 | Bach, Johann Sebastian - Aria: "Chi in Amore ha Nemica la Sorte" for Cello & Harp BWV 203 No 3 Violoncelle, Harpe |
VoirPDF : Aria: "Chi in Amore ha Nemica la Sorte" (BWV 203 No 3) for Cello & Harp (6 pages - 170.08 Ko)537x⬇ VoirPDF : Violoncelle Part (74.37 Ko) VoirPDF : Harpe Part (144.91 Ko) MP3 : Audio principal (144.91 Ko)93x⬇ 1087x
Aria: Chi in Amore ha Nemica la Sorte for Cello & Harp
MP3 (8.08 Mo) : 
(par Magatagan, Michael)93x⬇ 110x
Aria: Chi in Amore ha Nemica la Sorte for Cello & Harp
MP3 (8.09 Mo) : (par Magatagan, Michael)51x⬇ 91xVidéo :
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Violoncelle, Harpe | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 06 Fév 2014 Johann Sebastian Bach (1685 -- 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Mass in B minor, the The Well-Tempered Clavier, his cantatas, chorales, partitas, Passions, and organ works. His music is revered for its intellectual depth, technical command, and artistic beauty. "Amore Traditore" ("Treacherous Love" BWV 203), is a secular cantata composed by Johann Sebastian Bach in Weimar between 1718 and 1723. Bach composed this cantata in Weimar between 1718 and 1723 for an unknown occasion. Its librettist and first performance is also unknown. Unusually for Bach, the text is Italian; only one other cantata (BWV 209) has Italian text. It is based on the Italian solo cantata tradition and is in three movements for singer and keyboard (and possibly cello or viola da gamba). This, the final aria is a da capo aria, with three lines of counterpoint and a complex keyboard part. Although originally composed for bass voice and continuo, I created this arrangement for Cello and Concert (Pedal) Harp. Partition centrale : | Amore traditore (5 partitions) | | |||
