 | Cherubini, Luigi - "Lauda Sion Salvatorem" for Flute, Oboe & Piano Flûte, Hautbois, Piano |
VoirPDF : "Lauda Sion Salvatorem" for Flûte, Oboe & Piano (7 pages - 260.27 Ko)901x⬇ VoirPDF : Flûte Part (158.79 Ko) VoirPDF : Hautbois Part (157.24 Ko) VoirPDF : Piano Part (199.23 Ko) MP3 : Audio principal (199.23 Ko)306x⬇ 1164x
Lauda Sion Salvatorem for Flute, Oboe & Piano
MP3 (2.59 Mo) : 
(par Magatagan, Michael)239x⬇ 174x
Lauda Sion Salvatorem for Flute, Oboe & Piano
MP3 (2.59 Mo) : (par Magatagan, Michael)181x⬇ 134x
Lauda Sion Salvatorem for Flute, Oboe & Piano
MP3 (2.75 Mo) : (par Magatagan, Michael)301x⬇ 101x| Compositeur : | Cherubini, Luigi (1760 - 1842) | ||
| Instrumentation : | Flûte, Hautbois, Piano | ||
| Genre : | Classique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 13 Oct 2013 Luigi Cherubini (1760 – 1842) was an Italian composer who spent most of his working life in France. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, maestro al cembalo ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini studied counterpoint and dramatic style at an early age. By the time he was thirteen, he had composed several religious works. Lauda Sion Salvatorem is a sequence prescribed for the Roman Catholic Mass of Corpus Christi. It was written by St. Thomas Aquinas around 1264, at the request of Pope Urban IV for the new Mass of this Feast, along with Pange lingua, Sacris solemniis, and Verbum supernum, which are used in the Divine Office. As with St. Thomas' other three Eucharistic hymns, the last few stanzas are often used alone, in this case, the "Ecce panis Angelorum". Lauda Sion is one of only four medieval Sequences which were preserved in the Missale Romanum published in 1570 following the Council of Trent (1545-63). It is still sung today. "Lauda Sion Salvatorem" ("Praise, O Zion, praise thy Saviour") was originally written for Chorus (SA) and Organ. I created this arrangement for Flute, Oboe & Acoustic Piano. | |||
