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Canis, Cornelius

FLUTE › Canis, Cornelius

"Coeur Prisonnier" for Woodwind Quartet
Cornelius Canis
Quatuor à vent: Flûte, Hautbois, Clarinette, Basson

VoirPDF : "Coeur Prisonnier" for Woodwind Quartet (2 pages - 81.58 Ko)436x⬇

MP3 (81.58 Ko)108x⬇ 774x

Vidéo :

Compositeur	Canis, Cornelius (1506 - 1561)
Instrumentation	Quatuor à vent: Flûte, Hautbois, Clarinette, Basson
Genre	Renaissance
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Date	1545
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 05 Jui 2013
Cornelius Canis (Canis is a Latinisation of the Flemish name d'Hondt) was born between 1500 and 1510 and died in 1562). He was a Franco-Flemish composer, singer, and choir director of the Renaissance, active for much of his life in the Grande Chapelle, the imperial Habsburg music establishment during the reign of Emperor Charles V. He brought the compositional style of the mid-16th century Franco-Flemish school, with its elaborate imitative polyphony, together with the lightness and clarity of t...(+) Cornelius Canis (Canis is a Latinisation of the Flemish name d'Hondt) was born between 1500 and 1510 and died in 1562). He was a Franco-Flemish composer, singer, and choir director of the Renaissance, active for much of his life in the Grande Chapelle, the imperial Habsburg music establishment during the reign of Emperor Charles V. He brought the compositional style of the mid-16th century Franco-Flemish school, with its elaborate imitative polyphony, together with the lightness and clarity of the Parisian chanson, and he was one of the few composers of the time to write chansons in both the French and Franco-Flemish idioms. No specific records have survived documenting his early life. He was most likely from Ghent, since a surviving letter indicates that his parents lived there, and the earliest records of his career show that he was the singing-master and teacher of the choirboys at the Onze-Lieve-Vrouw-op-de-rade confraternity, part of the Church of St. John in Ghent. He may have been part of a large musical family, since other musicians named d'Hondt, de Hondt, and Canis were active in Ghent, Kortrijk, and other places with connections to the imperial chapel during the 16th century. Although originally written for Chorus, I created this arrangement for Woodwind Quartet (Flute, English Horn, Bb Clarinet & Bassoon).

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