Bach, Johann Sebastian - "Nun komm' der Heiden Heiland" for Flute & Harpsichord BWV 659 Flute et Harpe |
Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
Instrumentation : | Flute et Harpe | ||||
Genre : | Baroque | ||||
Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
Droit d'auteur : | Public Domain | ||||
Ajoutée par magataganm, 13 Déc 2012 The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade 1740-1750, from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales and the third book of the Clavier-Übung, they represent the summit of Bach's sacred music for solo organ. "Now comes the gentiles' Saviour" (Nun komm' der Heiden Heiland), BWV 659, is written in meantone temperament over the quavers of the continuo-like "walking bass" in the pedal, the two inner parts move forward meditatively in canon, beneath the florid and melismatic cantus firmus. The beautiful melody, endlessly prolonged and never fully perceptible amid the freely spiraling arabesques, evokes the mystery of the incarnation; it is matched by the perfection of the accompaniment. Although this work was written for solo voice and basso continuo, I created this arrangement for Flute and Harpsichord. Partition centrale : | 18 préludes, chorals pour orgue (74 partitions) | |
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