 | Graun, Carl Heinrich - Trio Sonata in G Major for Violin, Viola & Harp Violon, Alto et Harpe |
VoirPDF : Trio Sonata in G Major for Violin, Viola & Harp (16 pages - 329.21 Ko)289x⬇ VoirPDF : Violon Part (135.78 Ko) VoirPDF : Alto Part (131.58 Ko) VoirPDF : Harpe Part (168.51 Ko) MP3 : Trio Sonata in G Major for Violin, Viola & Harp 61x⬇ 333x
Vidéo :
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| Compositeur : | Graun, Carl Heinrich (1704 - 1759) | ||
| Instrumentation : | Violon, Alto et Harpe | ||
| Genre : | Classique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 17 Mar 2015 Karl (Carl) Heinrich Graun (1704-1759) was a German composer and tenor singer. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Graun was born in Wahrenbrück in Brandenburg. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Dresden Opera. He studied singing with Christian Petzold and composition with Johann Christoph Schmidt. In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera Lo specchio della fedeltà for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was Kapellmeister to Frederick the Great from his ascension to the throne in 1740 until Graun's death nineteen years later in Berlin. Graun memorial in WahrenbrückGraun wrote a number of operas. His opera Cesare e Cleopatra inaugurated the opening of the Berlin State Opera (Königliche Hofoper) in 1742. Montezuma (1755) was written to a libretto by King Frederick. His works are rarely played today, though his passion cantata Der Tod Jesu (The Death of Jesus, 1755) was frequently performed in Germany for many years after his death. His other works include concertos and trio sonatas. Although originally written for Flutes (2) and Basso Continuo, I created this arrangement for Violin, Viola & Concert (Pedal) Harp. | |||
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