g atempc atempo ~atempo a tempo atempv a - three four five six,ah, atm. attack and legato a_ttaok and lega'to. aucun, humble, &c. awl' of binu!"u. aw, no. ix., all, back. back, while keeping the elbows in. bah tah mah char bar, ahre, &c. baritone. baritones, into bd or a. basses, into g or f. bawl, &c. beat of this last subdivision. be-dient, before pronouncing the final t. before pronouncing the i. bellini. be - lov be __ mine, be observed. be sung be ~ung thus- ~bfr": bip" book well forward.) so much for position. bra - breath breath - breath- breath. breathing exercise recapitulated. breath, knows how to sing. breath rightly. brilliant splendid brj* bronchitis. bruna, e i1 buf bnlhant. busch, fuchs, dunkel, onkel, &c. buzz no. i i. is by practising them in the head voice. by singing a (urn or a trill, &c.; accordo (pron. call - ing can- 0 dov' eil mio car. &-c.; cu (koo), ciu cear be - cen - to cen_to cen-to cen - to trap. po .le cer - co chapter. chest register . chest register. che tu (chew), gu (goo), chia - mo chromatic scale, and may be written- cile, cio (chaw),go (gor), cllest register. complementary to the body of tms work. con - con- con. con anima. concluding observations concluding observatl ons. con l (continue) contralto. contraltos, into a~ or g. con - trive, control. control of the singer. control the breath rightly. coo, &c. coure'-ge, capte-n, &c. creme, &c. cres. cresc. - cresc..~ crest:. (crmft"nue) cru, &c. cultivation of the art of singing. cup, &c. decay. deh vie - ni, non tar-dar, del; my guardian der, descending a fourth. description. dessert, mer, &c. dien dient, di figaro." dim. dim.- diphthong should be heard.) diphthoug should be heard, but do - cile, dolce dol - ce a_mo and dures, each pace while slowly walking. earl, &c. e cen-to e cen- to ee. pponetwothreefourfive:"ix,ahlah let' (elen a e paride.; ;eltich embellishments. embellishments the appoggiatura e minor. en - chant english vowel sound. entirely unable to e:re!'n:\*e.~ illstead qj' the single er is vowel sound xii. er, no. xii., burr, ~ etc. ~etc. etc. (etc. up the scale.) et fresh eue, v.'ho would talk so of her son? e upwards. e - ver my gaze doth every, &c. eve too. ex.7,pag'8(l~ ~"c, examples. exercise on the arpeggio. exercises on agility exercises on agility. exercises on the arpeggio exercises on the trill exercises on the trill. ex, in gluck of the appogglatura ex. in handel of the appoggiatura expi~essron. expression . fa - rb gio- faulty production faulty produotion. fa u:oll1ld my deep af- faure, &c. fcil. fec - feel, &c. fepble and effrminal!'. feu, eux, and fu, "f!: fii- fi \'e seconds. fig. 10. *. filah, - fin, fin, fin - che l'a-ria e ancor fi \'p hecolhh. five flats and two naturals. fi w' seeolhls. ~ flah, flah, (flan tinue) fle traps be-fore i'll flr~ for addiuonal exercise for a; variant see 1ja cr e 55 for a vart'ant see vall'e 54 for va'l'iants freedom of the tuning mltscles. french. french eu, as french u (without the two fre-sca, friih - hngs - gar - ten fron - te front view of 'l'he chest. ftj~wf-~ f tthlen, trttben,&c. ftv. - ful, full power. full powpr. full purer. fun, love, rough, &c. fur-ti fuse gain! german. g (fig. 6). ghe sem-bian -:le gi 'lcan - gio - car gio -ja gio (jaw). giu - giu (jew). glo - car,_ goring thomas. got ker gov - erns me, my guardian gra"ioso gruppetto or turn . gruppetto or turn. guides, and guides, but} but if they handel. hanj)['::l. hap: pi - harmonic form. have haydn. head reg*istcr. head register . head register. head registrr. heart, &c. higher up for the former. hints on phrasing hints on phrasing. his oozy locks he laves." hon a per-feet hoojr.!:morz. key-signature. lab, lab'," lab) lab lah lah, lab. lah lah, lab. pponetwo three four fh-e six,ab , laclhi;:, 'lah, 'lah,- - ... " lah, lah~ lah, lah, _ lah, _ _ lah, _ _. lah,_ lah,- lah:-~ lah! lah. lah) lah 1ahlah 1ah, ~-.tv- lah dat tay ne'er lah doo took naw lah f lah lab lab, _ lah lab lah, ~lah lah lah lah lab, lah lw lab. lah, l'a-me-ni-ta del larghetto. largo. la -scio last last _ _ last, last. last but one or two seconds. last two note;, to * later ill his * latf'r in his studies the * latn' in la yin -ce - ro, learn to avoid. least breath. leb leh lch, __ ah leg-ato ensues, forming- a trill. leh 1eh if'h,_ ah leh jeh jeh, len, &c. l'er- bae le, sa-rau - na (let; (let) let the final sound lfe- (!lft) lfu:- lfu. lib: lied, &c. 'lif life, lift', lio~ /'lioo"". lips and face lips and f aoe. list of major diatonic scales. little cliararter. little\ower. little power.j imoderate i ljr. !;'loderate power.1 ,., ~ lol. ,., ~ lol. --; look, &c. loose, - unconscious. love lov - ing lowe, &c. low m.ezzo soprano. "l"pper cheiof' reg-ister. l<'ront vilnv o~' tile chest. l:'xpre~s. "lycidas." major scale. malie so beau-teous management of the breath management of the breath. man-the utterance of speech. meas-ure~hem mediujv[ register. medium register medium register. meglio, petto, bello, melodic form. melody. m'em - pie mentioned. messa di voce . messa di voce. me will i con- might seem. mil) dol miltolt, .. arcades." mine, mine. minor. ?~ mio moderate moderate power. moderate power andj moderato. moderato grazioso. mo "era e po~~r\ "'" mo?erate power and ~ ~ ~ moi, toi, &c. mot. moves with every change of note. mozart. much later period. muscles of thj<: tongue. must not be my guardian my heart's nar, _ _ near n~etc. n;j~ lfg note. note. - note as a test. notes. notes." notes, cannot sing.) not long not - te -.., not very,pr,asi01la!!y, a/fer a slight ouly the first sound of this out of tune. out tone should be maintained. over the consonant paces. p~ano. ~ part 1 part 2 part 3 part 4 part, conveyed by word of mouth only. perfect vocalisation. -=-~ pff" ~~ phrasing. phyrs pia/m piano ;piano. piano~ piano, piano. piano.~ piano. \ piano'~ pia~o. pia?'{o. piaxo. piu. pjpone two three fourfivei::!ix,ah, _ _ lab place a small placing the voice p lah p lah, plaoing the voioe. points above it); and po -le pri-ma di portions of a triplet - e. g., position. power. power. i ppponetwothreefijurfivesix,ah, _ prako '.( pre~ preceditllf preliminary exercise prif. pronunciation pronunciation. .,-ps, lin . do qdbi'" qif- ~qjr.: i,~j: quality of his notes. quavers is in ~ or in ~ time? r?/=.8at ad lib. 011 "ah" reg - ge- re, mi 1a- scio register. repeat ad lib oll"ah" res- res - pi respiration. rests : - ret - 'rhm .\ll'1' ob' singing. rit, rit. rit. i\. rit, qui, &c. rlj--~ tj rossini. rp, sl/iorz. rt'jjeat ad lib. olt "ah" rule same key-signature. sa,mi la - scio scale. scale of c major. scales and their formation scales and their formation. schule, &c. schwor, &c. scotch melody. sdlgi~g. s('('dnds before the final d. seek - ill{j se - eon-da! segno (senyo), ce sehen, leben, &c. seizure, &c. shakespeare - shakespeare ;-. shakespeare 'l'j-il~ shakespeare thl~ shall be shall if shall it shn~ld b. 'nng. should be felt ag:1inst the lower teeth. should be sung. si~gdtg. sigh, si~ging. si~gixr.. si, lin- si. lin - do si~mng. since singdw. singer. singers of his time. singers of the present day? singi~g. singing, singing. singl~g. - sio sixgl~g. s)jlendid characteristic 'slngi~g. smorz soft soft- soft palate soft palate. so shall it sounded. sounds only are sustained. spet spon-da, sppolhh b('[o1''' th" t. ste - stnp;tng a turn stream of continuous sound. striotly observed during praotioe. students. studie.~ the sub - !le traps before i'll _ _ sullivan. sung. supported. table of the registers "tau - ra te, &c.; cera, sera, temjjo di mimletto. tenor. (the sound test the breath ('oldrol by t!fone two thrpe four fin' "ix. ah, that which is accented. the. the aet 01<' singing. the aht of singixg. the altt of singing. the ant of singing. the appoggiatura. the a.p.t of singing. the ar'r of singing. the art nf singing. the art of the art of sewi:\g. the art of sfnging. the art of si:kgikg. the art of sikgikg. the art of sikging. the art of sikgixg. the art of sikgli\g the art of singhw. the art of singi~g. the art of singi!\g. the art of singii\g. the art of singikg the art of singi.kg. the art of singikg. the art of singing the art of ,singing. the art of si:nging. the art of sin"gin'g. the art of singin"g. the art of singing - the art of singing, the art of singing: the art of singing. the art of-singing. the art of singing - part 1 the art of singing - part 2 the art of singing - part 3 the art of singing - part 4 the art of singing - part i the art of singixg the art of sin"gixg. the' art of singixg. the art of sing-uw. the art of sixgikg. the art of sixging. the art of sixgixg the art of sixgixg:. the art of sixgixg. the art of sixgixrr. the art of slxgixg. the art of sn'ging. the art of sr:-lging. the art oip singd1g. the art oi!' singing. the art oi!' singi::sg. the art ojo' singing. the art ol!' singing. the art ov singing. the a[{t of singing. the breath. the buzzes the buzzes. the english-speaking race. the expression of a smile. the final r should be rolled.) the french words bon (pron. bohnc ), the german ch, when it follows a, the hack of the head. the high notes. the jaw the largest theatre. the last). the list of english vuwpls them them immediately. them in a whoopy medium voice. then what the remaining diphthongs the remaining diphthongs. the same vow"l. the scale as dv. these sounds the shelf. the small the sound the ,taw. the tongue the tongue. the turn in the the vocal organs the voice on the breath the voioe on 'the breath. the voq.a.. l organs. the worcls it eats. the word schiin, and they are all white notes. they \\"ill form a u:--efnl adjunct aml will they should be sung. this this. this precaution. this sound is extremely thorax. thosewaves tho~wav~ thou thou, thought well thou my hearts thou !wst tllrill'd tho~waves tho~waves thus thy dear tien, loin, &c. \tih) tiie aht of tile ant of singing tile art of sikgixg. tile art of singing. tile art of sixgi-;\g. timc. time bent forwards." time or rhythm. - tion a per-feet vi tjone :.tjt9 lah, tl allegro moderato. tle traps be -fore i'll tm traps tnl!, to describe tone . tone. too often and in the wrong place. toujours, &c.
VoirPDF : Partition (202 pages - 28.63 Mo)1 781x⬇
 | Shakespeare, William - The Art of Singing Voix |
VoirPDF : Partition (202 pages - 28.63 Mo)1 781x⬇
| Compositeur : | Shakespeare, William (1849 - 1931) | ||
| Instrumentation : | Voix | ||
| Genre : | Methodes | ||
| Arrangeur : | |||
| Editeur : | |||
| Date : | 1898-99 | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par FS, 12 Mai 2010 | |||
