VIOLONBach, Johann Sebastian
Bach, Johann Sebastian - "So aber Christus in euch ist" for String Trio
BWV 227 No. 8
Trio à cordes


VoirPDF : "So aber Christus in euch ist" (BWV 227 No. 8) for String Trio (2 pages - 87.45 Ko)453x
MP3 : "So aber Christus in euch ist" (BWV 227 No. 8) for String Trio 82x 448x
MP3
Compositeur :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

Trio à cordes

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian Bach
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 05 Janv 2014

"Jesu, meine Freude" ("Jesus, My Joy") is a motet composed by Johann Sebastian Bach. The work, which takes its title from the chorale by Johann Franck on which it is based, is also known as Motet No. 3 in E minor, BWV 227. The stanzas of the chorale are interspersed with passages from the Epistle to the Romans.

Bach's organ piece, chorale prelude BWV 610, bears the same title. This work, which is earlier and shorter than the motet, is based on the same chorale melody by Johann Crüger. There are six authenticated funeral motets (BWV 225--230) written for St Thomas's Church, Leipzig, between 1723 and 1727.

To Bach's contemporaries "motet" meant a simple vocal work without independent instrumental parts (though instruments sometimes doubled the voices). Motets often began the Sunday service, and were typically sung by inexperienced singers. In a 1730 memo to the Leipzig town council, Bach mentioned boys in his school who were "motet singers, who need further training in order to be used eventually for figured music," by which he meant the more elaborate and demanding music of the cantatas. But Bach's own motets, like all his music, are quite demanding, and he likely did not use them in church services. It is not clear exactly what their purpose was. One of them is known to have been sung at a prominent person's funeral, but theories about specific occasions for his other motets, including Jesu, meine Freude, have not held up over the years.

Most 18th-century Lutheran church music is based on hymns, called "chorales," that dated from the previous two centuries and were familiar to everyone. In Jesu, meine Freude, the odd-numbered movements are settings of verses of Johann Franck's 1653 chorale of the same name, while the even-numbered movements set excerpts of Paul's Epistle to the Romans. The eleven movements have an overarching symmetry, much of it not apparent, or important, to the listener, though it's worth noting that the first and last movements are identical harmonizations of the chorale, the second and tenth movements work with the same musical material, the central sixth movement is an elaborate fugue, and Bach reduces the texture to three voices in the fourth and eighth movements.

Although "So aber Christus in euch ist, so ist der Leib zwar tot um der Sünde willen; der Geist aber ist das Leben um der Gerechtigkeit willen" ("However if Christ is in you, then the body is dead indeed for the sake of sin; but the spirit is life for the sake of righteousness") was originally written for Chorus (SATB), I created this arrangement for String Trio (Violins, Viola & Cello).
Partition centrale :Jesu, meine Freude (28 partitions)
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