chœur SSA a cappella
1
› Voix et Orchestre
1
› Chœur 3 parties
1
› Chœur SSA, piano ou orgue
1
› Chœur TTBB
1
GUITARE
› Guitare seule (notation standard)
2
COR
› Cor (Fa), piano ou orgue
1
CLARINETTE
› Clarinette, Piano
1
› Clarinette, piano ou orgue
1
SAXOPHONE
› Saxophone soprano, piano ou orgue
1
› Saxophone ténor, piano ou orgue
1
› Ensemble de Saxophones
1
› Saxophone alto ou Clarinette en Mib, piano ou orgue
1
› Saxophone alto, Piano
1
ORGUE
› Orgue seul
1
TROMPETTE
› Quintette de Cuivres : 2 Trompettes, 1 Cor, 1 Trombone, 1 Tuba
1
› Quatuor de Cuivres
1
› Trio de cuivres
1
› Trompette (Sib) ou Bugle, piano ou orgue
1
FLUTE
› Flûte (ou violon), piano (ou orgue)
1
› Quatuor à vent: Flûte, Hautbois, Clarinette, Basson
1
HAUTBOIS
› Hautbois, Clarinette, Basson
1
TROMBONE
› Trombone ou tuba ou euphonium, piano
1
CONTREBASSE
› Contre Basse, Piano
1
FLUTE A BEC
› Flûte à bec (S. ou T.), piano (ou orgue)
1
BASSON
› Basson, Piano
1
ALTO
› Alto et Piano (ou orgue)
1
VIOLONCELLE
› Violoncelle et Piano
1
› Violoncelle, piano ou orgue
1
ACCORDEON
› Accordeon, guitare et/ou piano
1
VIOLON
› Quatuor à cordes
1
+ 38
instrumentations
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ARRANGEURS :
› Longueval, Antoine de
Original
1
› Brewer, John Hyatt
1
› Daniel Froehling, Daniel
1
› Dewagtere, Bernard
23
› Durand, Patrice
1
› Godowsky, Leopold
1
› Haja Jean, RABESIAKA
1
› Jackson, Samuel P.
1
› Jacobs, Walter
1
› MACHELLA, MAURIZIO
1
› Manns, Jean
1
› Mendel, Fillipe
1
› Messerschmidt, Hans Jorgen
1
› Rachmaninoff, Sergei
1
› Scott Key, Francis
1
› Stults, Robert Morrison
1
› Tucker, Henry L.
1
› Vogrich, Max
1
› Volante, Ilio
1
› Voss, Charles
1
› Wallace, William
1
› Wheelwright, Lance
2
› Zencovich, Antonio
1
› Zisi, Matthew
3
› Non attribuées
11
+19
arrangeurs
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Antoine de Longueval
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Antoine de Longueval
(1498 - 1525)
France
Antoine de Longueval (fl. 1498–1525) was a French singer and composer of the Renaissance. A contemporary of Josquin des Prez, he was singing master of the French royal chapel under King Francis I, and was important in the history of the polyphonic setting of the Passion. Little is known about his early life, not even his approximate birthdate, but he was probably from the village of Longueval in the Somme region of Picardy (scene of much heavy fighting during the Somme battles in 1916). By 149
8, court records indicate that he was employed by Anne of Brittany, and between 1502 and 1504 he was a singer at the Savoy court, where his high pay indicates the respect he was accorded as a musician. From there he went to Ferrara, where he was a singer between December 1503 and September 1504; therefore he was there at the same time as Josquin des Prez. It is presumed that he wrote his most famous composition, the passion setting Passio Domini nostri for Holy Week of 1504, the same event for which Josquin's famous Miserere was likely written.
Why he left Ferrara is not known, but he may have fled an outbreak of the plague, as did Josquin and a large proportion of the town's population. In 1507 he is listed as a member of the group of private musicians of the French king, Louis XII, and in 1515, Francis I promoted him to maître de chapelle (singing master) of the royal chapel. That same year he went to Italy with the French king, along with composer Jean Mouton, where Pope Leo X made both composers apostolic notaries. On returning to France, Longueval was further honored by being made a canon of Notre Dame de Paris, a position he resigned in 1519 in order to become abbot of the Benedictine priory in Longueval, the probable town of his birth. Alfonso I, the Duke of Ferrara, made one more attempt to get him to return to his opulent musical establishment in Italy, but evidently was not successful. The last mention of Longueval is at the French court in 1525, and it is presumed he may have died shortly after.
His colleague at the chapelle royale, Pierre Moulu, pays tribute to Longueval in his 'musicians' motet' Mater floreat (from a manuscript presented to Lorenzo II de’ Medici at his wedding in 1518) which after paying tribute to the leading composers of Europe, from Du Fay, Regis, Busnois, Basiron, Alexander Agricola, Jacob Obrecht, and Josquin, turns to Louis XII's own composers giving first and longest place to Longueval.
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