Free-scores.com : Bach, Johann Sebastian - Fugue on a Theme of Legrenzi for Woodwind Quartet (Quatuor à vent: Flûte, Hautbois, Clarinette, Basson)

CRITÈRES : Fugue sur le Theme de Giovanni Legrenzi, BWV 574 (5) (Bach, Johann Sebastian)

Fugue on a Theme of Legrenzi for Woodwind Quartet
BWV 574
Johann Sebastian Bach
Quatuor à vent: Flûte, Hautbois, Clarinette, Basson

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VoirPDF : Fugue on a theme of Legrenzi (BWV 574) for Woodwind Quartet (17 pages - 379.15 Ko)648x⬇

VoirPDF : Basson (79.71 Ko)

VoirPDF : Bb Clarinette (98.93 Ko)

VoirPDF : Flûte (100.81 Ko)

VoirPDF : Hautbois (99.88 Ko)

VoirPDF : Conducteur complet (231.62 Ko)

MP3 : Fugue on a theme of Legrenzi (BWV 574) for Woodwind Quartet 139x⬇ 1763x

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Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	Quatuor à vent: Flûte, Hautbois, Clarinette, Basson
Partition centrale	Fugue sur le Theme de Giovanni Legrenzi (5 partitions)
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 05 Janv 2013
Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musici...(+) Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time. This fugue was probably written during Bach's years in Arnstadt, where he served as organist at the Neue Kirche. He had always shown interest in the works of the Italian masters and wrote a number of compositions based on their themes, including Fugue for organ in B minor (on a Theme of Corelli) (BWV 579), Fugue for keyboard in B minor (on a theme of Albinoni) (BWV 951), and this C minor effort for organ based on a theme by Giovanni Legrenzi (1626 - 1690). The work opens with Legrenzi's theme, a stately creation that Bach brilliantly developed during the course of the fugue. It begins with a sort of five-note motto that rises high on the keyboard, almost serving as a repeating fanfare on each of its appearances. Not surprisingly, Bach's contrapuntal writing is brilliant throughout and at the core of the work's success, inner voices emerge with crucial detail or blend deftly with the main line to forge some new thematic aspect. Near the end is a cadenza-like episode of great drama that leads to a brilliant, powerful close. This work typically has a duration of six or seven minutes. Although originally composed for Organ, I created this arrangement for Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon).

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Fugue on a Theme of Legrenzi for Woodwind Quartet (principal) - compositeur Bach, Johann Sebastian PARTITIONS

Quatuor à vent: Flûte, Hautbois, Clarinette, Basson

Baroque