 | Merula, Tarquinio - Ciaccona for Woodwind Trio Flute, Hautbois, Basson |
VoirPDF : Ciaccona for Woodwind Trio (4 pages - 332.45 Ko)930x⬇ MP3 (332.45 Ko)228x⬇ 1039x
Vidéo :
![]()
| Compositeur : | Merula, Tarquinio (1594 - 1665) | ||
| Instrumentation : | Flute, Hautbois, Basson | ||
| Genre : | Baroque | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 30 Mai 2013 Tarquinio Merula (1594 - 1665) was an Italian composer, organist, and violinist of the early Baroque era. Although mainly active in Cremona, stylistically he was a member of the Venetian school. He was one of the most progressive Italian composers of the early 17th century, especially in applying newly developed techniques to sacred music. He was born in Busseto. He probably received early musical training in Cremona, where he was first employed as an organist. In 1616 he took a position as organist at S Maria Incoronata in Lodi, where he remained until 1621, at which time he went to Warsaw, Poland to work as an organist at the court of Sigismund III Vasa. A chaconne is a type of musical composition popular in the baroque era when it was much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the Passacaglia. The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof. Although this piece was originally written for baroque instruments and continuo, I arranged it for Woodwind Trio (Flute, Oboe & Bassoon). | |||
