 | Aiblinger, Johann Caspar - "In the Manger" (Bei der Krippe Jesu) for Piano Piano seul |
VoirPDF : "In the Manger" for Piano (1 page - 70.54 Ko)677x⬇ MP3 (70.54 Ko)158x⬇ 982x
| Compositeur : | Aiblinger, Johann Caspar (1779 - 1867) | ||
| Instrumentation : | Piano seul | ||
| Genre : | Noel | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 31 Oct 2013 Johann Caspar Aiblinger (1779 – 1867) was a German composer. He was born in Wasserburg am Inn, Bavaria. In his eleventh year he commenced his studies at Tegernsee Abbey, where he was instructed in piano and organ-playing. Four years later he entered the gymnasium at Munich, where he studied under Professor Schlett, his countryman. In 1800 he began his studies at the University of Landshut. Inwardly drawn to the Catholic Church, he completed his philosophy and began theology, but the secularization of many religious orders in Bavaria prevented his entrance into a cloister. He now devoted himself solely to music. Led by the then prevailing idea that without a visit to Italy no musical education is complete, he turned his footsteps southward. After a stay of eight years at Vicenza, where he fell under the influence of his countryman Johann Simon Mayr, Aiblinger (1811) went to Venice and there met Meyerbeer, who procured for him an appointment at the Conservatory. His failure to establish a school for classical music led him to Milan to assume the direction of the local ballet. On his return to Bavaria, King Maximilian I Joseph of Bavaria invited him to Munich to direct the Italian opera. King Ludwig I of Bavaria appointed him director of the royal orchestra, and sent him to Italy to collect old Italian masterpieces. On his return be became the organist of the church of All Saints for which he wrote many valuable compositions. Between 1820 and 1830 he tried operatic composition, but was unsuccessful. A crusade against Italian music, which led to the revival of Christoph Willibald Gluck's Iphigenia in Tauris, followed. Then he took up church music, studying the old masters and procuring performances of their works. He also wrote much church music. His numerous compositions comprise masses and requiems, offertories and graduals, psalms, litanies, and German hymns, many of which have been published at Augsburg, Munich, Regensburg, and Mainz. Although this piece was originally written for Voice (SA) and Organ, I created this arrangement for Solo Acoustic Piano. | |||
